Hamlet 3:1 Flashcards

1
Q

Act 3, Scene 1 importance

A
  • Act 3 is the “moving” act
  • 3:1 is the “nunnery scene”
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2
Q

‘And can you by no drift…’

A

‘And can you by no drift of conference/ Get from him why he puts on this confusion,/ Grating so harshly all his days of quiet/ With turbulent and dangerous lunacy?’ - King
- trying to find an excuse to get rid of Hamlet (knows H resents him, why not Wittenberg?)
- fishing for bad news (‘turbulent and dangerous lunacy’)

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3
Q

Ros and Gil report to the King about H

A
  • don’t tell the whole truth (‘from what cause ‘a will by no means speak’)
  • fear of letting the king down plus loyalty to H
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4
Q

‘But from what…’

A

‘But from what cause ‘a will by no means speak.’ - Ros

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5
Q

‘But, with a…’

A

‘But, with a crafty madness, keeps aloof/ When we would bring him on to some confession/ Of his true state.’ - Guildenstern

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6
Q

‘but of our demands…’

A

‘but of our demands/ Most free in his reply.’ - Ros
- doesn’t seem accurate

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7
Q

‘Sweet Gertrude…’

A

‘Sweet Gertrude, leave us too’ - King
- the only other female voice is ushered away

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8
Q

’- lawful espials -‘

A

’- lawful espials -‘
- in parenthesis (off the cuff)
- trying to justify himself

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9
Q

‘Ophelia, I do wish…’

A

‘Ophelia, I do wish/ That your good beauties be the happy cause/ Of Hamlet’s wildness; so shall I hope your virtues/ will bring him to his wonted way again,/ To both your honours.’ - Queen
- thinks O will have a positive influence
- respectful and kind to O

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10
Q

‘And pious action…’

A

‘And pious action we do sugar o’er/ The devil himself.’ - Polonius
- make themselves look good, hide sins

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11
Q

‘[Aside] O, ‘tis…’

A

‘[Aside] O, ‘tis too true!/ How smart a lash that speech doth give my conscience!/’ - King
‘plast’ring art’ - K
‘O heavy burden!’ - K
- he has something to feel guilty over

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12
Q

Hamlet’s soliloquy in 3:1

A
  • melancholia (in built even before he knew about the regicide)
  • some directors have Hamlet aware that P and K are observing his interaction with O
  • semantic field of violence, war
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13
Q

‘To be, or not…’

A

‘To be, or not to be - that is the question;/ Whether ‘tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune,/ Or to take arms against a sea of troubles,/ And by opposing end them?’ - Hamlet 3:1 soliloquy
- questioning (inaction?)
- fate, change his destiny
- projectiles (‘slings’ ‘arrows’) show he is out of control
- existential

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14
Q

‘To die; to sleep’

A

‘To die; to sleep’ - Hamlet’s 3:1 soliloquy
- repeated later in the soliloquy

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15
Q

‘When we have shuffled…’

A

‘When we have shuffled off this mortal coil’ - Hamlet, 3:1 soliloquy
- existence and non-existence (avoids using ‘death’)

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16
Q

‘Thus conscience does…’

A

‘Thus conscience does make cowards of us all’ - Hamlet, 3:1 soliloquy
- reminiscent of the ‘am I a coward?’
- reason not emotion

17
Q

‘I never gave you…’

A

‘I never gave you aught.’ - Hamlet to O
- antic disposition, cruelty, truth?
- what about the letter P read to the King

18
Q

Hamlet-Ophelia conversation 3:1

A
  • Ophelia is made a scapegoat for women’s sins (misogyny)
19
Q

‘That if you be honest…’

A

‘That if you be honest and fair, your honesty should admit no discourse to your beauty.’ - Hamlet to O
- if Ophelia is chaste she should not entertain comments on her beauty

20
Q

‘for the power of beauty…’

A

‘for the power of beauty will sooner transform honest from what it is to a bawd than the force of honesty can translate beauty into his likeness.’ - Hamlet
- “beauty can destroy chastity in a woman far more easily than chastity can make a beautiful woman honest”

21
Q

‘You should not have…’

A

‘You should not have believ’d me; for virtue cannot so inoculate our old stock but we shall relish of it. I loved you not.’ - Hamlet to O.
- blames Ophelia

22
Q

‘Get thee to a…’

A

‘Get thee to a nunnery.’ - Hamlet to O
- says this (or versions) 4 times within this conversation
- ‘nunnery’ was also a term for a brothel in elizabethan times

23
Q

‘Why wouldst thou be…’

A

‘Why wouldst thou be a breeder of sinners? I am myself indifferent honest, but yet I could accuse me of such things that it were better my mother had not borne me’ - Hamlet to O
- telling her not to have a child to prevent more sinners being brought into the world

24
Q

‘We are arrant knaves…’

A

‘We are arrant knaves, all; believe none of us. Go thy ways to a nunnery. Where’s your father?’ - Hamlet to O

25
Q

‘If thou dost marry, I’ll…’

A

‘If thou dost marry, I’ll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny.’ - Hamlet to O
- marriage will not save her from a bad reputation

26
Q

‘Or, if thou wilt needs…’

A

‘Or, if thou wilt needs marry, marry a fool; for wise men know well enough what monsters you make of them.’ - Hamlet to O
- wise men know that women cheat

27
Q

‘I have heard of your paintings…’

A

‘I have heard of your paintings too, well enough; God hath given you one face, and you make yourselves another.’ - Hamlet to O
- ‘you’ refers to women, he is generalising

28
Q

‘O, what a noble…’

A

‘O, what a noble mind is here o’er-thrown!’ - Ophelia
- Hamlet has changed (antic disposition or learning about his uncle?)

29
Q

‘That unmatch’d form…’

A

‘That unmatch’d form and feature of blown youth/ Blasted with ecstasy’ - Ophelia about H
- antic disposition

30
Q

‘Love! His affections…Nor what he spake…’

A

‘Love! His affections do not that way tend;/ Nor what he spake, though it lack’d form a little,/ Was not like madness.’ - Claudius after watching the H-O conversation
- Hamlet is not mad? at the least not due to love

31
Q

‘There’s something in…’

A

‘There’s something in his soul/ O’er which his melancholy sits on brood;/ And I do doubt the hatch and the disclose/ Will be some danger’ - Claudius
- Hamlet is brooding on something that may have a wide fallout
- says he will send him ‘with speed to England’ to prevent the fallout (control)

32
Q

‘Let his queen mother all…’

A

‘Let his queen mother all alone entreat him/ To show his grief. Let her be round with him;/ And I’ll be plac’d, so please you, in the ear/ Of all their conference’ - Polonius
- try to use H’s relationship with his mother
- spying and espionage again (‘in the ear’)
- this will lead to his death behind the arras

33
Q

‘If she find him…’

A

‘If she find him not [gone mad from love],/ To England send him; or confine him where/ Your wisdom best shall think.’ - P
- plots again
- ‘confine him’ is reminiscent of H’s ‘Denmark is a prison’ earlier

34
Q

‘It shall be so…’

A

‘It shall be so:/ Madness in great ones must not unwatch’d go.’ - King