LIT 6 - Glazard Flashcards

1
Q

What is the “jihadi narrative”? Glazard

A

The jihadi narrative is a worldview, often promoted by violent Islamists, that claims:

  • Muslims are under attack and must fight back.
  • The West is the enemy of Islam.
  • Violence is necessary for survival and provides a path to salvation.
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2
Q

What is the goal of counter-narrative approaches? Glazard

A

To challenge and discredit the jihadi narrative by promoting alternative narratives that:
* Support humane values.
* Emphasise the compatibility of Islam and liberal democracy.
* Are grounded in scriptural teachings.

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3
Q

What are the problems associated with counter-narrative theory? Glazard

A
  • Lack of Evidence: Limited research supporting its effectiveness.
  • Oversimplification: Focuses heavily on ideology while neglecting other potential factors like socio-economic grievances or personal motivations for violence.
  • Conceptual Ambiguity: Inconsistent definitions of key terms like “narrative,” “counter-narrative,” and “message”.
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4
Q

How does a literary perspective contribute to understanding terrorist narratives? Glazard

A

By analysing narratives like any other literary text, we can gain insight into:
* Aesthetic Appeal: Terrorist narratives can be creative and inspire followers, going beyond mere persuasion.
* Affective Dimensions: Techniques like vivid descriptions, metaphors, and careful manipulation of time and perspective evoke emotions and enhance the narrative’s impact.
* Genre Development: Examining recurring themes, figures of speech, and phrases allows us to identify evolving genres within terrorist propaganda.

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5
Q

What insights does Osama bin Laden’s “Message to the American People” offer into the power of terrorist narratives? Glazard

A
  • Intertwined Fables: Bin Laden skillfully combines personal and geopolitical narratives, linking his emotional response to the 1982 Lebanon invasion with the justification for the 9/11 attacks.
  • Manipulation of Time and Perspective: He compresses the time between 1982 and 2001, creating a direct causal link, while portraying himself as both a victim and a justified avenger.
  • Eliciting Sympathy and Justification: Bin Laden uses vivid imagery, metaphors like the “crocodile and helpless child,” and specific word choices (“towers”) to evoke sympathy for victims and justify violence as a necessary response.
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6
Q

What implications does a literary understanding of terrorist propaganda have for counter-narrative strategies? Glazard

A
  • Inadequacy of Rebuttals: Simply refuting facts or providing alternative information is unlikely to be effective against narratives that operate on emotional and aesthetic levels.
  • Necessity of Creative Engagement: Counter-narratives must employ storytelling techniques, appealing to emotions and aesthetics to offer compelling alternatives to extremist narratives.
  • Recognising the Power of Culture: Policymakers and practitioners should acknowledge the influence of artistic and literary production in shaping worldviews and consider cultural engagement as a crucial element in countering violent extremism.
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