all the light Flashcards

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1
Q

nazi cruelty/ heartless nature

A
  • they think bombing a city is like “an unholy tooth” that they’re about to “pull out.”
  • Doerr shows the ten fold effect this had on individuals
  • ‘city is gradually pounded to dust’
  • ‘yet everything radiates tension’
  • ‘as if the city has been built upon the skin of a balloon’
  • ‘darkness will inevitably snuff them’
  • ‘desparate to stay removed from the waking world for as long as possible’
  • treat others like no more than a ‘volley of bullets’
  • ‘[steel] your body’
  • His plight resulted in him feeling a ‘hunger to belong’ and so disconnected from his past self where his hands ‘[do] not feel like his own’.
  • minds be ‘locked in total darkness’
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2
Q

model of Saint Malo compared to actual

A
  • shows the mental strength of Marie Laure

- representative of her traquil state of mind as she is only exposed to the model not the chaotic reality

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3
Q

futile nature of relationships during war

A
  • each time Werner listens to the radio, the mans voice is growing quieter and quieter
  • Werner smashing the radio, symbolic of Jutta and Werner as it ties many childhood experiences
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4
Q

superficial society

A
  • entrance exam places more importance on their Aryan ideal; hair colour but fails to test what actually differentiates individuals; e.g. intelligence
  • the only non race related challenge is jumping from a tall ladder; thus soldiers are taught to being heartless and having an unhesitating willingness to die.
  • ‘measures the distance between Werner’s temples’
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5
Q

Jutta and Werner

A
  • “Don’t tell lies. Lie to yourself, Werner, but don’t lie to me.”
  • As Jutta knows the repurcussions, Werner doesnt
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6
Q

Nazi regime

A
  • ‘breathe nation’
  • ‘not trust their minds’
  • ‘ties a million ears to a single mouth’
  • ‘you have to accustom yourself to that way of thinking’
  • ‘pure math’
  • ‘they are more than numbers’
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7
Q

Willful ignorance

A
  • symbolised by the ostrich burying its head into the sand
  • he turns a blind eye by deliberately not writing to Jutta as she ‘always seems to recognise what is right’
    ‘shes the only thing keeping him from surrendering totally’
    ‘ “Werner washes Frederick’s mess tin for him; he shares homework answers,” helps him in private but fails to stand up for him publicly
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8
Q

war creates a world of selfishness

A
  • Although Daniel tries to explain to the police officers that the saws are used for his daughter
  • ‘when it comes to his daughter: a fear that he is no good as a father’
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9
Q

staying true to one’s beliefs

A
  • Frederick “ pours the water onto the ground,” stating “I will not”
  • his refusal to comply with the cruelty and the blind obedience, he is physically damaged to the point of neurological damage
  • ‘is it right to do something only because everyone else is doing it?’
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10
Q

frog analogy

A
  • Werner was made to perform things he wouldnt normally be willingto commit however, this analogy is indicative that if the transition is slow or unnoticeable enough then they can
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11
Q

Marie and Etienne

A
  • she was ‘the best thing that has ever come into my life’
  • once she leads him to be a part of the french resistance, ‘he feels alive’
  • rather than becoming versatile, he ‘shut himself like a corpse’
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12
Q

Werner has always been given hope/opportunities or confusion

A
  • ‘Werner thinks the cellar may have its own faint light’ (foreshadowing his moral insight)
  • he chooses to not write back to Jutta
  • Werner feels like he “is succeeding… [and] being loyal… being what everybody agrees is good” yet “every time he wakes and buttons his tunic, he feels like he is betraying something”
  • Werner rejects his conscience questioning him ‘is this not wrong?’
  • ‘straining in darkness’
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13
Q

Marie Laure is versatile

A
  • her hearing improves and has a strong moral code; willingness to assist in the french resistance, and her responsiblity towards her father, wishing ‘that Papa hasnt anywhere near it’
  • ‘Marie Laure knows this…even though she is blind’
  • ‘Papa’s thick hair is wet from the snow … and his scarf is draped asymmetrically over his shoulders’
  • ‘recognise the different houses, angles of the street’
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14
Q

Werner wants to escape his fate

A
  • ‘he walks the tunnels of the mine…slabs of it descend over him as he treads’
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15
Q

mentors

A
  • supporting figures that ‘[believed] in him’\
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