Modernism Flashcards

1
Q

The most dramatic and far-reaching development in the history of twentieth-century art is…

A

the move toward various forms of explicitly abstract art that followed in the wake of Cubist experiments.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Ever since the latter part of the nineteenth century, a number of artists were beginning to…

A

consider a painting as an entity unto itself rather than an imitation of, or an illusion of, the physical world.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Although Cubist pictures may represent…

A

highly abstracted interpretations of the material world, they were not in themselves abstract.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

In Russia and Netherlands, in particular, abstraction found…

A

a fertile ground and its most expansive and most radical manifestations, with implications not merely for painting and sculpture but for architecture as well as graphic, industrial, and even fashion design.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Abstract, nonobjective, or nonrepresentational art:

A

Art that depends solely on color, line, and shape for its imagery rather than motifs drawn from observable reality.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

people of time were not happy with the state of present times.

A

Looked to the future for better life

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Development of a Bottle in Space

A

Futurist sculpture
Umberto Boccioni
1912

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Table + Bottle + House

A

Umberto Boccioni
1912

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

SUPREMATISM

A

“the supremacy of pure feeling in creative art.”

“the visual phenomena of the objective world are, in themselves, meaningless, the significant thing is feeling, as such, quite apart from the environment in which it is called forth.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Kazimir Malevich

A

(1878-1935)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

El (Eleazar) Lissitzky

A

(1890-1941)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

El (Eleazar) Lissitzky (1890-1941), a disciple of…

A

Malevich influenced the design teachings of the Bauhaus.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Lissitzky was a propagandist for

A

the Stalinist regime.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Prounenraum (Proun Room) created for Berlin Art Exhibition

A

created for Berlin Art Exhibition 1923
El Lissitzky

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

The Constructor

A

El Lissitzky, Wolkenbügel, 1924

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

“cloud-irons” skyscrapers,

A

El Lissitzky, Wolkenbügel, 1924

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

“Konstruktivizm”

A

(Constructivism)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

The word “Konstruktivizm” (Constructivism) was first used

A

by a group of Russian artists in the title of a small 1922 exhibition of their work in Moscow.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

It was Cubist art that was characterized by…

A

abstract, geometric forms and a technique in which various materials, often industrial in nature, are assembled rather than carved or modeled.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

However, Constructivism originally referred to a movement of…

A

Russian artists after the 1917 Revolution who enlisted art in the service of the new Soviet system.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

These artists believed that a full integration of…

A

art and life would help foster the ideological aims of the new society and enhance the lives of its citizens. Such utopian ideals were common to many modernist movements, but only in Russia were the revolutionary political regime and the revolution in art so closely linked.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

Vladimir Tatlin

A

(1895-1953)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

Vladimir Tatlin

A

was the founder of Russian Constructivism.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

Pablo Ruiz Picasso

A

(1881-1973)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Q

Along with French artist Georges Braque (1882-1963) Picasso co-founded the…

A

Cubist movement.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
26
Q

Georges Braque

A

(1882-1963)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
27
Q

Paul Cézanne

A

(1839–1906)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
28
Q

Vladimir Tatlin

A

(1895-1953)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
29
Q

Counter-Relief

A

1915
Vladimir Tatlin

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
30
Q

Model for Monument to
the Third International

A

1919-20
Vladimir Tatlin

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
31
Q

What is important for the Model for Monument to the Third International

A

the idea of the object is important

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
32
Q

Late 19th century explorations of the…

A

irrational and fantastic and a growing interest in naïve and primitivizing modes of expression in an art found a striking embodiment during World War I in the eclectic productions of a diverse group of artists who labeled endeavor “Dada.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
33
Q

The Dadaist felt that…

A

reason, logic, and Western ideals of progress had led to the disaster of world war, and that the only way forward was through political anarchy, the natural emotions, the intuitive, and the irrational.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
34
Q

Dada was first and foremost a…

A

response to the brutal, mechanized madness of war.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
35
Q

More distantly, dada can be seen as a descendant of…

A

Romanticism and Symbolism,
which themselves were proceeded by a thousand years or more of individuals and
movements concerned with some sort of personal, eccentric , unorthodox, mystical,
or supernatural expression.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
36
Q

MARC CHAGALL

A

(1887-1985)
Russian Jewish artist

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
37
Q

MARC CHAGALL art

A

His art followed a divergent
from that of the Constructivists
in post-revolutionary Russia.

Child-like Art

His paintings displayed a sense
of fantasy that anticipates
aspects of Surrealism.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
38
Q

MARCEL DUCHAMP

A

(1887-1968)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
39
Q

By the beginning of World War I Duchamp had…

A

rejected the works of many of his
contemporaries as “retinal” art, or art only intended to please the eye. Although a gifted
painter, he ultimately abandoned conventional methods of making art in order, as he
said, “to put art back at the service of the mind.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
40
Q

Duchamp experimented with…

A

everyday objects in creating of his art. For him, the conception, the “discovery,” was what made a work of art, not the uniqueness of the object.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
41
Q

In a deliberate act of provocation, Duchamp submitted a…

A

porcelain urinal, which he turned ninety degrees and entitled Fountain, to the 1917 exhibition of the New York Society of
Independent Artists

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
42
Q

“The Fountain” by

A

MARCEL DUCHAMP
1917

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
43
Q

“Nude Ascending a Staircase”

A

MARCEL DUCHAMP
1912
Cubist + Futurist

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
44
Q

KURT SCHWITTERS

A

(1887-1948)
Hanoverian Artist

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
45
Q

KURT SCHWITTERS work

A

His work was apart from Berlin Dadaist artists

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
46
Q

KURT SCHWITTER quarreled publicly with…

A

Huelsenbeck, a prominent Dada artist and was denied access to Club Dada because of his involvement with the apolitical and pro-art circle around Herwarth Walden’s Der Sturm Gallery.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
47
Q

KURT SCHWITTER established his own…

A

Dada variant in Hanover under the designation “Merz,” a word in
part derived from the word “Commerzbank” included in one of his collages.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
48
Q

Schwitter’s collages were made of…

A

rubbish picked up from the street –cigarette
wrappers, tickets, newspapers, string, boards, wire screens, and whatever caught his
fancy. (detritus of his surroundings into strange and wonderful beauty.)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
49
Q

what were KURT SCHWITTER pictures called

A

Merzbilder or Merzeichnungen (Merz pictures or Merz drawings)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
50
Q

Kurt Schwitters, Hanover
Merzbau, destroyed, photo taken

A

1931

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
51
Q

Kurt Schwitters, Hanover
Merzbau reconstruction by

A

Peter Bissegger, 1981-1983

52
Q

Hanover Merzbau features

A

spacial qualities, forms, light, shadow, contrast

53
Q

Adolf Loos

A

(1870-1933)
Austrian architect
worked for menswear fashion company
hated the Victorian women silhouette (puffy dresses)

54
Q

Adolf Loos work

A

Rebelled against Art Nouveau
Suggested that architects had a new task to find a formal language for new materials
Was against pretext of style
Suggested that it was useless to the form of the modify the form of the objects
already adapt to their function
Artisan: the man connected to objects he has created and produced, in whom truth,
distinction , history, and creation were incarnated
The evolution of culture is synonymous with the removal of ornament from
utilitarian objects

55
Q

Loos finds modern ornament…

A

obscene. He longs for a cleaner, cooler environment. The naked wall becomes a symbol of the victory of logos (reason) over eros (Platonism defines beauty as the object of eros.)

56
Q

Gesamtkunswerk

A

(Total work of art)

57
Q

Frank Lloyd Wright

A

(1867-1959)

58
Q

Peter Behrens

A

(1868-1940)

59
Q

Walter Gropius

A

(1881-1969)

60
Q

Ludwig Mies van der Rohe

A

(1886-1969)

61
Q

Le Corbusier

A

(1887-1965)

62
Q

Gropius, Meyer, and Rohe

A

BAUHAUS

63
Q

Bauhaus promised to…

A

heal the breach that had opened up between beauty and reason, art and technology, freedom and necessity.

64
Q

BAUHAUS

A

school that trained architects + textile artists (women)

65
Q

DE STIJL

A

Pure abstraction –cubist art

66
Q

Neoplasticism

A

(the superiority of abstract values of form and color (the primaries and black) over all naturalistic and subjective values in art)

color/contrast
no objects what so ever

67
Q

Larkin Building date + location

A

Buffalo, NY
1904

68
Q

Larkin Building architect

A

Frank Lloyd Wright

69
Q

Larkin Building features

A

clarity in how structure works
no ornamentation

70
Q

Robie House date + location

A

Chicago,
1908-10

71
Q

Robie House architect

A

Frank Lloyd Wright

72
Q

AEG Factory architect

A

Peter Behrens

73
Q

AEG Factory features

A

purpose not romanticized
strictly utilitarian
can combine romanticized + utilitarian

74
Q

Bauhaus date + location

A

Weimar, Germany, 1923

75
Q

Bauhaus architect

A

Walter Gropius

76
Q

Café l’Aubette date + location

A

France, 1926-8

77
Q

Café l’Aubette architect

A

Theo van Doesburg

78
Q

Theo van Doesburg work

A

Named his new departure Elementarism,
and argued that the inclined plane
reintroduced surprise, instability, and
dynamism.

79
Q

Café l’Aubette features

A

Utilization of abstract three-dimensional
forms
Use of “modern” materials: Concrete,
steel, aluminum, and glass
Use of primary colors and black
Avoiding wood

80
Q

Piet Mondrian

A

(1872-1944)

81
Q

Schröder House date + location

A

the Netherlands, 1924

82
Q

Schröder House architect

A

Gerrit Reitveld

83
Q

Gerrit Reitveld

A

(1888-1964)

84
Q

Schröder House / De Stijl House features

A

notions of steel
sliding panels
primary colors, black, grey
windows open up interiors to exterior
natural light / views
fluid transition

85
Q

Rue de Lota apartment features

A

not modern
many of her designs are modern (objects) like furniture
interiors are ART DECO
inspiration from Africa

86
Q

Eileen Gray

A

(1878-
1976)

87
Q

Rue de Lota apartment designer

A

Eileen Gray

88
Q

German (Barcelona) Pavilion date + location

A

Barcelona,
1929

89
Q

German (Barcelona) Pavilion designer

A

Ludwig Mies van der Rohe

90
Q

German (Barcelona) Pavilion features

A

lack of privacy

91
Q

Tugendhat House date + location

A

Czech Republic, 1928-30

92
Q

Tugendhat House designer

A

Ludwig Mies van der Rohe

93
Q

Tugendhat House features

A

Open living spaces subdivided by an onyx marble screen
Floor to ceiling glass
Slim steel columns as unobstructive structural members (reflective quantities meant to disappear in the space)
Abstract arrangements of spatial elements
Colors and textures of the materials taking the place of ornamentation
Avoidance on wooden flooring = example of not using past precedence
natural state of materials - if it looks like marble it is
coldness to these spaces - effort to avoid textiles

94
Q

Pavilion de l’Espirit Nouveau Exhibition of Decorative Arts date + location

A

Paris, 1925

95
Q

Pavilion de l’Espirit Nouveau Exhibition of Decorative Arts designer

A

Le Corbusier

96
Q

Towards a New Architecture…

A

(1923) House: a “machine for living”

97
Q

Le Corbusier City proposal

A

Paper design not built
Shows criticism of modernism

98
Q

Villa Savoye date + location

A

France, 1929-31

99
Q

Villa Savoye designer

A

Le Corbusier

100
Q

Villa Savoye features

A

Complex, surprising, and dramatic relationships between various spaces
Modular space (Golden section)
Purist in its forms and use of color and texture
Non-traditional transitional spaces: ramp leads up to the main living spaces
Pilotis: leaving the ground under the building open

101
Q

Pilotis

A

leaving the ground under the building open

102
Q

Church of Notre-Dame-du-Haut date + location

A

Ronchamp, 1951

103
Q

Church of Notre-Dame-du-Haut designer

A

Le Corbusier

104
Q

Church of Notre-Dame-du-Haut features

A

Abstract forms and geometry
Baroque - In terms of how it uses dramatic lighting

105
Q

Church at Firminy date + location

A

France
Started 1963 / Completed in 2006

106
Q

Church at Firminy designer

A

Le Corbusier (completed after his death)

107
Q

Church at Firminy features

A

Little iconography compared to past presidents
Designed to make people feel something / moves people
Space creates an identity/experience for the organization

108
Q

Whitney Museum of American Art date + location

A

New York, 1966

109
Q

Whitney Museum of American Art designer

A

Marcel Breuer

110
Q

Rise of the museum in modernism

A

Ex. contemporary art museums become important
Shows society beginning to accept contemporary art

111
Q

Eileen Gray Operated in two different worlds

A

Born to prominent family = giving her access to designing

112
Q

Ic4 Chaise Lounge,

A

1929
Le Corbusier & Perriand

113
Q

Alvar Aalto

A

(1898-1976): Finnish architect and designer

114
Q

Aino (Marsio) Aalto

A

(1894-1949)

115
Q

Elissa Aalto

A

(1922-1994)

116
Q

City Library date + location

A

Viipuri, Finland, 1927

117
Q

City Library designer

A

Alvar Aalto

118
Q

The Paimio Sanatorium date + location

A

Turku, Finland, 1930-3

119
Q

The Paimio Sanatorium designer

A

Alvar Aalto (1898-1976)

120
Q

Villa Mairea date + locaiton

A

Finland, 1938-41

121
Q

Villa Mairea designer

A

Alvar Aalto

122
Q

Church of Three Crosses (Vuoksenniska
Church) date + designer

A

1956-58
Alvar Aalto

123
Q

Opera House date + location

A

Essen, Germany, 1959

124
Q

Opera House designers

A

Alvar Aalto, Elissa Aalto, Herald Deilmann

125
Q

Mount Angel Abbey Library date + location

A

St. Benedict, Oregon, 1964-70

126
Q

Mount Angel Abbey Library designer

A

Alvar Aalto