Lupin summary Flashcards

1
Q

What is the lighting like throughout the episode?

A

Large levels of low key lighting including:
- when he is explaining his real identity signifying his want to stay undercover
- when as a cleaner showing he has to work anti-social hours and making it feel like they are based underground to show they are forgotten about
- when he looks at the necklace in the museum further portraying ideas that the cleaners aren’t treated as people and this is what could help them get away with stealing the necklace
- in the gangs flat to reinforce poverty

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2
Q

What kind of narratives does Lupin conform to?

A

-Non-linear - lots of analepsis back to his childhood and prolepsis when explaining the plan to the gang. This has a major plot twist at the end where his identity is explained: ‘I am Lupin’. This is known as a climatic revelation or denouement
-cyclical narrative - both at the start and end, we are placed a few weeks before the heist but only at the end is it discovered how the heist was carried out
-Fragmented narrative - the plan isn’t talked about completely in the same time and place and lots of flashforwards and backs
-Dual narrative/multi-stranded as we see Assane as a child visiting his father in prison while the audience has concerns that he could go to prison. One storyline largely helps to explain the other although this is only clear at the end

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3
Q

What codes are used throughout to push the narrative?

A

Enigma codes, which are then answered at the end. E.g.
- Assane saying he is going to change; what has he done?
- When the gang starts to bang the lockers; what are they doing? Can we trust them?
- When Assane makes the bid at the auction, it shows unexpected confidence; we wonder as to why he suddenly acts like this

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4
Q

What are some of the conventions of heists?

A
  • The motivation to why the heist is occurring is often revealed throughout, so we discover the ‘how’ as well as the ‘why’. This makes us support the heroes as it often makes them seem deserving
  • the heroes always steal from the well-off making it seem as if justice is delivered
  • starts with the getting together of the gang
  • Iconic fight scenes and undercover missions or conning of people which is entertaining to see how it’s carried out in an intelligent way
  • fragmented narrative - part of the plan is hidden from the audience until it’s played out
  • getaway driver
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5
Q

What are some examples of action codes in the episode?

A
  • cleaners stop and look at the necklace - indicates they want to steal it
  • gang holding Assane over balcony
  • The policemen at the end suspects Assane may be taking the identity of Lupin, setting the plot for the next episode
  • crashing of car into Louvre with dramatic special effects
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6
Q

How can Propp’s character theory be applied to Lupin?

A
  • Hero - Assane - mission to steal the necklace. His superhero suit is him in the suit at the auction
  • Villain - Pellegrini - causes Assane’s dad to kill himself
  • Princess - Claire - Assane wins her over at the end once he has completed his quest. Could also be the son as he wins him over at the end
  • Donor - Benjamin - gives Assane the fake necklace, Juliette - gives the necklace for the auction
  • Dispatcher - Babakar - motivates Assane to get the necklace to get justice, Juliette - fuels the discrimination
  • False hero - Mrs Pelligrini is nice to Babakar and Assane initially. However she fails to stop Babakar going to prison
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7
Q

What are the arguments that Lupin is a postmodern product?

A
  • fragmented narrative where we don’t find out the truth right until the end
  • self reflexivity - Lupin tells the audience about his own identity
  • homage of the original book - reinforces there are no new ideas or texts, only old texts linked in new ways
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8
Q

What are the arguments that Lupin is not a postmodern product?

A

Postmodernists would argue for style over substance, meaning texts don’t need to have a hidden or deeper meaning. Barthes discusses the death of the author and the birth of the reader: all meanings are now in the hands of the reader and if the audience doesn’t decode meaning the creator wants to carry, then it’s meaningless. However, Lupin subverts this because it has deep cultural meaning as it tries to expose racism and poverty

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9
Q

In what way is Lupin conventional of heists?

A
  • the how and why is discussed making us feel sympathy for Assane and wanting justice
  • collecting the gang
  • parts of the plan are gradually revealed throughout
    -getaway car
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10
Q

In what way does Lupin subvert the heist genre?

A
  • It’s highly conformative to the genre, but subversion could be on the emphasis on racial and class discrimination making the heist less feel good and more focused on social realism - although arguably this makes it more feel-good at the end when justice is achieved
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11
Q

How is family represented in Lupin?

A
  • each family has their own secrets
  • Assane from Clare and Raoul
  • Pellegrini from his wife and daughter
  • Each of the men is seen as the protector who provides economic stability and in each case they turn to crime to sustain family life
  • Similarly Assane and Clare show the difficulty of family and how there is a divide between them
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12
Q

How can Butler be applied to Lupin?

A
  • Pellegrinis enforce binary positions as they assume traditional gender roles
  • Clare to some extent also conforms to Butler because he is the prime care giver although she is slightly more independent
  • Throughout there is a lack of representation of gender fluidity with each of the families portraying heteronormativity
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13
Q

What role does Juliette play in the plot?

A

She doesn’t conform to the Cinderella myth because she doesn’t need saving, but instead could be seen to have elements of femme fatale as she has an element of control over Assane

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14
Q

What are some examples of racial discrimination shown in the programme?

A
  • Black person as a cleaner shows stereotypical representation as black people are expected to take lower skilled jobs. Assane plays on the idea that as a black man, he is invisible, which allows him to get away with criminality - black people are seen as superfluous to society
  • Juliette assuming black people can’t swim
  • Discrimination against Babakar and arrest despite innocence
  • They check Assane’s Wikipedia page to see his worth - we don’t see them checking anyone else
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15
Q

What is Alvarado’s theory on representation?

A

Black people are either presented either as humorous, exotic, pitied or dangerous

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16
Q

In what way does Lupin conform to Alvarado’s theory on representation

A

humorous: handsome and a gentleman thief. He’s outsmarting everyone, which uses irony.
Pitied: dad dies, cleaner, facing poverty while surrounded by wealth
Dangerous: thief

17
Q

How can Paul Gilroy be applied to Lupin - how does it conform to his idea?

A

-Racial identities are historically constructed - formed as a result of colonialism and slavery
- Babakar and Assane are presented as other, especially as Assane isn’t part of the gang of criminals despite being a criminal. This is further emphasised by the fact Assane and Claire and separated
- Elements of nostalgia as representation of colonial France is shown as glamorous through the stately home
- double consciousness - Assane feels neither French or Senegalese

18
Q

In what way does the programme not conform to Paul Gilroy’s theory?

A

The shows looks to over exaggerate stereotypes or use countertypes to show how controlling colonial powers were and how colonies had to accept it. This, while showing binary oppositions of white and black people makes Pellegrini seem like the uncivilised character and makes Assane and Babakar seem reasonable and innocent

19
Q

How can Hall’s representation theory of intentional reflective and constructive readings be applied?
Consider:
- Paris
- Criminality
- Social hierarchy
- Family (Pellegrini family and Assane’s family)

A

Paris: reflectional - poverty and glamour
Criminality: Intentional - different characters are seen at different angles - gang are seen as criminals while we feel sympathy for Assane as we know the discrimination he feels.
Social hierarchy - constructionist- relies on knowledge and understanding of context by the audience as well as Pellegrini’s representation from the producer that makes him powerful
Pellegrini family - intentional and reflective - over exaggerated representation of patriarchy but somewhat true of the time.
Assane’s family - constructionist - family dynamics and Clare and Assane seen as equals - divorce

20
Q

What psychographics are the likely target audience?

A

strugglers - people who relate to Assane and feel empowered by his attempt to have revenge

explorers- they appreciate the sophistication of Assane and enjoy the gradual discovery of the plan to reveal the necklace

reformers- want to see social change in society and the end of racial discrimination

21
Q

How can mean world syndrome be applied to Lupin?

A

Repetition of poverty and crime:
- set at night
- connotations of prison - cleaners jumpsuit
- Babakar takes his own life
- flats show poverty

Stereotypes are over played into to highlight a ‘mean world’:
- Babakar accused of being a thief, despite being lovely to conform to stereotypical expectations
- Pellegrini’s status is misused
This may make the audience feel that racial discrimination is abundant in society

22
Q

How can Bandaura be applied to the product?

A

The use of violence and criminality may be seen to be deemed as socially acceptable to gain justice and so vulnerable audiences may think this is okay and justify crimes.
However, the Sabido effect may also be evident as progressive views on race and gender are evident trying to change views about black people being threatening

23
Q

How popular was the show when it was released?

A

It was at the top of Netflix charts for the first quarter of 2021 in France and many European countries.
76 million accounts watched it within four weeks of release.
First French show to ever make top ten in US reaching number 3.
It’s the second most successful debut ever for an original Netflix show after Bridgerton

24
Q

How many subscriptions does Netflix have and how has this changed since lockdown?

A

220.7 million Netflix subscribers. However, one million were lost between April and July 2022

25
Q

What age rating is Lupin? Why?

A

15

Scenes of violence and smashed glass may be sensitive to some viewers.
The representation of criminality as harmless could make younger audiences vulnerable
Extended themes of discrimination which could be upsetting

26
Q

Which streaming service has now overtaken Netflix and why?

A

Disney + thanks to it’s wide range of classic films alongside multiple franchises, broadening audience appeal and reducing risk. The number of franchises they own shows horizontal integration. They have 221.1m subscribers

27
Q

Who regulates Netflix?

A

Netflix is based in the Netherlands and so it’s regulated by Commissariaat voor de Media

28
Q

What are the issues with Netflix regulation?

A

Subscribers of any age can access any shows on personalised accounts - 9pm watershed becomes increasingly redundant. This shows consumer based regulation as audiences must decide for themselves what is appropriate with the help of age ratings

29
Q

How does the distribution of Netflix reduce risk?

A

Netflix has a huge audience with global subscriptions amounting to 220.7m and once paid for, there’s no additional payments, meaning everyone with a membership can access this.
Similarly, it’s younger audiences who Lupin targets that are likely to use Netflix as younger people move towards streaming services to fit it with their needs for on-demand streaming at convenient times to them

30
Q

How does the UK government want to change Netflix regulation? How successful has this been?

A

They are proposing Netflix becomes regulated by Ofcom in a move to citizen based regulation to protect vulnerable audiences. This will also level the playing fields for PSBs in the UK.
However, they cannot simply decide this - Netflix say no to being regulated by Ofcom then there’s little the government can do

31
Q

Which TV company produced Lupin?

A

Gaumont Television

32
Q

How can Curan and Seaton be applied?

A

Yes there has been a monopoly of power created, but Netflix still allows for the representation of minorities with a vast, younger, more open audience.