Sacred Music of Palestrina Flashcards

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1
Q

He called himself Giovanni Petraloysio.

A

Palestrina

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2
Q

was a small town near Rome where he was presumed to have been born in 1525.

A

Palestrina

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3
Q

He served in a significant number of churches both in his hometown of Palestrina and in Rome, even under the patronage of Pope Julius III at a certain point.

A

PIERLUIGI GIOVANNI DA PALESTRINA

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4
Q

He held musical positions in notable Roman sacred institutions like the Church of Santa Maria Maggiore and even the Sistine Chapel where he served as a singer briefly

A

PIERLUIGI GIOVANNI DA PALESTRINA

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5
Q

held between 1545 and 1563 in Trent, was the 19th ecumenical council of the Catholic Church.

A

Council of Trent

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6
Q

Prompted by the Protestant Reformation, it has been described as the embodiment of the Counter-Reformation.

A

Council of Trent

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7
Q

Members of the Catholic Church met together in Trento, Italy to talk about how to respond to the continuing rise of Protestantism.

A

Council of Trent

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8
Q

was very smooth, pure and elegant, fitting the instruction of those from the Council of Trent.

A

Palestrina’s style

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9
Q

The melody sounded much like the _______ that he grew in singing.

A

Plainchants

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10
Q

They had good rhythmic variety but were easily singable, moving in stepwise motion, only with few interval leaps.

A

Palestrina’s style

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11
Q

The clarity, pleasingness, variety, and elegance of his music gave Palestrina the nickname ______

A

Prince of Music

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12
Q

is his most famous work.

A

Pope Marcellus Mass

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13
Q

Legend of him is the savior of sacred polyphony had originally come from.

A

Pope Marcellus Mass

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14
Q

The mass was dedicated to ________, who had become pope for only a few months before he passed away in 1555.

A

Pope Marcellus

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15
Q

The Pope Marcellus Mass had ____parts or movements that corresponded to different parts of the Catholic Mass-

A

five

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16
Q

Kyrie

A

Lord, have mercy.

17
Q

Gloria

A

Glory to God

18
Q

Credo

A

Creed

19
Q

Sanctus

A

Holy, holy

20
Q

Agnus Dei

A

Lamb of God

21
Q

simple melodies based on Gregorian chants.

A

cantus firmus melodies

22
Q

Palestrina was also known to have written another Sacred genre called

A

motets

23
Q

are usually of Latin biblical text that can be used in any service

A

Renaissance motets

24
Q

These motets were usually

A

Polyphonic

25
Q

he treated them like a sacred form of the madrigals

A

Palestrina’s motet

26
Q

who were known for creating Renaissance motets

A

William Byrd, Josquin des Prez, and Thomas Tallis.