Rights, Privacy and Due Process Flashcards
- Which is a typical agreement for publishing a novel?
A. Novelist grants publisher a one-year option to explore publishing the novel in exchange for a payment
B. Novelist assigns all rights in novel to publisher
C. Novelist licenses rights to publish the novel to the publisher for a duration of time
D. All of the above
E. Only two of the above
It’s C; that’s the industry standard, not an assignment (not B). Not A; that’s similar to an option agreement that is typical for making a film based on a book.
- MediaCorp (Singapore) operates a radio station, 98.7 FM, that broadcasts over the airwaves and plays many songs—from the US, UK, and other regions—which have copyright protection. Which is true?
A. To play the songs’ tunes and lyrics, MediaCorp separately clears rights with each artist who performs a song
B. MediaCorp clears rights to play the songs’ tunes and lyrics of local songwriters (or their publishers) through COMPASS
C. MediaCorp clears rights to the songs’ tunes and lyrics of US songwriters (or their publishers) through COMPASS, since COMPASS has agreements with US performing rights organisations
D. All of the above
E. Only two of the above
It’s E, because B and C are ok. COMPASS manages rights to play music publicly, via broadcast or in person, for local and foreign rights holders. Not A; performing rights organisations were set up to avoid burdening those clearing rights with dealing with individual rights holders; in any case, radio stations clear the rights from songwriters (and their publishers), who may or may not be the performers.
- Which is true?
A. An author of a novel on which a film is based may need to warrant to a film producer that the novel doesn’t infringe any copyrights
B. The typical way for a producer to make a film based on a novel is through an option agreement that gives the novelist a period of time to explore alternative offers from other film producers
C. E&O insurance can help a film producer pay damages if the producer loses a lawsuit
D. All of the above
E. Only two of the above
It’s E. A is accurate. C accurately describes E&O insurance. Not B; the standard option agreement is exclusive; the novelist promises not to explore deals with other producers for her work during the option period.
- Which is the best description of what YouTube must do to follow the “Safe Harbor” provisions?
A. If YouTube notifies you that you have posted copyright-infringing material and asks you to take the material down, then YouTube has complied
B. If a record label notifies YouTube that you have posted copyright‐infringing material and YouTube takes the material down, then YouTube has complied
C. If YouTube notifies you that you have posted copyright‐infringing material and suspends your account, then it has done the minimum required to comply
D. If YouTube sends a stern warning to those who posted infringing material, it has fulfilled its obligations
It’s B; when notified, YouTube must take potentially infringing material down, not just warn you (not D) nor just ask you to take it down and hope you comply (not A). YouTube need not act so strongly as (C).
- Which are generally regarded as standard business practices in publishing for a best-selling author of a novel?
A. When signing a deal with a major publisher, the author assigns all rights to the publisher for the remainder of the copyright term
B. In exchange for the right to publish the work, the author negotiates to get a flat one-time fee instead of royalties based on sales
C. The owner of the copyright registers the copyright to make a public record of who owns it
D. All of the above
E. Only two of the above
It’s C; this helps with documenting copyright (and is a precondition for some types of legal action in the US). Not A; though an author could do A, it’s not standard practice; an author would typically not assign all rights but retain some, such as movie licence rights, and the rights granted to the publisher–to reproduce and distribute the text–would be licensed rather than assigned. Not B; royalties based on sales are standard practice.
- If a bag with the logo of VeganBurg, the Singapore restaurant chain, appears on camera in a drama series on MediaCorp (Singapore) Channel 5,
A. VeganBurg is likely to prevail if it sues for trademark infringement
B. Technically, VeganBurg might be able to sue for copyright infringement
C. MediaCorp can definitely prevail in a fair use defence
D. All of the above
E. Only two of the above
It’s B. There’s copyright in the logo containing the illustration of a burger, which could be infringed by reproducing it without permission (though it could also be a de minimis or incidental use). Not A; although trademark clearance is traditional in big budget productions, infringement is not possible because the film is not using the logo on similar goods or services. Not C: fair use is never definite; it seems shaky here.
- If a character in your video drama wears this dress,
A. you need to clear copyright in the dress design
B. you need to clear design rights for the dress design
C. you are likely to be infringing trademark
D. at least two of the above
E. none of the above
It’s E. Not A; utilitarian items like clothing have no copyright unless there’s a conceptually separable design like an illustration. Not B; an item of clothing like this will not have a design patent, but even if it did, you could not infringe the design rights by merely showing the dress in a film; you’d have to sell clothes with the design. Not C; there’s no trademark or trade dress visible here, and even if there were, you could not infringe it by merely showing it in a film; you’d have to sell clothes with the design.
- Your friend Ophelia chose to enrol in another local communication programme, while you came to WKWSCI. Ophelia made a video about her regrets about important life decisions. Since Ophelia’s programme doesn’t require media law of all students, she is confused about whether she can legally upload her video to YouTube, since it includes a 1-minute audio clip of a recording of a song playing in the background while Ophelia talks about her mistakes. The audio clip is of the recording artist Cher singing the song, “If I Could Turn Back Time”. In 1989, Diane Warren wrote the song and Cher recorded it for the Geffen label. You tell your friend, correctly, “Ophelia, you poor thing, as we all know at WKWSCI,…”:
A. “…YouTube’s Content ID system may detect the song, if rights owners have uploaded it to the Content ID system”
B. “…Geffen’s representatives may find your video, notify YouTube, and then, under US law, YouTube must take down the video if it’s infringing and not fair use”
C. “…owners of rights in the audio clip may have an arrangement with YouTube in which they allow the song to be included in other videos in exchange for a share of the advertising revenue”
D. All of the above
E. Only two of the above
It’s D. A accurately describes Content ID. B accurately describes the safe harbour provisions. C describes YouTube’s partnerships with many music rights holders.
- There is no legal obligation for rights to be cleared for which of the following to appear in a film?
A. A plain pink t-shirt
B. An Apple laptop computer that is open, and shut off so that nothing is visible on the screen; no logo is visible
C. A desk that has distinctive curves of its desktop and legs, but the curves are not conceptually separable from the useful features of the desk
D. All of the above
E. Only two of the above
It’s D. A is ok; there’s no IP protection. B is ok; there may be design patent in it, but it can’t be infringed by just showing it on camera. Not C; even if there’s a design patent, it cannot be infringed by just showing the desk on camera.
- During the live telecast of a state funeral, while capturing scenes along the funeral procession route from a camera mounted in a car, Channel NewsAsia captures images that include the Cheers sign on a convenience store. Which is true?
A. To avoid trademark infringement, CNA needs the written permission of Cheers to broadcast these images
B. Under Singapore law, it is not trademark infringement to use such images for the purpose of news reporting
C. Under Singapore copyright law after the proposed amendments are passed, this is fair use as long as the images only appear during less than 10% of the full duration of the news telecast
D. Only two of the above
It’s B. Singapore’s Trade Marks Act specifically says that inclusion of a trademark in news reporting is not infringement (so not A). Not C: The logo is unlikely to have copyright protection, so it’s not clear that there is copyright infringement, but even if there is infringement of a protected work, in the fair use analysis, amount is not calculated based on the amount of the telecast in which the logo appears; it would be calculated based on the amount of the logo that appears. What’s more, amount is just one prong of the fair use test.
- Esther makes a video of herself at home getting ready for a BTS concert. For the video’s audio, she adds BTS’s recording of the group’s song “Idol”. If Esther uploads her video to YouTube, which is NOT true?
A. The Content ID system may flag Esther’s video as a match (assuming BTS’s affiliates uploaded their song recording into the system)
B. Esther has cleared all necessary rights if she has cleared sync rights
C. If BTS’s affiliates notify YouTube of infringing material in Esther’s video, according to a US case, YouTube is obliged to check her video for fair use
D. Esther may need to clear master use rights
E. The policy of the song’s rights holders (i.e., BTS & its affiliates) may be to allow such videos
It’s B (because the question is asking for the option that is not true): If she clears only sync rights for the composition and lyrics, she hasn’t cleared the second set of rights she needs, master use rights for the recording. The other choices are all correct, so they are not the answer.
- “Corona Virus” is a song, ©2020, written & recorded by rapper Lil Nix. If you upload to YouTube a video of yourself sitting in bed singing it while you play the tune on a keyboard,
A. you must clear master rights
B. you don’t need to clear synchronisation rights
C. YouTube may take it down if it is notified of potential copyright infringement
D. you don’t need to clear any rights because of the “compulsory licence” for covers, which allows you to use this song in your video
E. all of the above
It’s C, not B; you need to clear sync rights, and because you haven’t, Lil Nix may give notice to YouTube, which may take it down. Not D; the compulsory licence for covers wouldn’t help you here; you need rights to sync the song with images, not just rights to do an audio-only recording of the song. Not A; you are not playing the recording in your video, so there’s no need to clear master rights.
- In Singapore, Esther operates a Korean dessert café where she plays BTS songs in the dining area on YouTube, using her laptop and speakers. Esther must:
A. get a synchronisation licence from COMPASS to play the recordings
B. get a licence from MRSS to play the recordings
C. both of the above
D. none of the above—play on, Esther!
It’s B. Not A; because she is playing the music in a place open to the public, she must clear rights from COMPASS, but these are not called sync rights; sync rights only apply to synching music with images in a video.
- Esther makes and posts to YouTube a video of herself baking a dessert while the audio of BTS’s recorded songs plays in the background to entertain viewers. Which is true?
A. Esther may need to clear master use rights
B. If BTS’s affiliates notify YouTube of infringing material in Esther’s video, after investigating, YouTube may take it down
C. Because such a use is transformative, Esther’s use is fair use in Singapore
D. All of the above
E. Only two of the above
It’s E. A is okay; she may need to clear rights in the music recordings that she played. B is okay; this is how the notice & takedown procedures work which allow YouTube to escape liability for users’ infringement. Not C; playing the music for entertainment is not transformative; this use is certainly not definitely fair, as the wording suggests—it’s probably not fair, though fair use is always ultimately for the judge to decide.
- On YouTube, you post a video that you recorded with your phone at a Halsey concert in Singapore in which she sang her hit song “Graveyard”. Halsey’s representative, acting on her behalf as songwriter, lets YouTube know that you’ve posted the video of the song to which Halsey owns the rights. Which is true?
A. If YouTube notifies you that you must take down the video, it will avoid liability for infringement even if you don’t comply
B. If Halsey’s representatives notify you that you must take down the video, YouTube will avoid liability for infringement even if you don’t comply
C. If YouTube removes the video, it can avoid liability for infringement
D. All of the above
E. Only two of the above
It’s C; if YouTube knows about the infringing material, it’s liable for secondary infringement. Halsey notified YouTube; YouTube will be liable unless it takes the video down. YouTube has the obligation to take it down, not just to ask you to remove it (not A). Not B; the rights owner need not interact with you.
- An actress in the new Avatar 2 movie, released in 2022, wears this t-shirt (Nike shirt) in one scene. Which is true?
A. Elements of this item appear likely to be the kind for which trademark clearance is legally required
B. At least one element of this item may require copyright clearance for the producer to avoid potential problems
C. A & B
D. None of the above
It’s B. The conceptually separable illustration of a landscape with a sunset is likely to have copyright protection (unless it’s in the public domain) that could be infringed. Trademark clearance is not legally required (not A).
- Musical artist Gloria Estefan wrote the tune and lyrics for the song “Gracias”; she owns the relevant rights jointly with her music publisher, but she didn’t record the song. The Island label lawfully recorded the song with Shawn Mendes & Camila Cabello as lead singers. Cover artist Sam Tsui recorded an audio-only cover of the song—not with a label—and he sells copies of the recording. Tsui:
A. needed Estefan and her publisher’s consent prior to record the song, which Estefan and her publisher could have refused
B. must pay royalties based on sales of the song to Mendes & Cabello
C. needed Island’s permission to record the song
D. at least two of the above
E. none of the above
It’s E. An artist doesn’t need permission to record a cover from the songwriter (not A) nor from a label that recorded someone else’s performance of the song (not C). Not B; Tsui must pay royalties to Estefan and her publisher, not the past performers.
- Situation continued from the last question: Tsui also uploads to YouTube a video of himself singing “Gracias”. Assume that owners of the tune and lyrics of “Gracias” do not have a deal with YouTube to allow others to cover this song. Tsui would need to:
A. obtain sync rights
B. obtain master use rights
C. get a compulsory licence from Island
D. all of the above
E. only two of the above
It’s A; to synchronise music with video, Tsui needs sync rights. Not B; Tsui isn’t using the recording of Mendes & Cabello’s performance, so he doesn’t need to clear master use rights. Not C; again, Tsui doesn’t need anything from Island, and the compulsory licence refers to the fact that the songwriters must allow audio-only covers.
USE THIS SCENARIO FOR THE NEXT 2 QUESTIONS: In Twentieth Century Fox’s (TCF) film Alien: Covenant (2017), we hear an excerpt of an instrumental piece from the opera Das Rheingold (1869) by composer Richard Wagner (1813–1883), performed by Bournemouth Symphony Orchestra and recorded on the label Naxos in 2007.
- TCF must have cleared sync rights from:
A. Wagner’s estate
B. Bournemouth Symphony Orchestra
C. Naxos
D. at least two of the above
E. None of the above
It’s E. Sync rights are specifically for the musical composition, in which any copyright has long ago expired. Master use rights, not sync rights, are from the Naxos label. The performers, the orchestra, have no rights to give.
USE THIS SCENARIO FOR THE NEXT 2 QUESTIONS: In Twentieth Century Fox’s (TCF) film Alien: Covenant (2017), we hear an excerpt of an instrumental piece from the opera Das Rheingold (1869) by composer Richard Wagner (1813–1883), performed by Bournemouth Symphony Orchestra and recorded on the label Naxos in 2007.
- TCF must have cleared master use rights from:
A. Wagner’s estate
B. Bournemouth Symphony Orchestra
C. Naxos
D. at least two of the above
E. None of the above
It’s C. Master use rights are for the recording, and the record label Naxos owns them. Not A; no need for sync rights, since any copyright in the composition expired long ago. Not B; the orchestra that performed it has no rights to give.
USE THIS SCENARIO FOR THE NEXT 3 QUESTIONS: The Sam Willows is a local Singapore band of four members. Narelle Kheng (CS ‘16) is a member. Authorship of the music and lyrics of their single “Rest of Your Life” (2015) is jointly held by the four members of the group. They recorded their song with their record label, Sony. The band The Chainsmokers and their label Columbia Records notify The Sam Willows and their affiliates in writing of their plans to record a cover version of “Rest of Your Life”. The cover will be similar in style to the original, with the exact words and same melody, and Columbia will make it available for sale and deliver any and all required fees to the Sam Willows and its affiliates. In 2016, The Chainsmokers record the song with Columbia Records. The producers of the upcoming movie version of Victoria Aveyard’s novel The Red Queen then acquire all necessary rights to use The Chainsmokers’ recording of “Rest of Your Life” in the film.
- Fees for synchronization rights for including “Rest of Your Life” in The Red Queen go to:
A. The Sam Willows
B. Sony
C. Columbia Records
D. The Chainsmokers
E. None of the above
It’s A; sync writes are for the tune and lyrics, so payment goes to their owners, The Sam Willows. Not B; the label only owns The Sam Willows’ recording. Not C; this label only owns the Chainsmokers’ recording. Not D; the Chainsmokers don’t own anything, though the label probably paid them well.
USE THIS SCENARIO FOR THE NEXT 3 QUESTIONS: The Sam Willows is a local Singapore band of four members. Narelle Kheng (CS ‘16) is a member. Authorship of the music and lyrics of their single “Rest of Your Life” (2015) is jointly held by the four members of the group. They recorded their song with their record label, Sony. The band The Chainsmokers and their label Columbia Records notify The Sam Willows and their affiliates in writing of their plans to record a cover version of “Rest of Your Life”. The cover will be similar in style to the original, with the exact words and same melody, and Columbia will make it available for sale and deliver any and all required fees to the Sam Willows and its affiliates. In 2016, The Chainsmokers record the song with Columbia Records. The producers of the upcoming movie version of Victoria Aveyard’s novel The Red Queen then acquire all necessary rights to use The Chainsmokers’ recording of “Rest of Your Life” in the film.
22. Fees for master use rights for including “Rest of Your Life” in The Red Queen go to:
A. The Sam Willows
B. Sony
C. Columbia Records
D. The Chainsmokers
E. None of the above
It’s C; master rights are for the recording that was used, and the Columbia label owns the Chainsmokers’ recording. Not A; The Sam Willows only owns rights for the tune and lyrics. Not B; the label Sony only owns The Sam Willows’ recording, not the Chainsmokers’ recording. Not D; the Chainsmokers don’t own anything.
USE THIS SCENARIO FOR THE NEXT 3 QUESTIONS: The Sam Willows is a local Singapore band of four members. Narelle Kheng (CS ‘16) is a member. Authorship of the music and lyrics of their single “Rest of Your Life” (2015) is jointly held by the four members of the group. They recorded their song with their record label, Sony. The band The Chainsmokers and their label Columbia Records notify The Sam Willows and their affiliates in writing of their plans to record a cover version of “Rest of Your Life”. The cover will be similar in style to the original, with the exact words and same melody, and Columbia will make it available for sale and deliver any and all required fees to the Sam Willows and its affiliates. In 2016, The Chainsmokers record the song with Columbia Records. The producers of the upcoming movie version of Victoria Aveyard’s novel The Red Queen then acquire all necessary rights to use The Chainsmokers’ recording of “Rest of Your Life” in the film.
23. When The Sam Willows and their affiliates receive The Chainsmokers’ and Columbia’s letter letting them know of their plans to record the song, The Sam Willows:
A. can forbid the recording of the cover
B. have a good case for copyright infringement if The Chainsmokers proceed with the recording
C. must grant the licence to cover the song but can legally demand whatever price they’d like, and The Chainsmokers and Columbia must pay the demanded price to cover it legally
D. only two of the above
E. none of the above
It’s E. Not A; the authors/composers can’t say forbid a cover. Not B; it’s not infringement to cover a work. Not C; regardless of the authors/composers’ preferences, Chainsmokers can cover the work if their label Columbia pays the standard royalties to The Sam Willows.
- Esther has a party at her SG flat, with 9 friends who are also “Army” members (i.e., BTS fans). She plays BTS songs non-stop at the party using YouTube on her laptop. The ten of them dance & sing—so fun! Technically, Esther must:
A. clear rights with BTS for the composition & lyrics
B. clear rights through COMPASS for the composition & lyrics
C. get a synchronisation licence from COMPASS to play the recordings at her party
D. at least two of the above
E. none of the above—keep dancing, Esther!
It’s E, not A nor B. Because she is playing the music only for a small number of friends, there’s no need to clear rights. Not C; synchronisation rights are only for including music in a video.
- An actress in the new Avatar 2 movie, released in 2022, wears this dress (above) by the designer Givenchy in one scene. Which is true?
A. Elements of this dress appear likely to be the kind for which trademark clearance is legally required
B. At least one element of this dress appears likely to require copyright clearance for the producer to avoid potential problems
C. Both of the above
D. None of the above
It’s D. Trademark clearance is not legally required (not A). There’s no conceptually separable design with copyright that could be infringed (not B).
- When Michelle Obama wrote her autobiography, which was true if she had standard arrangements for rights to the book and a film based on it?
A. She assigned all primary and subsidiary rights to the publisher
B. She warranted to a film producer that making a film based on the book will not raise legal issues
C. She optioned the book to a book publisher for 12-18 months, during which time the publisher decided whether to publish it
D. All of the above
E. Only two of the above
It’s B. Not A; she would typically license (not assign) primary rights to reproduce and distribute while retaining subsidiary rights. Not C; option agreements are with the film producer.
- If Nikki films a scene for her documentary in a bakery, she typically would:
A. agree beforehand not to sue the bakery owner if her crew gets injured at the bakery while filming the movie
B. get permission from her subject to use the filmed images of them only for a limited time
C. get her subjects to agree they won’t sue her for breach of confidence over the film
D. all of the above
E. only two of the above
It’s E. She’d use signed documents for A and C, but she’d get permission to use filmed images of her subjects for an unlimited time (not B)—otherwise, when the limited permission ended, the subject could stop distribution of the film by refusing to renew permission to use the footage.
- For your 2-hour romance film, you make a 3-minute audio-visual recording of an actress you hired, Elizabeth, singing “I Will Always Love You”, the song Dolly Parton wrote in 1973 and recorded on the RCA label. Whitney Houston also recorded the song on the Arista label in 1992. Elizabeth signs a talent release saying that she authorises that the 3-minute audio-visual recording of her can be used in your 2-hour romance film. To use the audio-visual recording in your romance film, you must also get permission from:
A. Dolly Parton and/or her music publisher, if she is using one
B. RCA
C. representatives of the late Whitney Houston’s estate and Arista
D. at least two of the above
E. none of the above
It’s A; you need sync rights for the song and lyrics from Dolly; Elizabeth doesn’t own them, so she can’t give permission to use Dolly’s song. Not B nor C; the labels have nothing you need, nor does the estate of Whitney, who is among many who covered the song.
- On YouTube, you post a video (with audio) that you took with your phone at Olivia Rodrigo’s concert in Singapore; it’s of a few seconds of Olivia singing her hit song “Drivers License”. Olivia’s representatives, acting on her behalf as songwriter, find that you’ve posted video of the song to which Olivia owns the rights. Which is true?
A. Olivia’s representatives must determine that your video is not fair use before they can request that YouTube remove the video
B. If YouTube notifies you that you must take down your video, YouTube will avoid any possible liability for infringement even if you don’t comply
C. If Olivia’s representatives notify you that you must take down your video, YouTube will avoid liability for infringement even if you don’t comply
D. All of the above
E. None of the above
It’s E. Not A; YouTube will be liable unless it takes the video down—unless the video is fair use—but it’s YouTube that is obligated to consider fair use. YouTube has an obligation to take it down if it’s not fair use, not just to ask you to remove it (not B). Not C; the rights owner need not interact with you.