Hamlet 3:1 Flashcards
Act 3, Scene 1 importance
- Act 3 is the “moving” act
- 3:1 is the “nunnery scene”
‘And can you by no drift…’
‘And can you by no drift of conference/ Get from him why he puts on this confusion,/ Grating so harshly all his days of quiet/ With turbulent and dangerous lunacy?’ - King
- trying to find an excuse to get rid of Hamlet (knows H resents him, why not Wittenberg?)
- fishing for bad news (‘turbulent and dangerous lunacy’)
Ros and Gil report to the King about H
- don’t tell the whole truth (‘from what cause ‘a will by no means speak’)
- fear of letting the king down plus loyalty to H
‘But from what…’
‘But from what cause ‘a will by no means speak.’ - Ros
‘But, with a…’
‘But, with a crafty madness, keeps aloof/ When we would bring him on to some confession/ Of his true state.’ - Guildenstern
‘but of our demands…’
‘but of our demands/ Most free in his reply.’ - Ros
- doesn’t seem accurate
‘Sweet Gertrude…’
‘Sweet Gertrude, leave us too’ - King
- the only other female voice is ushered away
’- lawful espials -‘
’- lawful espials -‘
- in parenthesis (off the cuff)
- trying to justify himself
‘Ophelia, I do wish…’
‘Ophelia, I do wish/ That your good beauties be the happy cause/ Of Hamlet’s wildness; so shall I hope your virtues/ will bring him to his wonted way again,/ To both your honours.’ - Queen
- thinks O will have a positive influence
- respectful and kind to O
‘And pious action…’
‘And pious action we do sugar o’er/ The devil himself.’ - Polonius
- make themselves look good, hide sins
‘[Aside] O, ‘tis…’
‘[Aside] O, ‘tis too true!/ How smart a lash that speech doth give my conscience!/’ - King
‘plast’ring art’ - K
‘O heavy burden!’ - K
- he has something to feel guilty over
Hamlet’s soliloquy in 3:1
- melancholia (in built even before he knew about the regicide)
- some directors have Hamlet aware that P and K are observing his interaction with O
- semantic field of violence, war
‘To be, or not…’
‘To be, or not to be - that is the question;/ Whether ‘tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune,/ Or to take arms against a sea of troubles,/ And by opposing end them?’ - Hamlet 3:1 soliloquy
- questioning (inaction?)
- fate, change his destiny
- projectiles (‘slings’ ‘arrows’) show he is out of control
- existential
‘To die; to sleep’
‘To die; to sleep’ - Hamlet’s 3:1 soliloquy
- repeated later in the soliloquy
‘When we have shuffled…’
‘When we have shuffled off this mortal coil’ - Hamlet, 3:1 soliloquy
- existence and non-existence (avoids using ‘death’)