Chapter 25 - Romantic Opera and Musical Theatre to Midcentury Flashcards

1
Q

Birth and death dates: Franz Schubert

A

1797-1828

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2
Q

Birth and death dates: Robert Schumann

A

1810-1856

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3
Q

Birth and death dates: Clara Schumann

A

1819-1896

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4
Q

Birth and death dates: Felix Mendelssohn

A

1809-1847

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5
Q

Birth and death dates: Fanny Mendelssohn

A

1805-1847

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6
Q

Birth and death dates: Frederic Chopin

A

1810-1849

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7
Q

Birth and death dates: Franz Liszt

A

1811-1886

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8
Q

Name a characteristic of the Schumann’s songs

A
  • Treating the piano as a equal solo voice with the singer

- Inclusion of frequent interludes and piano solos to highlight the instrument

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9
Q

Other than song, what was the next most popular and influential genre during the Romantic?

A

Piano music

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10
Q

Generally what three broad catagories existed for piano pieces

A
  • Pieces for teaching
  • Pieces for the amateur market
  • Bravura pieces for virtuosi
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11
Q

How did Schubert’s experience in song writing influence his approach to classical forms?

A

He tended to focus on melody and thematic material, putting it in new harmonic contexts rather than subjecting it to motivic development

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12
Q

Schubert influenced Liszt by his favoring modulating by ______.

A

3rds

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13
Q

Felix Mendelssohn’s music can best be thought of as what?

A

Classical era form with Romantic era expression and mood.

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14
Q

Of all the composer’s in the Romantic, which most closely adhered to traditional classical forms?

A

Felix Mendelssohn

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15
Q

Robert Schumann’s solo piano works largely consist of what kind of pieces?

A

Smaller character pieces, often fragmentary and part of a set

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16
Q

How did Clara Schumann and Fanny Hensel’s careers differ?

A

Although they were both accomplished and respected pianists, Clara performed publicly and published her music, whereas Fanny’s performances were mainly private and her music largely unpublished.

17
Q

Chopin’s legacy is what?

A

He was the first to write truly idiomatic piano music, highlighting and playing to the instrument’s strengths

18
Q

When historians say that Chopin made innovations in the genre of etude, prelude, nocturne, etc. what is meant?

A

Chopin innovated in the genre’s he touched by adding artistic value to etudes, as well as writing in a way that highlighted the piano’s strengths and making it sing

19
Q

Did Chopin prefer to play large recitals or at smaller salon gatherings?

A

Chopin preferred more intimate settings for performances such as the salon

20
Q

Liszt’s music was innovative in what ways?

A
  • He pushed the technical limits of piano playing
  • He pushed tonality in his avant garde compositions
  • Was also a proponent of character music and he wrote reflections rather than arrangements of popular pieces
21
Q

Who was responsible for the recital practices we have today of silence, playing from memory, and the name recital?

A

Franz Liszt