Chapter 4 & 5: Sensation And Perception Flashcards

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1
Q

Accessory structures

A

Structures, such as the lens of the eye, that modify a stimulus.

Ex. Outer part of the ear has an accessory structure that helps to collect and redirect sound.

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2
Q

Neural receptors

A

Specialized cells that detect certain forms of energy and transduce them into nerve cell activity

Ex. Touching something hot, nerves send message

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3
Q

Specific energy doctrine

A

The discovery that stimulation of a particular sensory nerve provided codes for that sense, no matter how the stimulation takes place.

Ex. Applying gentle pressure to your closed eye will produce activity in the optic nerve and you will sense little lights

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4
Q

Loudness

A

A psychological dimension of sound determined by the amplitude of a sound wave.

Ex. Describes as decibels

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5
Q

Pitch

A

How low or high a tone sounds.

Ex. Depends on frequency of sound wave.

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6
Q

Timbre

A

The mixture of frequencies and amplitudes that make up the quality of sound.

Ex. What allows you to tell the difference between the same not played on a flute vs. the violin

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7
Q

Ocular accommodation

A

The ability of the lens to change its shape and bend light rays so that objects are in focus.

Ex. Can lose flexibility and result in “far sighted”

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8
Q

Photoreceptors

A

Specialized cells in the retina that code light energy into nerve cell activity.

Photopigments generate a signal to the brain

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9
Q

Photopigments

A

Chemicals in photoreceptors that respond to light and assist in converting light into nerve cell activity.

Ex. When you come out of a dark movie theater and your eyes take a while to adjust, it’s because your photoreceptors do not have enough photopigments yet.

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10
Q

Dark adaption

A

The increasing ability to see in the dark as time in the dark increases.

Ex. Get used to walking around dark house after light has been turned off for a while.

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11
Q

Visual acuity

A

Visual clarity, which is greatest in the fovea because of its large concentration of cones.

Ex. Ability to see small details.

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12
Q

Optic chiasm

A

Part of the bottom surface of the brain where half of each optic nerves fibers cross over to the opposite side of the brain.

Info from right side of visual field goes to left side of brain.

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13
Q

Hue

A

The essential “color” determined by the dominant wavelength of light.

Wavelength of yellow is less than red

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14
Q

Color saturation

A

The purity of color.

A color is more pure if one wave length has more energy than the other.

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15
Q

Brightness

A

The overall intensity of all the wavelengths That make up light

Ex. Yellow is brighter than dark purple.

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16
Q

Proprioceptive senses

A

The sensory systems that allow us to know about body position and what each part of our body is doing

Ex. Knowing your legs are crossed while you’re writing

17
Q

Proprioceptors

A

Receptors in muscled and joints that provide information to the brain bout movement and body position.

Ex. Moving your arm-> receptors in joints transduce mechanical energy into nerve cell activity.

18
Q

Perception

A

The process through which people take raw sensations from the environment and interpret them, using knowledge, experience, and understanding of the world, so that the sensations become meaningful experiences.

19
Q

Psychophysics

A

An area of research focusing on the relationship between the physical characteristics of environmental stimuli and the psychological experiences those stimuli produce.

Ex. Physical processing of information and how they perceive it.
(Lights-> experimentalism-> Wihelm Wundt)

20
Q

Sublimation stimulation

A

Stimulation that is too weak or brief to be perceived.

This is below our “absolute threshold”

21
Q

Signal detection theory

A

A mathematical model of what determines a persons report that a near the whole stimulus has or has not occurred.

Variability rather than notion of absolutes.

22
Q

Perceptual organization

A

The task of determining what edges and other stimuli go together to form and object.

Fed Ex’s Arrow

23
Q

Figure ground discrimination

A

The ability to organize a visual scene so that it contains meaningful figures set against a less relevant ground.

24
Q

Gestalt laws

A

Proposed number of principles that describe how perceptual systems group stimuli into a world of shape and objects

25
Q

Proximity

A

The closer objects or events are to one another, the more likely we are to perceive them as belonging together.

26
Q

Similarity

A

Perceive similar events as part of a group.

27
Q

Continuity

A

When sensations appear to creat a continuous form, we tend to perceive them as belonging together.

28
Q

Closure

A

We tend to fill in missing contours to form a complete object

29
Q

Texture

A

When basic features of stimuli have the same texture

30
Q

Simplicity

A

We tend to see features of stimulus in a way that provides the smallest interpretation.

31
Q

Common fate

A

When objects move in the same direction at the same speed, we perceive them as together.

Ex. Dancers that move in unison

32
Q

Depth perception

A

The ability to perceive distance.

We see 3-D even though we receive info from 2-D retinas

33
Q

Interposition

A

A depth cue whereby closer objects block ones view of things farther away.

Chalk art

34
Q

Gradient of textures

A

A graduated change in the texture, or grain, of the visual field whereby objects with finer, less detailed textures are perceived as more distant

35
Q

Motion parallax

A

A depth cue whereby a difference in apparent rate of movement of different objects provides information about the relative distance of those objects.

36
Q

Retinal disparity

A

A depth cue based on the difference between two retinal images.

Closing one eye. Vs the other.

37
Q

Perceptual constancy

A

The perception of objects as constant in size, shape, color, and other properties despite changes in their retinal images

Ex. Person is walking towards you and getting closer NOT getting bigger

38
Q

Parallel distribution processing

A

A theoretical model of object recognition in which various elements of the object are thought to be simultaneously analyzed by several widely distributed but connected neural units in the brain.

Ex. “Visualize and apple” -> smell, taste, color, etc. all come together to visualize object. (Brain is pulling multiple sensory experiences together at the same time)