The Elements of Typographic Style - Robert Bringhurst 2nd Edition

Question 1

nevertheless [ˌnevəðəˈles]

Answer 1

a predsa (One question, nevertheless, has been often in my mind.)

Question 2

thrive* [θraɪv]

pt thrived/throve, pp thrived/thriven

Answer 2

prosperovať, dari, sa, prekvitať (Typography thrives as a shared concern – and there are no paths at all..)

Question 3

solitude [ˈsɒlɪˌtjuːd]

Answer 3

samota, osamelosť ( The subject of this book is not typographic solitude, but the old, well-travelled roads..)

Question 4

preconception [ˌpriːkənˈsepʃən]

Answer 4

predsudok (I have no preconceptions about which brands of computers, or which versions of which proprietary software, they may use)

Question 5

synopsis [sɪˈnɒpsɪs]

Answer 5

súhrn, prehľad (Hisorical Synopsis)

Question 6

oblique [əˈbliːk]

Answer 6

šikmý (bolique axis)

Question 7

crisp [krɪsp]

Answer 7

strohý, rázny (štýl)

Question 8

aperture [ˈæpətʃə]

Answer 8

otvor, štrbina

Question 9

subsidiary [səbˈsɪdɪərɪ]

Answer 9

vedľajší, podružný, druhotný (Italic subsidiary to roman and closely linked with it)

Question 10

foremost [ˈfɔːˌməʊst]

Answer 10

v prvom rade, na prvom mieste (These charts show first and foremost the axis of the pen that makes the letter).

Question 11

subjugate [ˈsʌbdʒʊˌgeɪt]

Answer 11

podriadiť. podmaniť (italic fully subjugated to roman)

Question 12

liberated [ˈlɪbəˌreɪtɪd]

Answer 12

emancipovaný, nezávislý, (italic partially liberated from roman)

Question 13

misuse [ˌmɪsˈjuːz

Answer 13

zneužiť, zle použiť (Typography is an art that can be deliberately misused)

Question 14

disguised [dɪsˈgaɪzd]

Answer 14

maskovany, skrývaný (It is a craft by which the meaning of a text can be knowingly disguised.)

Question 15

rife [raɪf] with

Answer 15

oplývajúci, hemžiaci sa (In a world rife with unsolicited messages, typography must often draw attention…)

Question 16

unsolicited [ˌʌnsəˈlɪsɪtɪd]

Answer 16

nevyžiadaný, nežiadúci (In a world rife with unsolicited messages, typography must often draw attention…)

Question 17

relinquish [rɪˈlɪŋkwɪʃ]

Answer 17

vzdať sa, upustiť (Yet in order to be read, it must relinquish the attention it has drawn.)

Question 18

serenity [sɪˈrenɪtɪ]

Answer 18

pokoj, nevzrušenosť (It takes various forms and goes by various names, including serenity, livelness, laughter, grace and joy)

Question 19

elucidate [ɪˈluːsɪˌdeɪt]

Answer 19

vysvetliť, objasniť, (The satisfactions of the craft come from elucidationg, and perhaps even ennobling the text)

Question 20

ennobling

Answer 20

zošľachťujúci, povznášajúci (The satisfactions of the craft come from elucidationg, and perhaps even ennobling the text)

Question 21

dignity [ˈdɪgnɪtɪ]

Answer 21

dôstojnosť (Letters have a life and dignity of their own)

Question 22

courtesy [ˈkɜːtɪsɪ]

Answer 22

zdvorilosť, slušnosť (Typography is a link and it ought, as a matter of honor, courtesy and pure delight to be as strong as the others in the chain.)

Question 23

stamina [ˈstæmɪnə]

Answer 23

výdrž, vytrvalosť ä it is still to give the illusion of superhuman speed and stamina – and superhuman patience and precision.)

Question 24

platitude [ˈplætɪˌtjuːd]

Answer 24

otrepaná fráza, klišé (typography that can walk familiar ground without sliding into platitudes)

Question 25

obtuseness

Answer 25

obmedzenosť, tuposť (Typography is to literature as musical performance is to composition: an essential act of interpretation, full of endless opportunities for insight or obtuseness. )

Question 26

deployment [dɪˈplɔɪmənt]

Answer 26

nasadenie, rozmiestnenie ( The same alphabets and page designs can be used for a bography and for a manual on the use and deployment of biological weapons.)

Question 27

inherently [ɪnˈhɪərəntlɪ or -ˈher-]

Answer 27

vo svojej podstate, z podstaty (Evidently there is nothing inherently noble and trustworthy in the written or printed word.)

Question 28

purport [pɜːˈpɔːt]

Answer 28

tvriť, vyhlasovať (A novel often purports to be a seamless river of words form beginning to end)

Question 29

seamless [ˈsiːmlɪs]

Answer 29

jednoliaty, súvislý (A novel often purports to be a seamless river of words form beginning to end)

Question 30

novel [ˈnɒvəl]

Answer 30

román

Question 31

obscure [əbˈskjʊə]

Answer 31

nejasný, ťažko zrozumiteľný (Such features may be obscure in the manuscript, even if thy are clear in the authorjs mind.)

Question 32

timbre [ˈtɪmbə or ˈtæmbə French tε̃brə]

Answer 32

timbre, sfarbenie hlasu (hud.)

Question 33

interchangeable [ˌɪntəˈtʃeɪndʒəbəl

Answer 33

zameniteľný, vymeniteľný (Thee root metaphor of tpesetting is that te alphabet is a system of interchangeable parts.)

Question 34

particle [ˈpɑːtɪkəl]

Answer 34

(elementárna) častica

Question 35

poignant [ˈpɔɪnjənt or -nənt]

Answer 35

dojímavý, pálčivý, bolestný (The typographer can make poignant and lovely typography from bibliographical paraphernalia and textual chaff.)

Question 36

raconteur [ˌrækɒnˈtɜː]

Answer 36

rozprávač (dobrý)

Question 37

yarn [jɑːn]

Answer 37

priadza, vlákno (thought is a thread, and the raconteur is a spinner of yarns - but the true storyteller, the poet, is a weaver. )

Question 38

thread [θred]

Answer 38

niť (thought is a thread, and the raconteur is a spinner of yarns - but the true storyteller, the poet, is a weaver. )

Question 39

weaver [ˈwiːvə]

Answer 39

tkáč (thought is a thread, and the raconteur is a spinner of yarns - but the true storyteller, the poet, is a weaver. )

Question 40

scribe [skraɪb]

Answer 40

pisár, opisovač (The scribes made this old and audibe abstraction into a new and visible fact)

Question 41

audible [ˈɔːdɪbəl]

Answer 41

počuteľný (The scribes made this old and audibe abstraction into a new and visible fact)

Question 42

loom [luːm]

Answer 42

(tkáčske) krosná

Question 43

ragged [ˈrægɪd]

Answer 43

otrhaný, neupravený, rozstrapatený (If text is set ragged right)

Question 44

loosely [ˈluːslɪ]

Answer 44

splývavo, voľne (A loosely fitted typography)

Question 45

inflected [ɪnˈflektɪd]

Answer 45

ohýbavý, flexívny (In highly inflected languages, such as Latin)

Question 46

decipher [dɪˈsaɪfə]

Answer 46

rozlúštiť, dešifrovať

Question 47

evenness

Answer 47

rovnomernosť, vyrovnanosť (In justified text, there is always a trade-off between evenness of word spacing and frequency of hyphenation.)

Question 48

pinched [ˈpɪntʃt]

Answer 48

strhaný, vyziabnutý (, making the text look like a netly pinched piecrust)

Question 49

inflationary [ɪnˈfleɪʃənərɪ]

Answer 49

inflačný (In nineteent century, which was a dark and inflationary age in typography)

Question 50

period [ˈpɪərɪəd]

Answer 50

bodka (na konci oznamovacej vety)

Question 51

cease [siːs]

Answer 51

prestať, ustáť (etter spacing has a role to play wherever words have ceased to matter and letters are what count. )

Question 52

fastidious [fæˈstɪdɪəs]

Answer 52

puntičkársky, pedantný (For German a fastidious typographer will take space out of the combinations..)

Question 53

arbitrarily [ˈɑːbɪtrərɪlɪ]

Answer 53

svojvoľne, ľubovoľne (And arbitrarily condensing or expanding letterforms is the poorest of all methods for fitting uneditable copy into unalterable space.)

Question 54

slaughter [ˈslɔːtə]

Answer 54

vraždenie, vyvraždenie (With no regard for letters to squish them into cattle trains and ship them to the slaughter)

Question 55

maltreatment [ˌmælˈtriːtmənt]

Answer 55

zlé zaobchádzanie (When letters are maltreated in this way, their reserve of legibility is sapped)

Question 56

chasm [ˈkæzəm]

Answer 56

zásadný rozdiel (medzi vecami) (The two ways of destroying such an opportunity are setting great chasms of space that the eye cannot leap without help)

Question 57

intrusion [ɪnˈtruːʒən]

Answer 57

narušenie ( If the main text runs 11/13, intrusions to the text should equal some multiple of 13 points)

Question 58

suffocate [ˈsʌfəˌkeɪt]

Answer 58

dusiť, udusiť (Don’t suffocate the page)