QUIZ 10 - INCOMPLETE Flashcards
What characteristic distinguishes 17th-century French keyboard music from its Italian counterpart?
a. Tasteful agréments
b. Improvisatory style
c. Arias and recitatives
d. Idiomatic keyboard textures
What characteristic distinguishes 17th-century French keyboard music from its Italian counterpart?
a. Tasteful agréments (ornaments in the score)
b. Improvisatory style (you hear in unmeasured preludes in beginning of french keyboard suites and Frescobaldi)
c. Arias and recitatives
d. Idiomatic keyboard textures
What is the one characteristic that is found in every single example of baroque music (except for two examples of keyboard music)?
a. Italianate styles
b. Sonata form
c. Basso continuo accompaniment
d. Sections of aria and recitative
What is the one characteristic that is found in every single example of baroque music (except for two examples of keyboard music)?
a. Italianate styles
b. Sonata form
c. Basso continuo accompaniment (runs through everything in the Baroque period, goes away swiftly with Mozart)
d. Sections of aria and recitative
Which of the following is not a characteristic of Neapolitan opera seria?
a. Simpler plots (than in Venetian opera)
b. Regular Recitative-Aria Pairs
c. Da Capo Arias
d. Free flowing form determined by the plot
Which of the following is not a characteristic of Neapolitan opera seria?
a. Simpler plots (than in Venetian opera) (Characteristic of Opera Seria)
b. Regular Recitative-Aria Pairs (Characteristic of Opera Seria)
c. Da Capo Arias (Characteristic of Opera Seria)
d. Free flowing form determined by the plot (contrast Opera Seria with Venetian Comic Opera, super complex, tons of characters, tons of twists in story. Seria- super simple story, formulaic plot and characters, some kind of love triangle between the classes)
The prima prattica (“first practice”) embraces the compositional style of:
a. Giovanni Gabrieli
b. Guillaume de Machaut
c . Giovanni Palestrina
d. Carlo Gesualdo
The prima prattica (“first practice”) embraces the compositional style of:
a. Giovanni Gabrieli
b. Guillaume de Machaut (Not even in the picture anymore, not part of Prima Practica)
c . Giovanni Palestrina (other one would be Josquin)
d. Carlo Gesualdo
What is the texture of Example 1?
a. Imitation
b. Monody
c. Concerted
d. Homophonic
What is the texture of Example 1?
a. Imitation
b. Monody (Caccini Madrigal)
c. Concerted
d. Homophonic
What is the genre of Example 1?
a. Sacred Concerto
b. Madrigal
c. Masque
d. Grand Motet
What is the genre of Example 1?
a. Sacred Concerto
b.Madrigal (monodic texture tells you its either a madrigal or cantata. Secular. Italian. Through-composed. Ornamentations and markings in brackets that has the preface all about performance practice, editorial)
c. Masque
d. Grand Motet
What is the texture of Example 2?
a. Imitation
b. Monody
c. Concerted
d. Homophonic
What is the texture of Example 2?
a. Imitation
b. Monody (Solo violin + continuo. Through-composed. )
c. Concerted
d. Homophonic
What is the form of Example 2?
a. Sonata Form
b. Da Capo Aria
c. Binary
d. Through Composed
What is the form of Example 2?
a. Sonata Form (not even in the right era)
b. Da Capo Aria
c. Binary
d. Through Composed
What is the texture at the letter “A” in Example 3?
a. Imitation
b. Monody
c. Concerted
d. Homophonic
What is the texture at the letter “A” in Example 3?
a. Imitation
b. Monody
c. Concerted
d. Homophonic (clear between instruments and voices)
Who is the composer of Example 3?
a. Henry Purcell
b. Christopher Tye
c. Jean Baptiste Lully
d. Claudio Monteverdi
Who is the composer of Example 3?
a. Henry Purcell
b. Christopher Tye
c. Jean Baptiste Lully (trumpets and drums)
d. Claudio Monteverdi
