cct110 Flashcards

1
Q

what is rhetoric?

A

Using language effectively to persuade, inform, educate, or entertain

  • the study of how knowledge is created and shared through communication practices that include reading, writing, and speaking
  • study of persuasion
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2
Q

rhetoric of media

A
  • Media literacy
  • Critical thinking and writing skills
  • Thinking about media forms, tools, and how to effectively use them (i.e. “media affordances”)
  • Thinking about how information circulates
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3
Q

media

A
  • plural of medium
  • the means by which content is communicated between an
    origin and a destination
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4
Q

society

A
  • The whole social world in which we exist “the body of institutions and relationships within which a relatively large group of people live”
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5
Q

emphasis

A

social relations, everyday interactions, operation of
broader social grouping

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6
Q

Lasswell’s Communication Model

A
  • brand?
  • who?
  • says what?
  • in which channel?
  • to whom?
  • with what effect?
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7
Q

Critiques of Lasswell’s Model

A

*Useful for seeing components of communication process
*But: oversimplified
*Linear process: senderàreceiver
*One-way flow of information
*Passive receiver
*Doesn’t tell us how information can be meaningful

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8
Q

Encoding/Decoding

A

Reality exists outside language, but is constantly mediated by and through language: and what we can know and say has to be produced in and through discourse

  • Stuart Hall
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9
Q

3 ways to decode a message

A
  1. Dominant Reading
  2. Negotiated Reading
  3. Oppositional Reading
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10
Q

Dominant Reading

A
  • Viewer or reader shares meanings that are encoded in a text
  • accepts the preferred reading,
  • generally naturalizes and reinforces dominant ideologies.
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11
Q

Negotiated Reading

A
  • Viewer generally shares the codes and preferred meaning of the text
  • also may resist and modify the encoded meaning based on her social location, interests, history and experiences.
  • Results in a contradictory reading of the text
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12
Q

Oppositional Reading

A
  • Social position of the reader (gender, race, class, ideology)
    places them in opposition to the dominant code and preferred reading of the text.
  • Reader understands the dominant code but brings a different look, leading them to resist the encoded
    message
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13
Q

putting text into content

A

Major part of critical thinking, reading, analysis

*When you make media you have power

*When you critically consume media and understand rhetoric you gain access to power

*When you use this in service of producing content you become powerful

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14
Q

Every rhetorical situation includes choices
about:

A

*Genre: what type of text you are writing
*Purpose: what are you trying to accomplish
*Audience: whom you are writing for
*Voice: how you want to sound
*Media and Design: how you want your writing to look

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15
Q

writing to persuade

A

*To think something
*To buy something
*To feel something
*To do something
*To click something
*To “like” something

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16
Q

Logos

A

rational appeal

Strategies of logic:
*Appeal to reason

*Ex: facts, statistics, arguments, concrete evidence

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17
Q

Pathos

A

Emotional appeal

*Persuasion by moving audience to feel something

*Attempt to appeal to an audience’s sense of identity, self-interest, and emotions

*Ex: interviews, imagery, individual stories

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18
Q

Ethos

A

Ethical appeal
credibility

*Appeal to a source’s credibility

*“What does this person know about this topic?” and “Why should I trust this person?”

*Convey trustworthiness in style and tone

*Establish credentials

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19
Q

public relations

A

activities aimed at favorably
influencing the public

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20
Q

Political Spin
&
Spin

A

The attempt to control or influence communication on order to deliver ones preferred message

spin:
Spin is a pejorative term often used in the context of public relations practitioners and political communicators

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21
Q

the leak

A

politicians prided a story to journalists in exchanged for the story not to be scrutinized

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22
Q

pivoting

A

not answering the questions you’ve been asked

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23
Q

the vomit principle

A

if you convey a message so many times you have to “throw up” the public might finally get it

24
Q

playing dead bat

A

staying quiet answering nothing

25
Q

playing dead bat

A

staying quiet answering nothing

26
Q

The truth, but not the whole truth

A

exactly what the sentence means

27
Q

throwing bodies out like garbage

A

days when the news cycle is full, gets less coverage (often happens with bad news)

28
Q

Fire Breaking

A

country staring war by deflecting their economy is a mess

29
Q

Kite Flying

A

float an idea on Thursday or Friday, if its popular it becomes a policy at the end of the week

30
Q

flying under the radar

A

place unwanted legislation into a bill to hide

31
Q

dog whistling

A

use a certain term or expression that certain people can understand

32
Q

wedding

A

issue or point is raised that makes issues between groups and wedges them apart

33
Q

propoganda

A

intentional influence of attitudes and opinions

34
Q

propoganda model: filters

A
  • Ownership
  • Advertising
  • Sourcing
  • Flak
  • Anti-communism and fear
35
Q

Edward Bernays

A
  • Thought of advertising as art applied to science
  • Manipulate masses
  • First to use celebrities as advertising
36
Q

hard sell

A

persuasive techniques and “reason why” philosophy

37
Q

soft sell

A

enticing and entertaining image; appeal to paths (emotions)

38
Q

advertising

A

communication that is paid for and is usually persuasive in nature

39
Q

ideology

A
  • a coherent set of social values, beliefs, meanings
  • Taken-for-granted value commitments, assumptions that are naturalized
  • Consumer ideology: promote consumer culture
40
Q

Commodity Fetishism

A
  • The symbolic separation of commodities from the social conditions in which they were produced
  • Masks material relations
  • Hides the production of goods (e.g.. premised on human exploitation)
41
Q

symbolic value
advertising & ideology

A

associates things (products) with particular values

42
Q

connotation
advertising & ideology

A

the range of subjective meanings that may be drawn from a representation

43
Q

history of seeing

A

if you see it you believe it

44
Q

Phrenology
pseudo-science

A

cataloguing body parts more specifically the brain and measuring parts to determine different traits, e.g. psychological

45
Q

Physiognomy
pseudo-science

A
  • interpreting the outward appearance and configuration of the body and the face in particular.
  • Can learn about “types” by doing this.
    E.g. Sherlock Homes: you have less frontal development than I should have expected
46
Q

Eugenics
pseudo-science

A
  • practice of stymying and controlling human reproduction as a means of improving the human race.
  • Founded by Sir Francis Galton
  • Linked to race, later used by Nazis and Hitler in WWII
47
Q

Subject of a picture

points to consider
(seeing)

A

What about the person taking the picture? How they choose to shoot the image

48
Q

Ideologies inform our image

points to consider
(seeing)

A

Shared set of values and beliefs that exist within a given society where we live

49
Q

Ideologies change over time

points to consider
(seeing)

A

Women’s roles, sex, gender

50
Q

culture

A

What is culture?
Why is it so important?
What roles does it play in the rhetoric of the visual?
- Tim Hortons and hockey

51
Q

culture codes

A
  • We rely on culture codes (e.g. to make judgments of aesthetic)
  • Taste is informed by experiences relating to ones class, culture, education
  • What “codes” are at work here to help us distinguish beauty from ugliness
52
Q

culture
cultivation of nature

A
  • culture denoted civilization of nature
    (e.g. cultivating plants and animals)
  • overtime cultivation becomes culture as a spiritual and social cultivation of social groups
53
Q

Material
2 aspects of culture

A

the outcome of this cultivations: artwork, poems, philosophical texts, literature

54
Q

Mental
2 aspects of culture

A

the idea of culture as process of cultivation

55
Q

“evaluative concept”

A

Culture becomes an “evaluative concept,” when culture and value are linked together, and one that impacts what we see and how we see

56
Q

The Myth of Photographic Truth, 1992

A
  • Sometimes in courtrooms use science to convince viewers of the “accuracy of the imaging-system
    (e.g. Rodney King video, 1992)
  • Used by Kings lawyers showing irrefutable evidence of the event. Police was found not guilty for excessive force
  • Sewing down or stoping moving images we can see things missed at regular speed, the use of reverse effect can eliminate time-dependent aspects
  • The use of speeding, slowing, and reversing speed can alter actual actions
  • “Scientific” techniques used w/ videos: freeze framing, slowed projection, blowups of portions of the full frame, digitized markings on the frame, computerized still frames
    (all used to falsify Kings videos)
57
Q

Rhetoric and Deciding what we are “seeing”

A

Making meaning of images: meanings are produced though a complex social relationship involving:

  • How viewers internet or experience the image
  • The context in which an image is seen