Chapter 6 - New Developments in the 14th Century Flashcards

1
Q

The 14th century was fraught with turmoil. Name four things negative things that happened

A
  • Cooler climate causing economic slumps and famine
  • The Babylonian captivity of the papacy
  • The Black Death
  • The Hundred years war
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2
Q

When was the Black Death and how many people did it kill?

A

1347-50 and about one third of Europe

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3
Q

When did the Hundred Years War occur and who was it between?

A

1337-1453 between France and England

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4
Q

Describe “Roman de Fauvel”

A

This is an allegorical narrative poem that stars a horse named Fauvel and is critical of moral and political corruption. It features music in it’s manuscript that is among the first examples of the Ars Nova style

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5
Q

Who is credited with creating the Ars Nova style?

A

Philippe de Vitry (1291-1361). His teachings were put into manuscripts (Titles Ars Nova) that were apparently crediting the style to him.

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6
Q

What are mensuration signs?

A

These are the ancestors of modern time signatures; they denote either perfect time (triple), or imperfect time (duple)

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7
Q

Two ryhthmic innovations enabled the Ars Nova style. What were they?

A

These were the creation of “imperfect” or duple time, and the further subdivision of the semibreve, allowing smaller note values

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8
Q

A division of a semibreve is called a _______.

A

Minim

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9
Q

Who invented mensuration signs?

A

Jehan de Murs

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10
Q

What is Isorhythm?

A

Repetition in a voice part of an extended pattern on durations over the course of a composition or just a section

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11
Q

Define Talea

A

In Isorhythm, this is the repeating rhythmic unit

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12
Q

Define Color

A

In Isorhythm, this is the recurring melodic segment

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13
Q

Birth and death dates of Guillaume de Machaut

A

1300-1377

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14
Q

Why is Guillaume de Machaut important?

A

He was an influential composer and poet for his contemporaries and his compositions exemplify the French Ars Nova style

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15
Q

Define Contratenor

A

This is a voice that is in the same range as the tenor that has a supporting role

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16
Q

Did the Ars Nova style gave an increased or decreased prominence to imperfect consonances?

A

It gave an increased prominence to 3rds and 6ths, the imperfect consonances

17
Q

What distinguishes the styles of the 14th century from that of the 15th and 16th?

A

The greater remnants of the older styles, such as the frequent presence of parallel 5ths and octaves

18
Q

What are the three “formes fixes”?

A

These are the three most common forms of 14th century French song. They are the Ballade, Rondeau, and the Virelai

19
Q

During the Ars Nova period, what did the term “chansons” refer to?

A

In France, a chanson is a polyphonic song during the 14th century

20
Q

Describe “treble dominated style”

A

This is a style where the upper voice(s) are most important with the tenor and contratenor only playing a supporting role and are without text

21
Q

Describe the Ars Sublitor. When and where was this style found?

A

The Ars Sublitor is a more refined and complex continuation of the Ars Nova style, found in high class settings in France and Northern Italy during the later 14th century

22
Q

In Italy, what is the Trecento period?

A

This is the Italian term for the 14th century

23
Q

Italian liturature and music florished during the Trecento period. Name a few important facts.

A
  • Music accompanied every aspect of life in Italy
  • The prefered literary language switched from Occitan to a Tuscan Italian dialect
  • Musical notation was initially different but adopted the French Ars Nova style later in the century
24
Q

Describe the 14th century madgrigal

A

This is an Italian piece sung a cappella for two or more voices all on the same text. They consist of two or more three line stanzas with the same music, and the piece concludes with a contrasting ritornello

25
Q

Describe the caccia

A

This is an Italian vocal work that is in strict cannon. It features two or more voices at the unison, and a slower untexted tenor. Often the text describes action scenes

26
Q

Describe the balleta

A

This is an Italian vocal genre with roots in dance songs. Early pieces were monophonic but most surviving examples are polyphonic

27
Q

Who was the foremost leader in the Italian trecento style and to what genre does most of works belong to?

A

Francesco Landini (ca. 1325-1397). The majority of his works are polyphonic balletas

28
Q

At the end of the 14th century, the Italian style began to blend into the style of which country?

A

France

29
Q

In the 14th through 16th centuries, how were instruments categorized?

A

By their relative loudness, rather than pitch (high or low volume, not pitch)