CPAR Flashcards

1
Q
  • of an art material has a telling effect in the process of creating
    art
  • When the chosen art materials are suited for the artwork, it will adequately serve its purpose of creating art.
A

appropriateness

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2
Q

are locally available materials from the region, province, city or town.

A

Local and Indigenous Art Materials

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3
Q

-is extracted from the leaf sheath around the trunk of the…, which is related to the banana plant.
- Initially used as material for rope, the abaca found its way in the arts.
- The plant can be found in plantations in the Bicol Region and in the different regions of Mindanao.

A

Abaca (manila hemp)

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4
Q

abaca plant known scientifically as

A

Musa textilis

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5
Q

are actually used for wood carving, improvised cooking utensils and myriads of other uses.

Laminated coconut shells are considered as almost the same as the quality and appearance of turquoise shells or ivory.

Coconut shells are bountiful anywhere in the country where coconut palm trees, scientifically known as Cocos nucifera, are planted. These shells are by products of coconut fruit processing

A

Coconut shells ( bao)

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6
Q

coconut palm trees scientifically known as

A

Cocos nucifera

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7
Q

mistakenly identified as a tree, is actually a kind of grass. Classified scientifically as a plant of the subfamily Bambusoideae of the grass family Poaceae. It is found almost throughout the archipelago. The bamboo stem has plenty of uses and one of its prominent use is in creating art

A

Bamboo or kawayan

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8
Q

come from the windowpane oyster, a bivalve marine mollusk in the family of Placunidae. They are abundant in the Philippines, commonly found along the coastal waters. Cleaned and processed capiz shells are used for various artistic applications like windows, lanterns, and walling

A

Capiz or kapiz shells

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9
Q

is a naturally renewable palm belonging to the subfamily Calamoideae of climbing palms. It is widely used as furniture, handicrafts, and building material. It is grown in plantations in Western Visayas and Mindanao.

A

Rattan

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10
Q

scientifically named Cypraea chinensi, measure about 2 centimeters each. They are often used in shell jewelry and shell craft work. They are popular for their vibrant color. They are found on sandy seafloor around the Philippine islands.

A

Cowrie shells or sigay

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11
Q

which are old or discarded articles, are considered useless or of little value but for the creative eyes of an artist they are essential in creating a wellknown art form called junk art. The discarded materials stored or hidden away inside homes or thrown in garbage bins are usually made up of plastic, wood and metal.

A

Junk

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12
Q

falling off from branches of trees and plants are inexhaustible. Ranging from pale yellow to dark brown, dried leaves are plentiful throughout the year. Dried leaves art is already considered a craft of its own. Palm, pandanus, or sea grass leaves are used to create artistic mats or banig

A

Dried Leaves

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13
Q

can be acquired from farms and rural areas. Others can be bought commercially like corn, sorghum, mung beans, sunflower and the like. Seed art can be found in certain localities. They are distinct for their creative and colorful designs.

A

Plant seeds

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14
Q

of various types are abundant. They vary in size and color, allowing for varied art forms

A

Rock and Sand

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15
Q

available locally are those that are usually bought from department stores and bookstores. They include crayons, oil pastel, watercolor, colored pencils and other usual materials used in school.

A

Traditional art materials

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16
Q

are materials that are not usually used in creating art like coffee, plastic bottles and recyclable materials that are similar to those used in junk art.

A

Non-traditional art materials

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17
Q

is the way the artist uses and
manipulates the materials to express an idea
or feeling through an art.

A

Technique

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18
Q

Leaf fronds folding, Malayan origins

A

Puni (Bulacan)

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19
Q

Hat making,
decorations, etc.

A

Straw Folding

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20
Q
  • Ori meaning “folding”,
    and kami means “paper”
  • Associated to Japanese culture
A

Origami

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21
Q

Decorated bamboo arch to welcome signage

A

Singkaban (Malolos,
Bulacan)

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22
Q

Bamboo for decorations undergo a lot of process depending on the design.

A

Bamboo Art

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23
Q

Saniculas cookies made with imprint of San Nicolas de Tolentino (Santa Claus)

A

Saniculas (Pampanga)

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24
Q

A kitchen tool used to
mold the powder for
polvoron into perfectly
oval or round shapes
(molder)

A

Polvoron Molder

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25
Q

Art of making the pabalat or pastillas wrappers has transformed in recent years from being a local, folk tradition into a popular art

A

Pabalat (San Miguel, Bulacan)

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26
Q

Packaging design can
be simple and
straightforward, or
colorful and complex

A

Packaging

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27
Q

refers to the paper maché using carved wooden sculpture used as a mold

A

Taka (Paete, Laguna)

28
Q

Using molds, paper pieces or pulp are put together with glue or other adhesives

A

Paper Maché

29
Q

Taal embroideries are characterized by ne design with delicate, embossed, durable and colorful patterns.

A

Pagbuburda (Taal, Batangas and Lumban, Laguna)

30
Q

Stitches are the basic elements of sewing, knitting or embroidery whether by hand or machine.

A

Stitching

31
Q

Rainbow looms which are a plastic tool used to weave durable and colorful patterns into decorative items such as bracelets and charms.

A

Loom Bands

32
Q

A tough lightweight
elastic synthetic
polymer ornament
worn on the wrist.

A

Nylon Bracelets

33
Q

Common Techniques in Contemporary Arts

A
  1. Minimalism
  2. Found Objects
  3. Large-Scale Art
34
Q
  • An artistic movement that seeks to take away
    unnecessary and leave only the essential.
  • Artworks that usually use this technique use a well selected material that is indispensable in
    art production.
A

Minimalism

35
Q
  • Taking something that people seem to find useless and use it in a unique way in order to
    make an artwork.
  • Junk Art
A

Found Objects

36
Q
  • An art that accounts for the creation of
    something huge to express diverse perspectives in artwork.
  • For the public’s view.
  • Graffiti
A

Large Scale Art

37
Q
  • Considering the creative process, focusing on
    the choice and utilization of art materials, and evaluating applied techniques
  • Critique is taken from the Greek kritike tekhne, which means “the critical art“. It is somewhat a formal word that typically refers to a careful judgment. It refers to the detailed analysis and
    assessment of something.
A

Critiquing

38
Q
  • relying on emotions, heavily weighing visual appeal, and judging the final product based on subjective notions of beauty or ugliness
  • refers to a sharp or severe disapproval of something, generally based on perceived faults or errors. It is judging with disapproval. It is negative in nature.
A

Criticizing

39
Q
  • Thought more than felt
  • Concerned with the process of creating art
    -Considered the artist’s technique
  • More objective than subjective
A

Critiquing

40
Q
  • Felt more than thought
  • Concerned with what is perceived through the senses - Considered the artist as good or not good
  • More subjective than objective
A

Criticizing

41
Q

CRITIQUING AVAILABLE ART
MATERIALS (TRIPLE A)

A
  1. Availability
  2. Accessibility
  3. Affordability
42
Q

An art material has to be obtainable, ready for use, at hand. Simply put, the art material exists or is physically present for the artist to use. It is already there; this is the quality of being able to be used or obtained.

A

Availability

43
Q

An art material has to be within the artist’s reach, easily acquired without much effort or diculty for the artist. It is the quality of being acquired or used easily

A

Accessibility

44
Q

An art material has to be within the financial capacity of the artist to be bought. The artist can bear or meet the expense of acquiring the needed art material.

A

Affordability

45
Q

CRITIQUING APPROPRIATE ART
TECHNIQUE (AMP)

A
  1. Appropriateness
  2. Mastery
  3. Practicality
46
Q

The manner by which the artist is going to apply in creating an artwork should be suited to the kind of art materials that will be used as well as suited to the kind of art technique.

A

Appropriateness

47
Q

The artist is skilled and highly knowledgeable of the art technique. The right art materials are there and the suited art technique is appropriate to the art form but if the artist is not adept with the use of the specific technique to be applied, the outcome might run contrary to what is expected.

A

Mastery

48
Q

Art technique should be functional and sensible for the objectives or purpose set by the artist for the creation of the artwork. Practicality makes the art technique truly appropriate when it is indeed useful for the artist and when it is understandably t for the kind of art materials and for the conceived artwork.

A

Practicality

49
Q

is all about creating a guide before starting a production. In this way Production planning utilizes the resources that can be used later. The specific procedures will let the producer have control over what is happening on the set.

A

Production planning

50
Q

refers to anything that is represented in an artwork. It can be an object, person scenery, colors etc.

A

Subject

51
Q

Two types of arts:

A

● Representational or Objective Arts

● Non-Representational or Non-Objective Arts

52
Q
  • Arts that have subjects.
  • These arts present stories, images, representations, symbols, etc.
  • Examples are graphic arts, literature, sculpture, painting, and theater arts.
A

Representational or Objective Arts

53
Q
  • Artworks without subjects.
  • These arts attract straight through the senses.
    -Examples are musical arrangement, architecture,
    weaving and other functional art
A

Non-Representational or Non-Objective Arts

54
Q

refers to the materials used in an artwork. It is the instrument of every artist to convey a message in an artistic manner. It can be colors and brushes for a painter; sounds for a musician; movements of the body for an actress or dancer; it can also be the words for every writer; wood or clay for a sculptor.

A

Medium

55
Q

refers to the physical characteristics of an art. It is about the utilization of the elements of art such as line, shape, form, space, color, value, and texture

A

Form

56
Q

4Ms OF PRODUCTION PLANNING

A

Methods
Materials
Machine
Manpower

57
Q

refer to the framework of the production. It provides the skeletal plan that will serve as the guide for the whole production. It contains the objectives or goals, material, procedures, manpower assignment, target date of finish.

A

Methods

58
Q

are the expected output or result of the production. Objectives must be SMART; specific, measurable, attainable, relevant, and time bound

A

Objectives or goals

59
Q

refers to the name of productions. The name of the production should be the one to catch the audience’s attention.

A

Title or name of Production r

60
Q

refers to the group that is the primary target of the production.

A

Target Audience

61
Q

refers to the space you will use to execute your production. It can be physical space or an online platform

A

Venue or Platform

62
Q

is the expected production’s launching date.

A

Date of Implementation or Target date of Finish

63
Q

refers to the artwork presented on a production such as the script on a drama, music and lyrics, or choreography. It is the center of the production that consists of the concept that is expressed through art.

A

Materials

64
Q

refers to the mediums, machinery, tools, or equipment to be used in a production. On a theater production machines are the physical materials such as stage lighting, sound systems, or any technical medium.

A

Machine

65
Q

refers to the team of people assigned to a specific role. It can be the director, producers, choreographers, dancers, artist, or crew.

A

Manpower