Streetcar 8 Flashcards

1
Q

setting of scene 8

A
  • ‘Three-quarters of an hour later.’
  • sunset, light is fading but there are localised points of brightness: ‘torch of sunlight blazes’ ‘pierced by pin-points of lighted windows or windows reflecting the sunset’
  • ‘The view through the big windows is fading gradually into a still-golden dusk.’
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2
Q

‘The view through…’

A

‘The view through the big windows is fading gradually into a still-golden dusk.’ - SD

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3
Q

‘A torch of…’

A

‘A torch of sunlight blazes on the side of a big water-tank or oil-drum across the empty lot towards the business district’ - SD

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4
Q

‘the business district…’

A

‘the business district which is now pierced by pin-points of lighted windows or windows reflecting the sunset.’ - SD
- these areas of light could reflect searchlights on Blanceh

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5
Q

‘The three people are…’

A

‘The three people are completing a dismal birthdya supper. Stanley looks sullen. Stella is embarrassed and sad.’ - SD

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6
Q

‘Blanche has a tight…’

A

‘Blanche has a tight, artificial smile on her drawn face. There is a fourth place at the table which is left vacant.’ - SD
- the fourth place is for Mitch, the ‘dismal’ atmosphere is because the truth about Blanche is out yet she is the only one (seemingly) who doesn’t know

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7
Q

‘I don’t know what’s…’

A

‘I don’t know what’s the matter, we’re all so solemn. Is it because I’ve been stood up by my beau?’ - Blanche

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8
Q

‘It’s the first time in my…’

A

‘It’s the first time in my entire experience with men, and I’ve had a good deal of all sorts, that I’ve actually been stood up by anybody!’ - Blanche
- is this true? Given what Stanley said she only got through a few dates with a guy before he found out the truth
- ‘I’ve had a good deal of all sorts [of experiences with men]’ - this probably doesn’t read how Blanche expects it to given the info stanley revealed in the prior scene

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9
Q

‘I don’t know any refined…’

A

‘I don’t know any [stories] refined enough for your taste.’ - Stanley
- subtle class dig, painfully aware of the social gap between Stella and Blanche and him

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10
Q

‘This old maid, she had a…’

A

‘This old maid, she had a parrot that cursed a blue streak and knew more vulgar expressions than Mr Kowalski.’ - Blanche
- unnecessary comment about Stanley, we can see why the tensions are so high and why he reacts so strongly to Stella’s comment about him being ‘disgustingly greasy’
- interesting over-formality in the ‘Mr Kowalksi’ title, possibly reverting back to her southern belle routes to deal with this uncomfortable situation

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11
Q

reactions to Blanche’s parrot story at her birthday dinner
- ‘[She throws back her…’

A

‘[She throws back her head and laughs. Stella also makes an ineffectual effort to seem amused. Stanley pays no attention to the story but reaches way over the table to spear his fork into the remaining chop which he eats with his fingers.]’ - SD
- ‘spear’ is reminiscent of ‘survivor of the stone age’

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12
Q

‘Mr Kowalksi is too…’

A

‘Mr Kowalski is too busy making a pig of himself to think of anything else!’ - Stella
- animalistic presentation - ‘pig’
- ‘think of anything else’ could be a dig at his intelligence

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13
Q

‘Your face and your…’

A

‘Your face and your fingers are disgustingly greasy. Go and wash up and then help me clear the table.’ - Stella
- direct insults (‘making a pig of himself’ ‘disgustingly greasy’) reflect Blanche’s influence on Stella
- sense of superiority both in her judgement (‘disgustingly’) and her commands: ‘go and’ ‘help me’ - higher expectations since Blanche’s visit?
- Stella giving commands shows Stanley’s loss of power, he throws the plate to reestablish it

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14
Q

‘[He hurls..’

A

‘[He hurls a plate to the floor.]’ - SD (stanley)
- an attempt to regain his authority
- display of emotion, he’s effected by the comments (‘vulgar’ ‘a pig of himself’ ‘disgustingly greasy’)

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15
Q

‘[He seizes…] Don’t ever talk…’

A

‘[He seizes her arm.] Don’t ever talk that way to me! Pig - Polak - disgusting - vulgar - greasy! 0 them kind of words have been on your tongue and your sister’s too much around here!’ - Stanley
- understandable reaction given the comments they’ve been making
- Stella has been slowly changing and regaining a level of superiority over Stanley

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16
Q

‘What do you think you…’

A

‘What do you think you two are? A pair of queens? Remember what Huey Long said - ‘Every man is a king!’ And I am the king around here, so don’t forget it!’ - Stanley
- feels inferior, trying to regain power
- Huey Long was popular with the lower classes because he wanted to tax the rich, he represented the working class (especially white men)

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17
Q

‘And I am the king around here…’

A

‘And I am the king around here, so don’t forget it! [He hurls a cup and saucer to the floor.] My place is cleared! You want me to clear your places?’ - Stanley

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18
Q

Stella-Stanley contrast in scene 8

A
  • Stanley appears violent, commanding, and powerful where Stella appears vulnerable (her pregnancy is in the forefront of our minds, especially at the end of the scene)
  • ‘hurls’ ‘seizes her arm’ ‘I am the king around here’ ‘ripping off’
  • ‘begins to cry weakly’ ‘shakes her head helplessly’ ‘slow, shuffling progress’
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19
Q

‘[Stella begins to…’

A

‘Stella begins to cry weakly. Stanley stalks out on the porch and lights a cigarette.’
- the distance and contrast between Stella and Stanley is clear here, she seems vulnerable and stays still whilst he ‘stalks’ away

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20
Q

‘What did he…’
‘Nothing…’

A

‘What did he tell you, Stella?’ - Blanche
‘Nothing, nothing, nothing!’ - Stella
- her repetition conveys a desperation for Blanche to drop the subject

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21
Q

‘I think he told… You know why…’

A

‘I think he told you something about Mitch and me! You know why Mitch didn’t come but you won’t tell me!’ - Blanche

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22
Q

‘Stella shakes her…’

A

‘Stella shakes her head helplessly.’ - SD
- she seems more and more powerless: ‘I wish you wouldn’t.’ (can’t physically stop her anymore)

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23
Q

‘[She rushes to the… Stella goes…’

A

Blanche ‘rushes to the phone in the bedroom. Stella goes out on the porch and stares reproachfully at her husband. He grunts and turns away from her.’

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24
Q

‘I never had so much…’

A

‘I never had so much trouble swallowing food in my life, looking at the girl’s face and the empty chair. [She cries quietly.]’ - Stella
- ‘the girl’s’ - infantilising of Blanche, B victimises herself

25
Q

‘[She remains by the…’

A

‘[She remains by the phone with a lost, frightened look.]’ - Blanche (she leaves a number as he doesn’t pick up)

26
Q

‘[Stanley turns slowly back…’

A

‘[Stanley turns slowly back towards his wife and takes her clumsily in his arms.]’

27
Q

‘Stell, it’s gonna be all…’

A

‘Stell, it’s gonna be all right after she goes and after you’ve had the baby. It’s gonna be all right again between you and me the way that it was.’ - Stanley
- trying to reach Stella and bring her back, reassuring himself more than her
- the nickname ‘Stell’ suggests closeness and softness

28
Q

‘You remember that way…’

A

‘You remember that way it was? Them nights we had together? God, honey, it’s gonna be so sweet when we can make noise in the night the way that we used to and get the coloured lights going with nobody’s sister behind the curtains to hear us!’ - Stanley
- ‘make noise’ and ‘get the coloured lights going’ refers to sex, it’s clear that passion is a big part of their relationship and its something that has perhaps faded since Blanche’s arrival

29
Q

‘Come on back…’

A

‘Come on back in. [She returns to the kitchen and starts lighting the candles on the white cake.] Blanche?’ - Stella
- she appears to be pacified by Stanley’s reassurances that it will go back to normal

30
Q

‘Oh, those pretty…’

A

‘Oh, those pretty, pretty little candles! Oh, don’t burn them, Stella.’ - Blanche
- associates them with youth and perfection

31
Q

‘You ought to save them for…’

A

‘You ought to save them for baby’s birthdays. Oh, I hope candles are going to glow in his life and I hope that his eyes are going to be like candles, like two blue candles lighted in a white cake!’ - Blanche
- wants the best for this child
- she hopes he gets to enjoy the light, and be young, and experience the world like she didn’t
- ‘white cake’ symbolises purity (unstained)

32
Q

Stanley’s reaction to Blanche’s candles spiel

A

‘What poetry!’ - Stanley
- picking up on her fictionalisation

33
Q

‘His Auntie knows candles aren’t…’

A

‘His Auntie knows candles aren’t safe, that candles burn out in little boys’ and girls’ eyes, or wind blows them out and after that happens, electric light-bulbs go on and you see too plainly…’ - Blanche
- old (‘candles’) vs new (‘electric light-bulbs’) america
- candles symbolise innocence and youthfulness, Blanche lost this young (the candles burnt out) - her illusions were ruined as Stella puts it
- ‘see too plainly’ - her desire to stay in the dark, in her romanticised magical world

34
Q

‘There’s no excuse for…’

A

‘There’s no excuse for [Mitch to not call/turn up], Stella. I don’t have to put up with insults, I won’t be taken for granted.’ - Blanche

35
Q

‘I take hot baths for my…’

A

‘I take hot baths for my nerves. Hydro-therapy, they call it. You healthy Polack, without a nerve in your body, of course you don’t know what anxiety feels like!’ - Blanche
- automatically takes it as an opportunity to attack Stanley, ignoring what he said before and his frequently expressed hatred for the term ‘Polack’

36
Q

‘I am not a Polack. People from…’

A

‘I am not a Polack. People from Poland are Poles, not Polacks. But what I am is a one hundred per cent American, born and raised in the greatest country on earth and proud as hell of it, so don’t ever call me a Polack.’ - Stanley
- again, Stanley seems completely justified in his reaction to Blanche’s insults
- indirect defence of himself but doesn’t want to be associated with being non-American at all - contrast to Blanche who desperately holds onto her very distant french roots
- ‘the greatest country’ - patriotism - served in military (still not accepted in the country though)

37
Q

‘[The phone…]’
‘Oh, that’s…’
‘/I’m/…’

A

‘[The phone rings. Blanche rings expectantly.]’
‘Oh, that’s for me, I’m sure.’ - Blanche
‘/I’m/ not sure. Keep your seat. [He crosses leisurely to phone.]’ - Stanley

38
Q

‘[He leans against wall…’

A

‘He leans against wall, staring insultingly at Blanche. She sinks back in her chair with a frightened look. Stella leans over and touches her shoulder.]’ - SD
- Stanley uses the phone to get to Blanche, rubbing it in that it isn’t mitch calling to explain to her
- Stella seems very much stuck in the middle, trying to offer Blanche reassurance

39
Q

‘Oh, keep your…’

A

‘Oh, keep your hands off me, Stella. What is the matter with you? Why do you look at me with that pitying look?’ - Blanche

40
Q

‘We’ve got a…’

A

‘We’ve got a noisy woman on the place.’

41
Q

‘No, I don’t wanta bowl…’

A

‘No, I don’t wanta bowl at Riley’s. I had a little trouble with Riley last week. I’m the team-captain ain’t I? All right, then, we’re not gonna bowl at Riley’s’ - Stanley
- exerting power over the others, Stanley is clearly dominant force in all of his social circles (hence why Blanche’s subversion affects him quite so much)

42
Q

‘[He hangs up and returns…’

A

‘[He hangs up and returns to the table. Blanche fiercely controls herself, drinking quietly from her tumbler of water. He doesn’t look at her but reaches in a pocket. Then he speaks slowly and with false amiability.]’ - SD

43
Q

‘Sister Blanche, I’ve got…’

A

‘Sister Blanche, I’ve got a little birthday remembrance for you.’ - Stanley
- an exceedingly cruel way to give her the ticket, not only asking her to leave but humiliating her and allowing her to get her hopes up

44
Q

‘I wasn’t expecting any…’

A

‘I wasn’t expecting any, I - I don’t know why Stella wants to observe my birthday! I’d much rather forget it - when you - reach twenty-seven! Well - age is a subject that you’d prefer to - ignore!’ - Blanche
- Stanley disputes even that she is twenty-seven, when he comments Blanche quickly moves the conversation away from her age

45
Q

‘Yes, I hope…’
‘Why…’
‘Ticket…’

A

‘Yes, I hope you like it!’ - Stanley
‘Why, why - Why, it’s a -‘ - B
‘Ticket! Back to Laurel! On the Greyhound! Tuesday!’ - Stanley
- rubbing it in with false excitement even though he knows she can’t go back

46
Q

‘Ticket…’
‘The ‘Varsouviana’ music…’

A

‘Ticket! Back to Laurel! On the Greyhound! Tuesday!’ - Stanley
‘The ‘Varsouviana’ music steals in softly and continues playing. Stella rises abruptly and turns her back. Blanche tries to smile.’ - SD
- her past is catching up with her again

47
Q

‘Blanche tries to smile. Then she…’

A

‘Blanche tries to smile. Then she tries to laugh. Then she gives both up and springs from the table and runs into the next room. She clutches her throat and then runs into the bathroom. Coughing, gagging sounds are heard.’ - SD
- Blanche is physically affected by the idea of returning to Laurel and by the memories that creep up on her (represented by the varsouviana)

48
Q

‘You needn’t have…’

A

‘You needn’t have been so cruel to someone alone as she is.’ - Stella
- Stella appears to have picked a side, or at least criticises Stanley for his actions towards Blanche here
‘Delicate piece she is.’ - Stanley
- bird/moth symbol
- mocking of her and her weaknesses

49
Q

‘She is. She was…’

A

‘She is. She was. You didn’t know Blanche as a girl. Nobody, nobody, was tender and trusting as she was. But people like you abused her, and forced her to change.’ - Stella about Blanche
- ‘like you’ - targetted at Stanley, foreshadowing what he does to Blanche, a complete change for Stella to recognise Stanley’s abuser qualities
- ‘abused’ - victim
- remisicent of Williams’ sister

50
Q

‘[He crosses into the bedroom, ripping…’

A

‘[He crosses into the bedroom, ripping off his shirt, and changes into a brilliant silk bowling shirt. She follows him.]’

51
Q

‘You’re not going…’
‘I done nothing to…’

A

‘You’re not going bowling. [She catches a hold of his shirt.] Why did you do this to her?’ - Stella
‘I done nothing to no one. Let go of my shirt. You’ve torn it.’ - Stanley
- Stella is once again commanding, and shows genuine anger

52
Q

‘When we first met, me…’

A

‘When we first met, me and you, you thought I was common. How right you was, baby. I was common as dirt.’ - Stanley
- Stella was more like Blanche
- ‘me and you’ - the focus is pulled away from Blanche to their life as a couple
- he shows no shame of status

53
Q

‘You showed me the snapshot…’

A

‘You showed me the snapshot of the place with the columns. I pulled you down off them columns and how you loved it, having them coloured lights going!’ - Stanley
- ‘place with the columns’ - Belle Reve
- ‘down off them columns’ - social class, stained, Stella was no longer a southern belle

54
Q

‘And wasn’t we…’

A

‘And wasn’t we happy together, wasn’t it all okay till she showed here?’ - Stanley
- leading questions (manipulative)
- idealising the past - like Blanche does sometimes
- desperation to get Stella and their life back
- he repeats this same line a few moments later

55
Q

‘Stella makes a slight movement…’

A

‘Stella makes a slight movement. Her look goes suddenly inward as if some interior voice had called her name. She begins a slow, shuffling progress from the bedroom to the kitchen, leaning and resting on the back of the chair and then on the edge of a table with a blind look and listening expression.’ - SD (stella)
- stark contrast to her previous commanding boldness

56
Q

what does stanley do (not realising something is wrong with stella)?

A
  • repeats the comments he just made:
    ‘And wasn’t we happy together? Wasn’t it all okay? Till she showed here. Hoity-toity, describing me as an ape.’
57
Q

‘[He suddenly notices the change…’

A

‘[He suddenly notices the change in Stella.] Hey, what is it, Stell? [he crosses to her.]’ - Stanley
- sudden shift in stanley, shows genuine concern and care for his wife (use of pet names -‘Stell’)
- stella comes above it all even if his hatred for blanche in this scene

58
Q

‘He is with her now…’

A

‘He is with her now, supporting her with his arm, murmuring indistinguishably as they go outside.’ - SD
- Stella seems to come above it all even his hatred for Blanche in this scene, we get a quick look into their relationship without blanche
- it’s easy to warm to him here

59
Q

‘The ‘Varsouviana’ is heard, its music…’

A

‘The ‘Varsouviana’ is heard, its music rising with sinister rapidity as the bathroom door opens slightly. Blanche comes out twisting a washcloth. She begins to whisper the words as the light fades slowly.’ - SD
- sense that the past has caught up with Blanche, and is consuming her more and more
- her presence and the music that comes with her ruins the domestic scene we have just witnessed
- ‘twisting a washcloth’ - shows nervousness