G10 Electronic Music Flashcards

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1
Q

It is a movement that centered
on nature and its beauty,
abandoning the romantic
movement.

A

Impressionism

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2
Q

Music of this movement has a

high level of dissonance.

A

Expressionism

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3
Q

Composers of this movement
poured intense emotional
expression into their music and
explored the subconscious mind.

A

Expressionism

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4
Q

Music of this movement had a

mysterious atmosphere.

A

Impressionism

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5
Q

_ _ was an interesting period in music. Composers started
experimenting with various techniques that were not considered
conventional. Dissonances were more present in music, and even the rules of
harmony were being broken.

A

20th century

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6
Q

_ _ also came about in
the 20th century, which was brought about by a series of
inventions.

A

Electronic music

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7
Q

invented by
Thomas Edison in 1887, was a device
that could record and reproduce
sounds.

A

Phonograph

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8
Q

Other names of phonograph

A

a gramophone or since the 1940s

called a record player.

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9
Q

invented in the 1920s,
were able to create sound waves known
as sine, square, and sawtooth waves.

A

Oscillators​

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10
Q

are pure tones without

additional harmonics, square

A

Sine waves

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11
Q

are tones with other

harmonics

A

sawtooth waves

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12
Q

were invented in

Germany in World War II.

A

Tape recorders

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13
Q

Some
20th-century composers spliced and put
together different tape recordings to
create _ _

A

Tape music

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14
Q

was invented by Russian scientist Leon Theremin in
1920.

It produces sounds through antennas that detect movement from nearby
objects.

A

Theremin​,

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15
Q

The first synthesizer invented in 1955.

It was a
complicated
machine that used knobs, switches, and oscillators to produce sound, which
is then manipulated through
different filters that control pitch and volume

A

RCA Mark II Sound Synthesizer​

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16
Q

It was a
complicated
machine that used knobs, switches, and oscillators to produce sound, which
is then manipulated through
different filters that control pitch and volume.

A

Synthesizers​, both analog and digital.

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17
Q

In the 1960s, _ _ took this technology(synthesizers) and turned it into a more
compact unit.

A

Robert Moog

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18
Q

were the first to use a piano-style

keyboard, which made it(synthesizers) easier to use.

A

Moog synthesizers

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19
Q

Due to a massive influx of synthesizers, there was a growing concern for
compatibility. Dave Smith and Ikutaru Kakehashi then formulated a
system wherein machines could communicate with each other using a
universal digital language called _.

A

MIDI

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20
Q

MIDI stands for

A

“​musical

instrument digital interface​”

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21
Q

Examples of songs that uses synthesizer

A

MIDNIGHT CITY - M83

JUMP - Van Halen

THE FINAL COUNTDOWN - Europe

22
Q

In 1948, French composers _ _ and _ _ created

tape collages by splicing and putting different tapes together.

A

Pierre Schaeffer and Pierre Henry

23
Q

splicing and putting different tapes together

A

tape collages

24
Q

In 1948, French composers Pierre Schaeffer and Pierre Henry created
tape collages by splicing and putting different tapes together.
The sounds
they processed included sound effects, musical fragments, vocalizations, and
other sounds that are produced by man and the
environment.

A

-

25
Q

The sounds
they processed included sound effects, musical fragments, vocalizations, and
other sounds that are produced by man and the
environment.

These sounds were considered “_,” which is why they named their
music as such.

(Pierre Schaeffer and Pierre Henry)

A

concrete

26
Q

The sounds were manipulated in various methods such as _ _ and _ _ _

A

altering speed and playing tapes backward.

27
Q

However, Schaeffer was against the use of oscillators in Musique Concrete because for him these were not
“concrete,” therefore not “_.”

A

human

28
Q

They composed a suite that describes a man and his activities, in 1950.

(Pierre Schaeffer and Pierre Henry)

A

“​Symphonie pour un homme seul​” (Symphony for One

Man Only)

29
Q

Pierre Henry created a ballet score for Belgian dancer

Maurice Bejart which tells the story of Orpheus descent into Hades in 1953.

A

“​Orphee​”

30
Q

created a tape music composition called “​Gesang der
Junglinge” (Song of Youth)​ ​in 1956, which used sine waves combines with the
voice of a 12-year old soprano.

A

Karlheinz Stockhausen

31
Q

Karlheinz Stockhausen created a tape music composition which used sine waves combines with the
voice of a 12-year old soprano in 1956.

A

“​Gesang der

Junglinge” (Song of Youth)​

32
Q

This was revolutionary at the time because it fused both _ _ _ and _ _ _,​ and re-established Germany as a dominant force
in new music.

(Karlheinz Stockhausen)

A

German electronic music

and French Musique Concrete

33
Q

He followed it up with more important piece in 1959.

Karlheinz Stockhausen

A

Kontakte(for tape,

piano, and percussion)

34
Q

He followed it up with more important piece in 1966.

Karlheinz Stockhausen

A

Telemusik(purely for tape)

35
Q

He remained at
the helm of electronic music composition until his death in _.

(Karlheinz Stockhausen)

A

2007

36
Q

_ _ was an Italian electronic music composer who made

Thema-Omaggio a Joyce (1958; Homage to Joyce) and Visage (1961).

A

Luciano Berio

37
Q

Luciano Berio was an Italian electronic music composer who made _ _ _ in 1958.

A

Thema-Omaggio a Joyce (1958; Homage to Joyce)

38
Q

Luciano Berio was an Italian electronic music composer who made _ in 1961.

A

Visage (1961).

39
Q

Luciano Berio was an Italian electronic music composer who made
Thema-Omaggio a Joyce (1958; Homage to Joyce) and Visage (1961). These
two compositions made use of the voice of American singer _ _.

A

Cathy Berberian

40
Q

was an American experimental music composer who also made tape
music. He wrote “Imaginary Landscape No. 1” 1939, which is considered a
forerunner of modern live electronic music.

A

John Cage

41
Q

which is considered a

forerunner of modern live electronic music.

A

“Imaginary Landscape No. 1” at 1939

42
Q

In the 1960s, American _ _ released two synthesizer music albums
called “Switched-on Bach” and “The Well-Tempered Synthesizer,” which took
Baroque compositions and arranged them for the Moog Synthesizer.

A

Wendy Carlos

43
Q

However, the Moog was a _ synthesizer, so it could only produce one
note at a time. This meant that for the multilayer pieces that Carlos did, it
would’ve taken her a lot of studio time.

A

monophonic

44
Q

Wendy Carlos released two synthesizer music albums

A

“Switched-on Bach” and “The Well-Tempered Synthesizer” in the 1960s

45
Q

also made use of the Moog in some tracks

of their 1969 album, “Abbey Road.”

A

The Beatles

46
Q

The Beatles album released in 1969

A

“Abbey Road”

47
Q

their most ambitious and
experimental track was a sound collage made from tape
loops found in the studio, manipulated in different ways released in 1968.

(The Beatles)

A

“Revolution 9”

48
Q

However, their most ambitious and
experimental track was 1968’s “Revolution 9,” a sound collage made from tape
loops found in the studio, manipulated in different ways. The result was an
eerie-sounding composition that made the listener feel
_.

A

uneasy

49
Q

_ _ elements were soon used in a variety of ways, including music
for film and TV.

A

Electronic music

50
Q

Rock and jazz bands started to incorporate the _ as part

of their music more and more

A

synthesizer

51
Q

Rock and jazz bands started to incorporate the synthesizer as part
of their music more and more, especially in the 1980s where genres such as _, _, _, and _ _ emerged.

A

synth, pop, dance music, and New Wave