Barron's: Chapter 29 - Contemporary Art Flashcards
Time Period
- 1980-Present
Essential Knowledge
- Traditional skills have been challenged by digital works, works that were meant to last only a short time, works captured on video, computer generated works, etc.
- Diverse art forms are created that reflect and challenge the environment in which they were made
- Artists appropriate works from the past which reveal layers of meaning beyond what was perhaps intended
- Cities seek to be defined by an iconic landmark
- Art history has traditionally ignored contemporary art form non-American and European sources. Excellent contemporary art is being produced globally
- Eurocentric views have been downplayed by the rise of the Internet and political power shifts around the globe
- Artists now come from a multitude of backgrounds, not just the traditional what heterosexual male
- There are many more venues for displaying art in the world today than ever. Galleries, exhibits, and annual exhibitions proliferate
Guggenheim Bilboa Museo
- Frank Gehry
- 1997
- titanium, glass, and limestone
- Bilboa, Spain
- modern architecture
- Cross-Cultural Connections: Curvilinear Forms
- Borromini, San Carlo alle Quattro Fontane
- Walls of Saqsa Waman
- Great Zimbabwe
MAXXI National Museum of XXI Century Arts
- Zaha Hadid
- 2009
- glass, steel, and cement
- Rome, Italy
- Modern Architecture
- Cross-Cultural Comparisons: Public Spaces
- Forum of Trajan
- Angkor Wat
- Forbidden City
The Gates
- Christo and Jean-Claude
- 1979-2005
- mixed media installation
- New York City
- modern paintings and sculptures
- Cross-Cultural Comparisons: Gateways
- Great Portal, Chartres
- Todai-ji
- Forbidden City
Vietnam Veterans Memorial
- Maya Lin
- 1982
- black granite
- Washington, D.C.
- modern paintings and sculptures
Horn Players
- Jean-Michel Basquiat
- 183
- acrylic and oil paint stick on canvas panels
- Broad Art Foundation
- Santa Monica, California
- modern paintings and sculptures
Summer Trees
- Song Su-nam
- 1983
- ink on paper
- British Museum, London
- modern paintings and sculptures
- Cross-Cultural Comparisons: Ink Technique
- Folio from the Qu’ran
- Bichitr, Jahangir Preferring a Sufi Shaikh to Kings
- Bahrum Gur Fights the Karg
Androgyn III
- Magdalena Abakanowicz
- 1985
- burlap, resin, wood, nails, and string
- Metropolitan Museum of Art, New York
- modern paintings and sculptures
- Cross-Cultural Comparisons: Human Figure
- Tlatilco Female Figure
- Lakshmana Temple detail
- Nlo Bieri
A Book from the Sky
- Xu Bing
- 1987-1991
- 100 boxed sets of 4-volume woodblock printed books, variable numbers of scrolls hanging from the ceiling, and variable numbers of wall panels
- installation
- Elvehjem Museum of Art, University of Wisconsin-Madison
- Madison, Wisconsin
- modern paintings and sculptures
- Cross-Cultural Comparisons: Book Making
- Book of the Lindisfarne
- Golden Haggadah
- Fortispiece of the Codex Mendoza
Pink Panther
- Jeff Koons
- 1988
- glazed Porcelain
- Museum of Modern Art, New York
- modern paintings and sculptures
- Cross-Cultural Comparisons: Porcelain and Ceramic
- The David Vases
- Apollo from Veii
- Terra-cotta Fragment
Untitled #228 from the History Portraits Series
- Cindy Sherman
- 1990
- photograph
- Broad Art Foundation, Santa Monica, California
- modern paintings and sculptures
- Cross-Cultural Comparisons: References to the Past
- Jefferson, Monticello
- Ringgold, Dancing at the Louvre
- Shinobare, The Swing
Dancing at the Louvre from the series The French Collection, Part I, #1
- Faith Ringgold
- 1991
- acrylic on canvas, with fabric borders
- Private Collection
- modern paintings and sculptures
- Cross-Cultural Comparisons: Woven Arts
- Bandolier Bag
- Hiapo
- The Bayeux Tapestry
Trade (Gifts for Trading Land with White People)
- Jaune Quick-to-See-Smith
- 1992
- oil and mixed media
- Chrysler Museum of Art
- Norfolk
- modern paintings and sculptures
- Cross-Cultural Comparisons: Multi-Media Works and Installations
- Paik, Electronic Superhighway
- Osario, No Crying Allowed in the Babershop
- Shonibare, The Swing (after Fragonard)
Earth’s Creation
- Emily Kame Kngwarreye
- 1994
- synthetic polymer, paint on canvas
- Mbantua Gallery, Alice Springs, Australia
- modern paintings and sculptures
- Cross-Cultural Comparisons: Landscape
- Fan Kuan, Travelers among Mountains and Streams
- Cezanne, Mont Sainte-Victoire
- Cole, Oxbow
Rebellious Silence, from the Women of Allah series
- Shirin Neshat
- 1994
- ink on photograph
- Barbara Gladstone Gallery, New York
- modern paintings and sculptures
- Cross-Cultural Comparisons: Portraits
- Sin Sukju
- Roman Patrician
- Vigee le Brun, Self-Portrait
En la Barberia no se Llora (No Crying Allowed in the Barbershop)
- Pepon Osorio
- 1994
- mixed media installation
- modern paintings and sculptures
- Cross-Cultural Comparisons: Gender Identification
- Veranda post
- Delacroix, Liberty Leading the People
- Hogarth, The Tete a Tete
Pisupo Lua Afe (Corned Beef 2000)
- Michel Tuffery
- 1994
- mixed media
- Collection of the Artists
- modern paintings and sculptures
Electronic Superhighway
- Naum June Paik
- 1995
- mixed media (49-channel closed circuit video installation, neon, steel, and electronic components)
- Smithsonian American Art Museum
- modern paintings and sculptures
- Cross-Cultural Comparisons: New Media for Its Time
- Daguerre, Still Life in Studio
- The Colosseum
- Cranach, Allegory of Law and Grace
The Crossing
- Bill Viola
- 1996
- video and sound installation
- room dimensions: 16 x 27.5 x 57
- performer: Phil Esposito, photo: Kira Perov
- modern paintings and sculptures
- Cross-Cultural Comparisons: Motion
- Muyridge, The Horse in Motion
- Nike of Samothrace
- Presentation of Fijian Masks
Pure Land
- Mariko Mori
- 1998
- color photograph on glass
- Los Angeles County Museum of Art, Los Angeles, California
- modern paintings and sculptures
- Cross-Cultural Comparisons: Photography
- Daguerre, Still Life in Studio
- Muybridge, The Horse in Motion
- Stieglitz, The Steerage
Lying with the Wolf
- Kiki Smith
- 2001
- ink and pencil on paper
- modern paintings and sculptures
- Cross-Cultural Comparisons: Stereotypes
- Osario, No Crying Allowed in the Babershop
- Salcedo, Shibboleth
- Lawrence, The Migration of the Negro, Panel no. 49
Darkytown Rebellion
- Kara Walker
- 2001
- cut paper and projection on wall
- Collection Musee d’Art Moderne Grand-Duc Jean, Luxembourg
- modern paintings and sculptures
- Cross-Cultural Comparisons: Wall Surfaces
- Lascaux Caves, Great Hall of the Bulls
- Tomb of the Triclinium
- Michelangelo, Sistine Chapel Ceiling
The Swing (after Fragonard)
- Yinka Shonibare
- 2001
- mixed media installation
- Tate, London
- modern paintings and sculptures
Old Man’s Cloth
- El Anatsui
- 2003
- aluminium liquor bottle caps and copper wire
- modern paintings and sculptures
- Cross-Cultural Comparisons: Cloth
- All-T’oqapu Tunic
- Hiapo
- Funeral Banner of Lady Dai
Stadia II
- Julie Mehretu
- 2004
- ink and acrylic on canvas
- Carnegie Museum of Art, Pittsburgh
- modern paintings and sculptures
- Cross-Cultural Comparisons: Images of Entertainment
- The Colosseum
- Seated Boxer
- Basquiat, Horn Players
Preying Mantra
- Wangechi Mutu
- 2006
- mixed media on mylar
- Brooklyn Museum, Brooklyn, New York
- modern paintings and sculptures
Shibboleth
- Doris Salcedo
- 2007-2008
- installation
- Tate Modern, London
- modern paintings and sculptures
- Cross-Cultural Comparisons: Works on the Ground
- Smithson, Spiral Jetty
- Great Serpent Mound
- Weiwei, Sunflower Seeds
Kui Hua Zi (Sunflower Seeds)
- Ai Weiwei
- 2010-2011
- sculpted and painted porcelain
- Tate Modern, London
- modern paintings and sculptures
- Cross-Cultural Comparisons: Installations
- Osario, No Crying Allowed in the Barbershop
- Bing, A Book from the Sky
- Shonibare, The Swing (after Fragonard)
action painting
- an abstract painting in which the artists drips or splatters paint onto a surface like a canvas in order to create his or her work
assemblage
- a three-dimensional work make of various materials such as wood, cloth, paper, and miscellaneous objects
earthwork
- a large outdoor work in which the earth itself is the medium
installation
- a temporary work of art made up of assemblages created for a particular space, like an art gallery or a museum
kitsch
- something of low quality that appeals to popular taste