Tide - C1 Flashcards
Who owns Tide?
Procter & Gamble
When was the product first launched?
1946
Was the product successful?
became the leading brand in America a position it maintains today.
What was advertising agency that handled P&G’s accounts throughout the 1950s?
The D’Arcy Masius Benton & Bowles (DMB&B)
What did DMB&B uniquely use in their campaign
DMB&B used print and radio advertising campaigns
What ideologies and beliefs did the campaign feature?
the “house wife” character and the ideology that customers “loved” and “adored” Tide
What did the post-WWII consumer boom of the 1950s result in?
the rapid development of new technologies for the home designed to make domestic chores easier.
How did P+G capitalize on the 1950s consumer boom?
As washing machines became desirable products for the 1950s consumers products linked to these new technologies also became desirable during this time, for example, washing powder.
Why does the advert have more copy than print adverts today?
With so many ‘new’ brands entering markets, potential customers typically needed more information about them than a modern audience - link to Gerbner’s cultivation theory
What structures are used in the advert?
Z-lines and rule of thirds
How is colour used?
Bright primary colours connote positivity which makes the audience associate this with the product
How is font used in the advert?
Headings, subheadings and slogans are written in sans-serif font, connoting an informal mode of address. The details of the product are written in a serif font, connoting a more ‘serious’ information.
How does the advert use media language to create a informal mode of address?
- The comic strip image
- informal lexis -“sudsing whizz”, “suds”
- “you women”
- Constance - “what women want”
- exclamatory sentences
- love heart doodles
How can Roland Barthes’ theory of semiotics be applied?
- Suspense is created through the enigma of “what women want” (Barthes’ Hermeneutic Code)
- Tension-building through exclamatory sentences(Barthes’ Proairetic Code).
- The hearts have connotations of love (Barthes’ Semantic Code)
- Hyperbole and superlatives (“Miracle”, “World’s cleanest wash!”, “World’s whitest wash!”) as well as tripling (“No other…”) are used to connote the superiority of Tide
How can Levi-Strauss’ structuralist theory be seen in Tide?
- Binary opposition between Tide and its competitors - “any other washday product” and “Procter and Gamble’s Tide”
- Binary opposition between men and women - “you women”