Furniture Design and Construction Flashcards

1
Q

Arts & Crafts Movement Year

A

1880-1990

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2
Q

Arts & Crafts place:

A

England

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3
Q

Early 20th Century- Modern Period Artists

A
  • Frank Lyod Wright
  • Le Corbuiser/ Charles Edouard Jeanneret
  • Charles Rennie Mackintosh
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4
Q

He designed Inside out and popularized Open Plan

A

Frank Lyod Wright

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5
Q

Art Nouveau Year

A

1892-1905

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6
Q

Art Nouveau from England passed to:

A

Belgium (Art Nouveau), Holland (de Stijl), Germany (the Bauhaus) and finally to the U.S.

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7
Q

De Stijl originated in:

A

Holland

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8
Q

De Stijl Year

A

1917-1929

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9
Q

Art Deco Year aka Art Moderne

A

1918-1935

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10
Q

Art Deco classic Style developed in:

A

France

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11
Q

Bauhaus Year

A

1919-1933

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12
Q

Mid Century Designers

A

Arne Jacobsen
Eero Saarinen
Charles & Ray Eames
Hans Wegner
Florence Knoll

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13
Q

1910-1961 Finnish American architect and industrial designer noted for his neofuturistic style

A

Eero Saarinen

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14
Q

1960’s Pop-Culture & Anti-Design open to:

A

Examination & Reform

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15
Q

Pop-art stands for:

A

Popular

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16
Q

Anti-Design & High-Tech year of general energy crisis

A

1973

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17
Q

Anti-Design& Hitech Worldwide recession

A

1975

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18
Q

Post-Modernism & Electicism Mid 1980

A

America and most Western European

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19
Q

Post-Modernism & Electicism Year

A

1980-1990s

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20
Q

Arts&Crafts Movement response to:

A

“state of complete degradation

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21
Q

American architectural genius; designed inside out

A

Frank Lloyd Wright

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22
Q

this movement of design leadership was probably owing to decline of the class structure in England at first

A

Art Nouveau

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23
Q

This movement lasted longer than other movements and helped destroy the limitations imposed by tradition

A

De Stijl

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24
Q

`Should be deliberte or intentional and should involve careful, organized, and systematic logical thinking and planning

A

Design

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25
Q

Person who devises or executes designs

A

Designer

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26
Q

Primary purpose of design

A

Fulfillment of human satisfaction

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27
Q

Make something out of nothing

A

Creativity

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28
Q

Techniques for idea stimulation are generally classifies into two:

A

Intuitive Technique
Logical/ Sytematic Technique

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29
Q

Free association and gives no restriction to imagination

A

Intuitive Technique

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30
Q

Directly approaching subconscious creative part of human mind

A

Brainstorming

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31
Q

experience with brainstorming session, aimed at increasing output from brainstorming

A

Brainwriting

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32
Q

having 26 or more ideas that pertain to problem

A

Alphabetical Listing

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33
Q

Combines different, seemingly unrelated elements

A

Synectics

34
Q

Solving problem in a riddle-like/ puzzle like

A

Delphi Method

35
Q

Not thinking on how to improve rather than think about how you could make it worse, increase awareness

A

Inversion

36
Q

Associate with something familiar

A

Description by Association

37
Q

Splitting up problems ino sub problems and solving one by one

A

Logical / Systematic Technique

38
Q

Redefines problem first and split up into elements

A

Morphology

39
Q

Examines and analyzes objects of nature for possible adaptation

A

Bionics

40
Q

Think about the function it will perform

A

Functional Visualization

41
Q

Split up problem is split up into more minute sub-problem until whole problem has interrelated problems

A

Problem Area Analysis and Functional Analysis

42
Q

Basic Criteria for Good Design

A

Physical and Physiological Feature
Historical and Cultural Factor
Aesthetic Consideration
Structural Form Development

43
Q

Providing utilitarian requirements and bodily comfort

A

Physical and Physiological Feature

44
Q

Designing for the present would need familiarization of the past culture and present trend

A

Historical and cultural Factor

45
Q

Design as visually pleasing

A

Aesthetic Consideration

46
Q

Make use of basic outline of the furniture as a grid

A

Structural Form Development

47
Q

Makes use of previous design as basis for improvements

A

Morphological Form Development

48
Q

Variations on geometric forms-sie, shape, and all can spark new ideas

A

Geometric Form Development

49
Q

Nature often provides inspiration for exciting ideas

A

Form development based on Nature

50
Q

Design ideas can be based on various sources other than nature

A

Form developmrent based on Various Scenes

51
Q

Vernacular Term Pattern Schedule

A

Plantilya

52
Q

Vernacular Term Wood Grain

A

Haspe

53
Q

Vernacular Term Ceiling

A

Kisame

54
Q

Cone Bearing Tree

A

Softwood

55
Q

Philippine Mahogany

A

Tanguile

56
Q

Artificial Wood defects hollows across width

A

Cupping

57
Q

Steel with Chromium and Nickel

A

Stainless Steel

58
Q

Alloy of Copper and Tin

A

Bronze

59
Q

Non-Ferrous, Reddish brown, Malleable

A

Copper

60
Q

Copper and Zinc

A

Brass

61
Q

2 Diff Kind of Plastic

A

Thermoset- remains in heat
Thermoplastic- turns into diff form

62
Q

Light grayish brown to reddish brown striking grain

A

Oak

63
Q

Creamy white to light reddish brown straight grain

A

Maple

64
Q

Light gray brown to dark purple brown

A

Walnut

65
Q

Cream color to light reddish brown visible resin canals and growth rings

A

Pine

66
Q

Cream white to light reddish brown extremely small pores

A

Birch

67
Q

Light to dark reddish brown, straight grain and small individual pores

A

Cherry

68
Q

Grayish through creamy white through to a reddish dark brown

A

Ash

69
Q

Yellowish brown through reddish brown to dark red

A

Mahogany

70
Q

Very light brown hardwood

A

Beech

71
Q

Light yellow to brownish yellow with green tinge

A

Poplar

72
Q

Tawny yellow to dark brown with frequent lighter an darker streaks

A

Teak (Indonesia)

73
Q

Creamy white to reddish brown occasional dark brown

A

Pecan

74
Q

Light brown to dark brown often containing shades of red

A

Elm

75
Q

Various shades of dark brown to dark purple

A

Rosewood

76
Q

Creamy white to yellowish with obvious differences between spring and summer growth

A

Fir

77
Q

Dee reddish brown with obvious alternating spring and summer growth rings

A

Redwood

78
Q

Light red with light colored streaks running throughout

A

Cedar

79
Q

Pale reddish brown

A

Sycamore

80
Q

Pale to dark brown with occasional red streaks running throughout

A

Butternut

81
Q

Creamy white to creamy brown with frequent reddish markings

A

Basswood