The Gentlewomen - audience and industry Flashcards

1
Q

What are the different types of magazines in terms of ownership structure? What type of magazine is the gentlewomen

A

mainstream: owned by conglomerates and focused on profits
independents: owned by small groups/individuals and focuses on people’s stories and creativity

Gentlewomen is an independent magazine

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2
Q

Who owns the gentlewomen?

A

It’s independently published and distributed by Dutch publishers Gert Jonkers and Jop van Bennekom

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3
Q

When was the gentlewomen launched?

A

2010

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4
Q

Where is the magazine based?

A

London based - associated with trendy Soho

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5
Q

How many times a year is the magazine published?

A

twice a year

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6
Q

How can Hesmondhalgh and cultural industries theory be applied to the gentlewomen?

A

Risk:
- There is a higher level of risk from the gentlewomen magazine because they target a niche audience and have a narrower audience reach by excluding men from target audience

Risk averse:
- However, biannual distribution ensures a higher cover price covers costs of production and a high quality product, also containing star power.
- Given they are independent, they have more control over content, allowing for creativity which fulfils the needs of a niche audience
- they target an affluent audience with more disposable income - they may even join the gentlewomen club

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7
Q

What’s the cover price of the gentlewomen?

A

10 pounds (used to be 8)

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8
Q

What are the revenue streams of the magazine?

A

Cover price
Subscriptions of the magazine
Brand partnerships - sponsors
Events
Advertising
Social media content - for example Instagram

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9
Q

How many copies do they sell on average per edition?

A

100,000

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10
Q

Who is the gentlewomen’s sister publication and what’s the significance of this?

A

Fantastic man magazine - this increases audience appeal and reach, reducing risk

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11
Q

How are magazines regulated?

A

Both the gentlewomen and GQ are under jurisdiction of IPSO

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12
Q

Why is IPSO not as powerful as OFCOM?

A
  • they are less powerful in terms of regulation before publication and primarily deal with complaints after publication
    -there are no age restrictions on Magazines in the UK - except pornographic ones
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13
Q

What can IPSO do if a company fails to meet the editor’s code of practice?

A

impose a fine of up to 1 million

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14
Q

Which type of regulation as according to Livingstone and Lunt may be more appropriate for the gentlewomen?

A

Consumer based regulation, focusing on consumer choice. This is likely to be because the audience is slightly older (given the career-based content) and so less vulnerable and the magazine is sophisticated so unlikely to publish anything inappropriate anyway with the main aim to be inspiring women

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15
Q

How does Curan and Seaton apply to the magazine?

A

They argue that media has become more concentrated, appealing to the mass audiences, limiting creativity and representation.

However the gentlewomen is an independent magazine and so doesn’t have to benefit any commercial interests/profits. They pride themselves in creativity, shown by subversion of magazine conventions and look to champion minorities, including women and black people. They therefore subvert their theory (although the gentlewomen is ultimately still based on the drive for profit).

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16
Q

What are the marketing appeals of the magazine based on?

A
  • The ethical movement veil in an age of consumerism
  • Championing of minorities
  • Feminist empowerment and authenticity
  • Focus on print - response to ‘internet fatigue
17
Q

What is the gentlewomen’s internet presence like?

A
  • The website has a minimalist approach consistent with the magazine, showing convergence, but seeks to invite consumers to subscribe to a regular newsletter and gives information on ‘club get-togethers’.
  • In essence, it gives enough to the readers to make them interested but little enough that they still feel a need to buy the magazine to known more info.
  • It also features collaborations with renowned individuals, providing synergy as it promotes stars and the magazine; it gives the magazine acclaim by promoting these stars.
  • Finally, it has a shop selling merchandise, tickets to events, subscriptions and individual magazine copies
18
Q

What % of their readers are in the UK?

A

51%

19
Q

What’s the tagline of the magazine?

A

‘a fabulous magazine for modern women of style and purpose’

20
Q

What’s been happening to the print magazine industry in recent years?

A

It has struggled with the move online with print in long term decline and digital sales not making up for this

21
Q

Which magazines have struggled most in print sale decline and which have stayed more resilient?

A

Men’s and music magazines (89% and 90% decline between 2017 and 2021) have been hard hit by visual platforms like Instagram while news and current affairs magazines have stayed more resilient - these accounted for 60% of magazine subscriptions in 2021. Women’s magazines have only fallen in that time by 45%

22
Q

What has happened to sales revenue in the magazine industry as a whole since 2012?

A

In 2012, magazine revenue was £880m, but in 2023, it was only £205m. In the same time, digital revenue had only increased by £100m

23
Q

What has happened to the number of magazines circulated in the UK since 2000?

A

In 2000, 1.6bn were circulated. By 2021, this was down to 565m (with a clear drop during the pandemic)

24
Q

What % of consumers say they think magazines are trustworthy?

A

91%

25
Q

Is the magazine industry more based around subscriptions or one off, single edition purchases?

A

In 2021, subscriptions accounted for 27% of magazines circulated (up from 20% before the pandemic). This means while subscriptions may have increased, the industry is still geared towards single - editions

26
Q

Who are some of the gentlewomen’s main advertisers?

A

Celine, Miu Miu, Balenciaga, Guicci and Prada

27
Q

What’s some examples of other gentlewomen front cover stars?

A

Adele, Beyonce and Simon Biles

28
Q

What’s the median age of a gentlewomen consumer?

A

32

29
Q

What class and social status is the gentlewomen aimed at?

A

AB with a high level of education

30
Q

Which psychographics is the magazine aimed at?

A

Reformers
Explorers
Succeeders

31
Q

What is the key target like and what are they interested in?

A

-modern culture, art and fashion
-like to explore alternative styles and genres
-ambitious and confident
- financially independent
-care for the quality of products

32
Q

What kind of audience is targeted and why?

A

Nice audience - alienates mainstream audiences through it’s subversion of magazine conventions

33
Q

How can Jenkins be applied to the gentlewomen?

A
  • audience members are invited to join the gentlewomen club
  • there are over 39,000 members who have like minded goals and values
  • loyal subscribers are invited to elite events to share cultural and social experiences
34
Q

Which uses and gratifications can be applied to the gentlewomen?

A

Identity - similar interests, beliefs and attitudes - women presented are seen as people to aspire to
Education - broadens the audience’s perspectives thanks to insights and opinions of the individuals

35
Q

How does the gentlewomen invoke an emotional response in different ways to other media?

A

There’s a lack of sensationalist language and instead more authentic and intellectual language is used. Any emotional response is likely to be because of stories of overcoming and the audience feeling inspired by genuine stories

36
Q

What are the various readings of the gentlewomen?

A

Preferred- women are powerful and influential and can have the same opportunities of male counterparts
Negotiated - some women are given opportunities to be just as powerful as men, but these women have likely accessed this through their celebrity status
Oppositional - women featured are minority voices and have little impact on society

37
Q

How does the magazine fit in with fourth way feminism?

A

The notion that females are in conflict with the male gender is outdated; conflict or opposition to men is not given any space in the magazine
The gender identity of those featured is far more fluid and unclear rather than following fixed male and female binaries