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Art Appreciation > L3.1: Artists and Artisans > Flashcards

L3.1: Artists and Artisans Flashcards

1
Q

The most important elements/creators in any work of art

A

Artist/Artisan

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2
Q

T or F: An artist’s urge to create is very personal and deep

A

False (universal and widespread)

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3
Q

T or F: Artists and artisans are driven by their sense of wonder and curiosity

A

True

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4
Q

Defined as an “art practitioner”; creates indirectly functional arts with aesthetic value

A

Artists

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5
Q

Artists use different art materials to solve what specific types of problems?

A

Visual

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6
Q

T or F: An artists inspiration is only drawn from exterior factors

A

False (they can also look within themselves)

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7
Q

What do you call artists who are self-taught are not educated in traditional artistic methods?

A

Folk-artists

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8
Q

Defined as a “craftsman”; produces directly functional/decorative arts

A

Artisans

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9
Q

T or F: Craftsmen create things that make living complex

A

False (easier)

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10
Q

T or F: An artisan is a physical worker

A

True

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11
Q

T or F: Artisans create things that are only useful but not visually pleasing

A

False

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12
Q

T or F: Artists create art with practical value

A

False (practical value = artisans)

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13
Q

T or F: Artists only create for the gratification and appreciation of the viewer but with no practical use for the art

A

True

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14
Q

An economic ecosystem that relies on supply, demand, and a work’s predicted monetary value in the future

A

Art market

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15
Q

T or F: The principles of an art market are clearly stated for both the artists and buyers

A

False (artists do not make with the sole intention to sell art, nor do the buyers have an idea of its value)

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16
Q

A manager, overseer, and keeper of historical heritage institutions like museums, libraries, and galleries; a content specialist that selects, organizes, researches, and writes catalogs on the art to be displayed

A

Curator

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17
Q

T or F: A successful curator must avoid multitasking in order to avoid misplacing certain important artworks

A

False (must be organized, passionate, knowledgable, writing-proficient, and a multitasker)

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18
Q

A professional who is knowledgable in art; scouts for talents on behalf of an agency seeking to employ art directors or art itself for a collection

A

Art Buyer

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19
Q

A person who works for a company; buys and sells works of art

A

Art Dealers

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20
Q

T or F: Art dealers often study the history of art once they start their careers

A

False (even before they start)

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21
Q

T or F: Art dealers have to take note of both the creative and business sides of their job

A

True

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22
Q

T or F: Art dealers must keep up with the trends of the art market to know which styles will sell

A

True

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23
Q

T or F: The artists are the only people who get to decide how much their artwork costs and that value is fixed

A

False (art dealers estimate how much they can pay for it as well as its resale price)

24
Q

T or F: Art dealers determine the artwork’s value based only on who created it (examines the artists)

A

False (they look at the fine details and compare it with similar pieces)

25
Q

Refers to a personal owned collection of works/art

A

Private collection

26
Q

T or F: When something is labeled as a “private collection” in a museum, it means that it is owned by the institution

A

False (it is not owned by the institution; it is on loan either for a temporary short-term exhibition or a long one)

27
Q

The source of a private collection usually comes from whom?

A

Art collectors

28
Q

Who enumerated the steps in the creative process based on his book?

Clue: kaklase natin to

A

Robert Fritz

29
Q

Robert Fritz stated that this skill is something that can be learned and developed

A

Creating

30
Q

Robert Fritz stated that we can learn to create by doing what?

A

Creating (you dumbass)

31
Q

T or F: Creation starts at the end

A

True (you have to have an idea of what you want to create; there needs to be a vision)

This is in accordance to step 1: Conceive the result you want to create

32
Q

T or F: It is easy to create something original even without knowing what already exists in the market

A

False (it is difficult)

This is in accordance to step 2: Know what currently exists

33
Q

T or F: Having an idea or vision is not enough to create art

A

True (you have to make it real, manifest it, receive criticism, make mistakes, and do it all over again)

This is in accordance to step 3: Take actions

34
Q

T or F: Every new creation reduces your fresh thoughts and knowledge because it’s been used up

A

False (it is an avenue for newer ideas; you will start to increase your ability to picture what you want and to make it real)

This is in accordance with step 4: Develop your creativity

35
Q

T or F: There are 4 fundamental stages in the creative process

A

False (3)

This is in accordance to step 5: Learn the rhythms of the creative process

36
Q

Stage in the Creative Process
> the initial moment when a project is conceived
> a lot of energy coming out of a future you are envisioning
> a powerful time to use widely in order to move forward

A

Germination (1)

37
Q

In the germination stages, you are planting the _____ of your creation

A

Seeds

38
Q

The most important and difficult aspect in the germination stage is ______

A

Choosing

39
Q

Refers to choosing some things while leaving some out

A

Being specific

40
Q

T or F: The germination process is a painful experience

A

True (but it is necessary)

41
Q

T or F: You have to learn how to choose well in order to make good decisions

A

True

42
Q

T or F: Avoid what you don’t want to do instead of doing what you want to do

A

False (reverse); choose what you want instead of avoiding what you don’t

43
Q

Stage in the Creative Process
> you will internalize and incorporate the idea you want to create
> the time when a project comes into your own being (becomes one with you when it was initially external)
> the creation grows from inside and begins to manifest in everything you do

A

Assimilation (2)

44
Q

In assimilation, your creation becomes a manifestation in everything that you do, consciously or unconsciously?

A

Trick question, it’s BOTH (it is part of your being now)

45
Q

T or F: Every new idea and connection brings your vision to life, making it real and more tangible

A

True

46
Q

Assimilation follows an ______ pathway with it’s own rhythms and needs

A

Organic

47
Q

T or F: In assimilation, everything will always start to look harmonious and working in order

A

False (sometimes it will get chaotic and difficult to manage)

48
Q

T or F: You should step in once the process goes off the rail or attempt to adapt it to your convenience

A

False (you will likely be unsuccessful and put the project in danger)

49
Q

Stage in the Creative Process
> the time to finish the project and give it its final shape before presenting to the audience
> energy will be small and dispersed with a new vision

A

Completion (3)

50
Q

This should be put on projects in order to stick to a fixed timeframe and to avoid getting entangled in small never-ending details

A

Deadline

51
Q

A beautiful way to conclude a project is by doing what?

A

Celebrating

52
Q

A great opportunity to share with people the happiness that stems from what you’ve created, and then afterwards, you’ll be ready to start again

A

Celebration

53
Q

This can be associated with art exploration, concept development, and art production

A

Art making

54
Q

Stage in Art Making
> ends when the planning is concluded and the content starts being produced

A

Pre-production/Subject development (1)

55
Q

Stage in Art Making
> joins diverse material and unimportant inputs to make something for consumption (the output)
> creation of a good/service that has significant contributions to the utility of individuals

A

Production/Medium manipulation (2)

56
Q

These refer to plans and know-hows in the second stage of art making

A

Unimportant inputs

57
Q

Stage in Art Making
> once an artwork is finished, it will be displayed, circulated, or performed for an audience

A

Post-production/Completion/Exhibition (3)

Art Appreciation (24 decks)

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