CLASS: Nov 28, 2018 -- COMPLETE Flashcards

1
Q

Review Questions

Which innovations do we associate with the music of Archangelo Corelli?

A
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2
Q

Review Questions

What are the key characteristics of a baroque concerto?

A
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3
Q

Bach’s Career

  • Moved around in a circumscribed area in ______.
A

Bach’s Career

  • Moved around in a circumscribed area in northeastern Germany.
    • Compared to Handel who travels all over the place.
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4
Q

Bach’s Career

  • _____ Family
A

Bach’s Career

  • Musical Family
    • Brother and father
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5
Q

Bach’s Career

  • ______ Career
    • Didn’t travel very far. Not in the big cities and seeing what all the rage was. Insulated in NE Germany
A

Bach’s Career

  • Provincial Career
    • Didn’t travel very far. Not in the big cities and seeing what all the rage was. Insulated in NE Germany
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6
Q

Bach’s Career

  • Started as _____ Organist
A

Bach’s Career

  • Started as Church Organist
    • Shifted quickly to court composer
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7
Q

Bach’s Career

  • JOBS:
    • Ducal Court Musician (_____)
      • Keyboard music
      • Instrumental Ensembles
A

Bach’s Career

  • JOBS:
    • Ducal Court Musician (Weimar)
      • Keyboard music
      • Instrumental Ensembles
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8
Q

Bach’s Career

  • JOBS:
    • Cantor/Music Director (______)
      • Sacred music
      • Where he is buried
      • Lived and worked until his death
      • Lots of responsibilities there
      • Teaching and making sure choir boys were fed and dressed
      • Had to compose an entire cantata every single week, setting text related to theme or service that week. Very busy. When he self-borrows, that’s the life of a work-a-day musician “I’ve got to come up with an hour’s worth of music. Plug and play.”
A

Bach’s Career

  • JOBS:
    • Cantor/Music Director (Leipzig)
      • Sacred music
      • Where he is buried
      • Lived and worked until his death
      • Lots of responsibilities there
      • Teaching and making sure choir boys were fed and dressed
      • Had to compose an entire cantata every single week, setting text related to theme or service that week. Very busy. When he self-borrows, that’s the life of a work-a-day musician “I’ve got to come up with an hour’s worth of music. Plug and play.”
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9
Q

Bach’s Career

  • _______ Career
    • Working church musician
A

Bach’s Career

  • Pragmatic Career
    • Working church musician
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10
Q

Bach’s Career

  • When did Bach’s world fame begin?
A

Bach’s Career

  • When did Bach’s world fame begin?
    • Mendelssohn’s Bach Revival (19th c)
      • Bach was not a world-famous musician but was known where he was
      • World fame began when Mendelssohn performed much of his works on a concert stage. Back in Bach’s day, this did
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11
Q

Bach’s Style

  • “_________”
    • When you hear it and see it on the page, it’s very evident you’re looking at Bach. Very different than anything else, especially in the Baroque period
A

Bach’s Style

  • Individualistic
    • When you hear it and see it on the page, it’s very evident you’re looking at Bach. Very different than anything else, especially in the Baroque period
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12
Q

Bach’s Style

  • Old-fashioned
    • Bach did Imitative Counterpoint, much like two composers:
A

Bach’s Style

  • Old-fashioned
    • Bach did Imitative Counterpoint, much like two composers:
      • Josquin
      • Palestrina
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13
Q

Bach’s Style

  • Old-fashioned
    • Ever since days of Josquin and Palestrina, counterpoint had been decreasing in ______ in favor of Monody, expressive monody, and opera etc trends
A

Bach’s Style

  • Old-fashioned
    • Ever since days of Josquin and Palestrina, counterpoint had been decreasing in popularity in favor of Monody, expressive monody, and opera etc trends
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14
Q

Bach’s Style

  • Old-fashioned
    • _____ trends of Corelli and Vivaldi are on the rise
A

Bach’s Style

  • Old-fashioned
    • Tonality trends of Corelli and Vivaldi are on the rise
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15
Q

Bach’s Style

  • Old-fashioned
    • Bach is at the center of the two trends:
A

Bach’s Style

  • Old-fashioned
    • Bach is at the center of the two trends:
      • counterpoint
      • tonality
    • Bach takes a contrapuntal style and melds it with a tonal form
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16
Q

Bach’s Style

  • Dense
    • Dense web of ______
A

Bach’s Style

  • Dense
    • Dense web of melodies
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17
Q

Bach’s Style

  • Dense
    • Sets Bach apart.
      • Josquin and Palestrina because were writing for:
A

Bach’s Style

  • Dense
    • Sets Bach apart.
      • Josquin and Palestrina because were writing for voices, not instruments, and writing for fewer voices than what Bach was working with
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18
Q

Bach’s Style

  • Dense
    • Hard to ____ and difficult to make it sound easy, Fugues
A

Bach’s Style

  • Dense
    • Hard to play and difficult to make it sound easy, Fugues
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19
Q

Bach’s Style

  • _______
    • “Spinning-out”
A

Bach’s Style

  • Fortspinnung
    • “Spinning-out”
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20
Q

Bach’s Style

  • ________
    • He takes one idea and rolls with it. Ball of yarn and keep pulling and pulling. Neatly organized mess on the floor. No longer have tighly wound ball of yarn.
A

Bach’s Style

  • Fortspinnung
    • He takes one idea and rolls with it. Ball of yarn and keep pulling and pulling. Neatly organized mess on the floor. No longer have tighly wound ball of yarn.
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21
Q

Bach’s Style

  • Sharply focused designs
    • Harmonic _____ and _____
A

Bach’s Style

  • Sharply focused designs
    • Harmonic rhythm and function
      • Fugual Entrance: Subject and answer are harmonically related
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22
Q

Bach’s Style

  • Sharply focused designs
    • Harmonic rhythm/Harmonic function
      • Fortspinnung:
        • Arrivals in particular ____ on particular harmonies.
A

Bach’s Style

  • Sharply focused designs
    • Harmonic rhythm/Harmonic function
      • Fortspinnung:
        • Arrivals in particular keys on particular harmonies.
23
Q

Bach’s Style

  • Sharply focused _____
A

Bach’s Style

  • Sharply focused designs
24
Q

Bach’s Style

  • Prolific Composer: Wide Variety of ______
A

Bach’s Style

  • Prolific Composer: Wide Variety of Repertoire
    • Bach vs. Josquin. Josquin wrote in a wide variety as well (Chanson, motet, masses) fewer genres to pick from back then
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Bach’s Style * Sharply focused designs * Harmonic rhythm/Harmonic function * Fortspinnung: * Tonally driven \_\_\_\_, tonic-dominant, circle of fifths, and back to tonic.
Bach’s Style * Sharply focused designs * Harmonic rhythm/Harmonic function * Fortspinnung: * Tonally driven **_forms_**, tonic-dominant, circle of fifths, and back to tonic.
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Bach’s Genres
Bach’s Genres * Concertos * Preludes and Fugues: * *(Well-Tempered Clavier)* * Chorale Preludes: * *(Orgelbüchlein)* * Cantatas (German!) * Passions
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Bach’s Genres * Concertos * Lookup on ____ and watch * Grosso
Bach’s Genres * Concertos * Lookup on **_Youtube_** and watch * Grosso
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Bach’s Genres * Preludes and Fugues: (Well-Tempered Clavier) * Collection of Preludes and fugues in every _____ key
Bach’s Genres * Preludes and Fugues: (Well-Tempered Clavier) * Collection of Preludes and fugues in every **_chromatic_** key
29
Bach’s Genres * Preludes and Fugues: (Well-Tempered Clavier) * Relates to the early 18th century because people were thinking of an _______ approach to music
Bach’s Genres * Preludes and Fugues: (Well-Tempered Clavier) * Relates to the early 18th century because people were thinking of an **_Encyclopedic_** approach to music
30
Bach’s Genres * Preludes and Fugues: (Well-Tempered Clavier) * Couldn't play these pieces without _______ tuning
Bach’s Genres * Preludes and Fugues: (Well-Tempered Clavier) * Couldn't play these pieces without **_equal temperament_** tuning
31
Bach’s Genres * Equal temperament tuning * Every half step is \_\_\_\_\_\_\_\_\_
Bach’s Genres * Equal temperament tuning * Every half step is equal distance apart
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Bach, Prelude and Fugue in A minor * Fortspinnung: “\_\_\_\_\_”
Bach, Prelude and Fugue in A minor * Fortspinnung: “**_spinning out_**”
33
Bach, Prelude and Fugue in A minor * Harmonic Motion: “\_\_\_\_\_\_\_\_\_\_”
Bach, Prelude and Fugue in A minor * Harmonic Motion: “**_out and back_**”
34
Bach, Prelude and Fugue in A minor * Listen for ______ and _____ Points
Bach, Prelude and Fugue in A minor * Listen for **_Cadences_** and **_Pedal_** Points
35
Bach's music can be accused of being ______ and more of an academic exercise than relaxing music.
Bach's music can be accused of being **_pedantic_** and more of an academic exercise than relaxing music. Disjunct quality of the melody
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Anatomy of a Fugue
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Anatomy of a Fugue When the subject comes in a second time in a different key, that is called the \_\_\_\_\_\_
Anatomy of a Fugue When the subject comes in a second time in a different key, that is called the **_answer_**
38
Anatomy of a Fugue The answer is accompanied by the \_\_\_\_\_\_
Anatomy of a Fugue The answer is accompanied by the **_countersubject_** Countersubject second melody that accompanies the answer.
39
Anatomy of a Fugue * What sets Bach apart from Josquin
Anatomy of a Fugue * The Subject sets Bach apart from Josquin. Both were thinking imitation. * Josquin was thinking about tonality, not harmonic rhythm and motion. Intervals, and approaching music from a modal perspective
40
What makes Bach's music so difficult to play
What makes Bach's music so difficult to play? * Balancing all the voices * Making every entrance of the subject and answer clear while articulating the countersubject
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Bach’s Genres * Chorale Preludes: (Orgelbüchlein) * Most were composed for the \_\_\_\_
Bach’s Genres * Chorale Preludes: (Orgelbüchlein) * Most were composed for the **_organ_**
44
Bach’s Genres * Chorale Preludes: (Orgelbüchlein) * What is Orgelbüchlein?
Bach’s Genres * Chorale Preludes: (Orgelbüchlein) * Orgelbüchlein, manuscript book, "Little organ book"
45
Bach’s Genres * Chorale Preludes: (Orgelbüchlein) * Bach wasn't publishing music like other musicians were. Much of his music survives in _____ form
Bach’s Genres * Chorale Preludes: (Orgelbüchlein) * Bach wasn't publishing music like other musicians were. Much of his music survives in **_manuscript_** form
46
Bach’s Genres * Chorale Preludes: (Orgelbüchlein) * Designed for church service to introduce a \_\_\_\_
Bach’s Genres * Chorale Preludes: (Orgelbüchlein) * Designed for church service to introduce a **_hymn_**
47
Bach, Chorale Prelude: *Durch Adams Fall* * From the \_\_\_\_\_\_\_\_\_
Bach, Chorale Prelude: *Durch Adams Fall* * From the ***_Orgelbüchlein_***
48
Bach, Chorale Prelude: *Durch Adams Fall* * Hymn tune * Can be in any \_\_\_\_\_
Bach, Chorale Prelude: *Durch Adams Fall* * Hymn tune * Can be in any voice * pedal * middle * top
49
Bach, Chorale Prelude: *Durch Adams Fall* * Hymn tune * Could look like a _______ mass
Bach, Chorale Prelude: *Durch Adams Fall* * Hymn tune * Could look like a **_Cantus Firmus_** mass * there is a chant in one particular voice
50
Bach, Chorale Prelude: *Durch Adams Fall* * Hymn tune * Original ______ abandoned
Bach, Chorale Prelude: *Durch Adams Fall* * Hymn tune * Original **_rhythm_** abandoned * Melody is maintained. You have to look for the melody intervals because the rhythm is abandoned.
51
Bach, Chorale Prelude: *Durch Adams Fall* * Hymn tune * ____ between phrases
Bach, Chorale Prelude: *Durch Adams Fall* * Hymn tune * **_Rests_** between phrases * Fermatas also indicate rest.
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Bach, Chorale Prelude: *Durch Adams Fall* * Extramusical meaning * ______ lines: slithering snake
Bach, Chorale Prelude: *Durch Adams Fall* * Extramusical meaning * **_Chromatic_** lines: slithering snake
53
Bach, Chorale Prelude: *Durch Adams Fall* * Extramusical meaning * Dissonant _____ of a seventh: The Fall of Adam (and Eve)
Bach, Chorale Prelude: *Durch Adams Fall* * Extramusical meaning * Dissonant **_drops_** of a seventh: The Fall of Adam (and Eve)