Copyright and Trademark Flashcards
- Fiyero is likely to own one or more copyrights if he:
A. writes an essay and posts it to his website
B. writes an original song and posts a video of himself singing it to his website
C. takes a photo of his friend and posts it to his website
D. all of the above
E. only two of the above
It’s D. All of these are works that are copyright protected automatically upon fixation, and the creator gets the copyright.
- Fiyero is likely to own one or more copyrights if he:
A. writes an essay and posts it to his website
B. writes an original song and posts a video of himself singing it to his website
C. takes a photo of his friend and posts it to his website
D. all of the above
E. only two of the above
It’s D. All of these are works that are copyright protected automatically upon fixation, and the creator gets the copyright.
- In 2016, a documentary including an interview of WKWSCI administrators first reported that the school would make a statistics course required for all students. Who has copyright in the information that the course would be required?
A. The owners of the documentary’s copyright
B. The administrators interviewed
C. Both A and B
D. No one
It’s D. This is a fact that’s not protectable by copyright law, so neither A nor B.
- In 2016, a documentary including an interview of WKWSCI administrators first reported that the school would make a statistics course required for all students. Who has copyright in the information that the course would be required?
A. The owners of the documentary’s copyright
B. The administrators interviewed
C. Both A and B
D. No one
It’s D. This is a fact that’s not protectable by copyright law, so neither A nor B.
- In a 2017 short story that you wrote, Twilight protagonist Bella Swan continues her Twilight saga by attending WKWSCI with vampire Edward Cullen. In your story, she occasionally reflects on episodes from the Twilight novels. Your work:
A. is unlikely to infringe anything in Twilight as long as your plot differs substantially
B. may infringe Twilight characters, even if your plot differs from Twilight
C. cannot infringe anything in Twilight because it’s a short story, not a novel
D. consists only of unprotectable ideas
E. none of the above
It’s B, not A. Well-delineated characters are copyright-protected, even if the plots differ. Not C; copyright protection is possible across types of work. Not D; a character is regarded as expression rather than just an idea.
- Local ad agency Arcade pitches and designs new ads for Gatsby featuring fictional flashbacks of Singapore’s founders using Gatsby’s hair pomade in the 1960s. Assume typical industry arrangements for copyright,
A. Arcade owns rights in the finished ads
B. Gatsby owns rights in the finished ads
C. Gatsby pays a royalty to license rights in the finished ads from Arcade
D. A and C
E. B and C
It’s B. The typical arrangement is agency assigns rights to client, meaning that Arcade transfers ownership of all rights entirely to Gatsby, rather than merely giving a licence (permission) to use the ads (so not C). So, Arcade has no rights over the finished ads it created (not A).
- Local ad agency Arcade pitches and designs new ads for Gatsby featuring fictional flashbacks of Singapore’s founders using Gatsby’s hair pomade in the 1960s. Assume typical industry arrangements for copyright,
A. Arcade owns rights in the finished ads
B. Gatsby owns rights in the finished ads
C. Gatsby pays a royalty to license rights in the finished ads from Arcade
D. A and C
E. B and C
It’s B. The typical arrangement is agency assigns rights to client, meaning that Arcade transfers ownership of all rights entirely to Gatsby, rather than merely giving a licence (permission) to use the ads (so not C). So, Arcade has no rights over the finished ads it created (not A).
- Katy Perry said she never heard Flame’s song “Joyful Noise” (released in 2008) till after Flame sued her, but a jury found she infringed Flame’s copyright with her 2013 song “Dark Horse”. Which is true?
A. The fact that Flame’s song was released to the public before Perry’s weighs in favour of a causal connection indicating copying
B. Among other things, Flame would have to demonstrate there was substantial similarity between the songs (or parts of them) to win the copyright infringement case
C. In Singapore, Perry would also be liable for copyright dilution
D. All of the above
E. Only two of the above
It’s E. A is okay; the fact that the public had access to the work counts toward a causal connection indicating copying. B is okay; this is part of the test for copyright infringement. Not C; there is no such as copyright dilution, only trademark dilution, so far (some have proposed a cause of action for copyright dilution that resembles trademark dilution, specifically tarnishment).
- Creating a video game that is a continuation of The Hunger Games story, with the same main characters that appeared in the books and films (e.g., Katniss), is an example of:
A. potentially infringing work
B. work that requires a licence from the copyright owners of the original work
C. work that is transformative because it appears as a game rather than a book or film, and therefore qualifies as fair use
D. all of the above
E. only two of the above
It’s E. A is okay; it’s potentially infringing of copyright in well-delineated characters. B is okay; because it’s potentially infringing, a licence is needed. Not C; just because it is in a different medium does not mean that it’s transformative; it’s doubly wrong because just because a work is transformative is not enough to make it fair use.
- Creating a video game that is a continuation of The Hunger Games story, with the same main characters that appeared in the books and films (e.g., Katniss), is an example of:
A. potentially infringing work
B. work that requires a licence from the copyright owners of the original work
C. work that is transformative because it appears as a game rather than a book or film, and therefore qualifies as fair use
D. all of the above
E. only two of the above
It’s E. A is okay; it’s potentially infringing of copyright in well-delineated characters. B is okay; because it’s potentially infringing, a licence is needed. Not C; just because it is in a different medium does not mean that it’s transformative; it’s doubly wrong because just because a work is transformative is not enough to make it fair use.
- Singapore Airlines hires the creative studio Little Red Ants (founded by WKWSCI ’09 grads) to make a TV commercial. It’s standard industry practice for:
A. Singapore Airlines to arrange to assign its copyright in the TV commercial to the Ants
B. the Ants to arrange to assign their copyright in the TV commercial to Singapore Airlines
C. the Ants to arrange to license use of the TV commercial to Singapore Airlines in exchange for royalties
D. A & C
It’s B, not A. The legal default rule is that the agency (Ants) owns the copyrights to work it creates but the industry practice is to assign those copyrights (i.e., transfer ownership of them completely) to the client, SIA. Not C, although some critics of the current industry standards have suggested this alternative.
- YouTuber Bart Baker made a popular parody of recording artist The Weeknd’s hit song “Can’t Feel My Face.” The parody has tens of millions of views. Let’s say that Baker’s parody makes fun of the song and the video so effectively that it drives down demand for The Weeknd’s original; viewers even write in the comments on the parody, “I’ll never look at The Weeknd’s video the same way again. You ruined it for me!” The Weeknd’s team can document that after the release of the parody, plays of the original song decreased on multiple platforms. In the analysis specifically of the potential market effect factor of the fair use test,
A. there is unlikely to be substitution, so the analysis of ‘potential market effect’ is likely to weaken the argument for fair use
B. there is unlikely to be substitution, so the analysis of ‘potential market effect’ is likely to strengthen the argument for fair use
C. there is likely to be substitution, so the analysis of ‘potential market effect’ is likely to strengthen the argument for fair use
D. there is likely to be substitution, so the analysis of ‘potential market effect’ is likely to weaken the argument for fair use
E. none of the above are considerations under the potential market effect analysis
It’s B; it’s poking fun at the original, not substituting for it, and substitution is required for potential negative market effect that hurts the case for fair use. Not A; without substitution, the case for fair use is stronger. Not C nor D; an effective parody is very unlikely to be a substitute for the original. Not E; substitution is an important consideration in the potential market effect prong of the fair use test.
- Fair use:
A. occurs whenever less than 10% of a work is used by another party
B. refers to unintentional infringement of copyright, without malice
C. is sometimes described as a defence to copyright infringement in some jurisdictions
D. all of the above
E. only two of the above
It’s C; fair use is indeed described as a defence to infringement. Magic 10% figures are only relevant in copyright in very limited circumstances—e.g., certain educational exceptions to copyright—so not A; fair use requires balancing of other factors. Not B; fair use doesn’t directly address intention to infringe, and malice is not a factor. (Malice matters for fair comment in defamation law, not fair use in copyright law.)
- An online article published in the New York Times (NYT) reviews a trilogy of novels. Each novel in the trilogy consisted of many thousands of words. The review quotes the paragraph of the final novel that reveals the shocking conclusion of the series. This paragraph is 20 words. In the review, the quoted paragraph is attributed to its source. Which is true?
A. If the NYT sought permission to use the work and was refused, then fair use is not legally possible
B. In the analysis of the substantiality of what is taken, a court will likely conclude that it is highly substantial
C. In the analysis of the amount that is taken, a court will likely conclude that it is small
D. All of the above
E. Only two of the above
It’s E. Substantiality refers to the importance of what was taken to the original work; the surprise ending is highly important, so B is correct. Amount refers only to the amount taken relative to the whole original work, which is tiny (just 20 words), so C is okay. Fair use is still possible even if no permission is sought—or if permission is sought and refused—so not A.
- You make a video of yourself singing the song “Let It Go” in which you make fun of low birth rates in Singapore. If the Singapore courts were to follow American fair use precedents, which is most likely true of the purpose of use?
A. It is parody, a purpose which weighs in favour of fair use
B. It is satire, a purpose which weighs in favour of fair use
C. It is satire, a purpose which does not help your case for fair use very much, if at all
D. It is criticism or review of the song, which weighs in favour of fair use
E. It is parody of politics, a purpose which weighs in favour of fair use
It’s C; because it makes fun of something besides the original work, it’s satire. Not A; parody makes fun of the original work. Not B; satire counts against fair use. Not D; the target is not the song, and it’s not a review. Not E; there is no legal category of parody of politics. //
- You make a video of yourself singing the song “Let It Go” in which you make fun of low birth rates in Singapore. If the Singapore courts were to follow American fair use precedents, which is most likely true of the purpose of use?
A. It is parody, a purpose which weighs in favour of fair use
B. It is satire, a purpose which weighs in favour of fair use
C. It is satire, a purpose which does not help your case for fair use very much, if at all
D. It is criticism or review of the song, which weighs in favour of fair use
E. It is parody of politics, a purpose which weighs in favour of fair use
It’s C; because it makes fun of something besides the original work, it’s satire. Not A; parody makes fun of the original work. Not B; satire counts against fair use. Not D; the target is not the song, and it’s not a review. Not E; there is no legal category of parody of politics. //
- Amos Yee posted a controversial video on YouTube, “Lee Kuan Yew is finally dead!” It was the subject of international news coverage. You are an Associated Press reporter, and you want to use a screenshot of Amos’s controversial video in your news article about multiple police reports filed about it. You are pretty sure this is fair use for news, but just to be safe, you contact Amos and ask his permission to include the screenshot. He refuses permission to use the photo. Which is most likely true?
A. Your use of the screenshot still may qualify as fair use, because permission is not required for fair use
B. Including the screenshot is automatically infringement, because you must have a copyright owner’s permission to avoid infringement liability
C. You asked the wrong party for copyright permission; Amos doesn’t own copyright, but YouTube does
D. There is no copyright in the video because it is the subject of police reports
E. B and C
It’s A, not B; the whole point of fair use is that permission is not required. Amos owns the copyright, so he’s the right person to ask; YouTube only has a licence to distribute the work, so not C. Amos wouldn’t lose copyright just because a police report was filed (not D).
- Before a new Taylor Swift song is released to the public, an online reviewer obtains a leaked copy of it and quotes its opening lines. The song is big news in the music world, because it represents a new style for Taylor: The song is a hip hop song called “Booty.” In an analysis specifically of the “nature of the work” factor of the reviewer’s case for fair use, which is true?
A. The song was unpublished, which counts toward fair use
B. The song was unpublished, which counts against fair use
C. This is likely to be deemed a transformative use, because it is used for reporting news
D. This is likely to be deemed substitution for the original song
E. Only two of the above
It’s B, not A; the fact that it’s unpublished counts against fair use under analysis of the second prong, nature of the work. Not C; remember that this question asks only about the “nature of the work” prong, not the other factors of the fair use test, so transformative use is irrelevant, because that is analysed under purpose of the use. Not D; it’s doubly wrong, because market effect and substitution are analysed under the 4th prong, and because this use wouldn’t count as substitution.
- At the WKWSCI benches, Toby and some classmates (hereinafter Toby & Others) are making up a song about their experiences at the school. After much improvisation and experimentation with many versions of the tune and lyrics, Toby finally announces, “Okay, this is it everybody,” and they sing a complete version of the song. Many classmates were there, listening and cheering them on, but nothing was recorded or written down. Toby & Others verbally agree they will write the tune and lyrics down later and make a video later. Thor, a Swedish exchange student who was listening to all of them practicing, but did not participate, goes ahead and makes a video of himself singing the music and lyrics exactly as they were in the last version that Toby & Others sang, without giving credit to Toby & Others. Which is true of intellectual property rights in the song?
A. A requirement for Toby & Others to have copyright is unlikely to be met
B. Toby & Others have a strong case against Thor for copyright infringement
C. Thor needs to acquire master use rights to use the song from Toby & Others
D. Thor’s case for fair use is strong because the song is unpublished
E. Only two of the above
It’s A. Fixation–some sort of recording, whether written or electronic, in a form that can be communicated for more than a temporary, transitory duration–is required for copyright protection, and it’s absent here. Without copyright, all other choices are wrong. Not B, though a case against Thor might have been possible if Toby & Others’ song had been recorded first. Not C; it’s doubly wrong, because even if the song had been recorded, Thor is not using a recording of the song but singing his own version of it, so he wouldn’t need master rights. Not D; it can’t be fair use in a copyrighted work if there’s no copyrighted work, and it’s doubly wrong because even if it had been recorded, the fact that it was unpublished would weaken the case for fair use.
- In reporting on a disappeared airplane, an exclusive article in the Today newspaper breaks news about this new information: An investigator claims that there was a mobile phone call from the pilot’s phone to air traffic control. Seventy-five of the 1500 words of the original Today article describe this new information; the rest of the article discusses other developments and background. A Yahoo! News Singapore reporter, Jeanette, reports this new information on Yahoo’s news website, attributing it to Today and using her own, different words and phrasing to convey the new information. Today’s report uses some standard terms like “airplane” and “mobile phone,” which Jeanette also uses in her report. Which is true?
A. Jeanette’s reporting of this new information is very likely to be considered copyright infringement
B. Jeanette’s reporting of this new information is likely to be considered fair use
C. Jeanette’s reporting of this new information is likely to be considered innocent dissemination of copyrighted material
D. This new information about the phone call is not likely to be copyright protected
E. Only two of the above
It’s D, not A. This new info is not copyright protected because it’s a fact, not expression. Not B; since it’s not copyright protected material, then fair use is irrelevant. Not C; there’s no innocent dissemination defence for copyright–only for libel.
- You shoot video on a set that includes a copy of a poster that you own from Ikea. The poster shows a copyright‐protected, computer‐generated illustration of a flower. The entire poster is clearly visible in the background of the video for two out of twenty‐two minutes. The characters, who are portrayed moving house, refer to it once, when one asks, “Are you going to take that awful poster with you, now that you are moving to such an expensive condominium?” Under an American‐style fair use analysis, which is the best answer?
A. Your use of the poster is likely to be de minimis
B. Your use of the poster is almost certainly fair use for criticism or review
C. Your use of the poster is very unlikely to be fair use because the poster is criticised, meaning there is a potential negative market effect
D. The nature of the work weighs against fair use
It’s D. It’s almost certainly not de minimis–or perhaps we should say “certainly not”–given the attention that was paid to it, so not A. There’s a chance it’s fair use, but that’s not “almost certain.” One reference to it doesn’t seem like the criticism involved in a review. Fair use seems even less likely given that the whole poster is clearly visible and the characters call attention to it, so not B. The fact that the poster is criticised does not mean there is a potential negative market effect–potential negative market effect comes from substitution for the original, rather than criticism. So not C. The nature of the work is likely to be deemed a creative, expressive work that is close to the heart of copyright‐protected expression, so D is true.
- In the US, a parody of a top 2019 hit, Lil Nas X’s “Old Town Road”, causes many listeners to rethink the song and stop purchasing and streaming it. Which is true?
A. This parody’s market effect on the original weighs against fair use
B. The parody may, in the end, be found to be fair use
C. The fact that it’s a parody weighs in favour of fair use
D. All of the above
E. Only two of the above
It’s E. Not A; the potential market effect that counts against fair use occurs when one work can serve as a substitute for another, not when it makes fun of the other really effectively. B is okay; one can’t know for sure, but parody weighs in favour of fair use (C is okay).
- In a scene of a mother reading to a child in a new feature film, the mother reads aloud one unimportant line from a Harry Potter book. The moviemaker didn’t get permission to use the line. Which factor most clearly counts against fair use?
A. Amount of the use
B. Nature of the work
C. Potential market effect, because of the possibility of substitution
D. Substantiality of the use
It’s B; the work in question is the Harry Potter novel, which is a published work of fiction, and fiction is close to the core of copyright-protected work. Not A; one line of a novel is a very small amount. Not D; the question stipulates that the line the mother read is “unimportant”, so this counts against substantiality of the use. Not C; the potential market effect of using a single line of a novel without permission is small; it cannot serve as a substitute for the original work.
- Which is required for copyright protection in a short story?
A. Literary quality in the eyes of the average, reasonable reader
B. Copyright notice, e.g., ©2022
C. Originality
D. Publication
E. At least two of the above
It’s C. Copyright requires originality, in the sense that the work originates with the author and is not copied, but not in the sense that a literary critic says that a work is original, e.g., that it has literary merit (not A). It’s automatic upon fixation; no “notice” is required, and neither is publication. //
- Which does NOT have copyright protection?
A. An investigative reporter’s finding that an official took a bribe
B. Four paragraphs from the published news article about the official taking a bribe
C. A broadcast news report of 60 seconds about the official taking a bribe
D. An interactive graphic on a news site about the official taking a bribe
It’s A; the finding is a fact that’s not protected by copyright. Paragraphs of text from the story may contain unprotected facts but are protected expression, as are broadcasts and graphics. //
- Nathan Hartono pays you a fee to write a biographical essay about him and take a photographic portrait of him. Which is true, if there is no contract that states otherwise?
A. Copyright in the biographical essay belongs to you, and copyright in the photos belongs to Nathan
B. Copyright in the biographical essay belongs to Nathan, and copyright in the photos belongs to Nathan
C. Copyright in the biographical essay belongs to you, and copyright in the photos belongs to you
D. Ownership is impossible to ascertain without a contract
E. None of the above
It’s C. Because there’s no contract, the legal default rules apply. These are commissioned works; you have been hired specifically to create them. After the amendments, the default rule for both these works is that the creator owns the copyright. ///
- Gatsby is a brand of hair pomade. During a lunch meeting with Gatsby representatives, a creative from the ad agency Arcade speaks of a concept for a campaign she just thought of: “Maybe we could create fictional images of SG’s founders using Gatsby pomade!” She has not written anything down yet about this new concept. Who owns copyright for the concept at this point?
A. Arcade
B. Gatsby
C. No one
D. There are no default rules—it depends only on contracts between the parties
It’s C at this point; no one owns an idea until it’s fixed in a tangible medium of expression. This is the default rule (not D).
- CNN (USA) posts a 10-minute video that is a review of a song that lasts 3 minutes. For just under 10% of the CNN’s video’s length (just under one minute), the audio of the video is the recording of the song that was reviewed. Which is true?
A. The fact that CNN’s video is a review weighs in favour of fair use
B. The fact that less than 10% of CNN’s video contains the work it reviewed means there’s no possibility of copyright infringement of the reviewed work
C. It’s possible that CNN may be liable for copyright infringement
D. Only two of the above
It’s D. A is okay: The fact that it’s a review helps, but it’s not the end of the matter. C is okay: CNN may be liable for infringement; there’s never a guarantee with fair use. Not B: Amount in the fair use test refers to the percentage of the reviewed work that is borrowed, not the percentage of the review that consists of the borrowed work. Even if the percentage were calculated correctly: Though 10% comes up in some of the applications of Singapore’s fair use test and educational exceptions to copyright, it’s not the end of the analysis; other considerations come into play. And the 10% figure has been discredited as a criterion in US law. //
- CNN (USA) posts a 10-minute video that is a review of a song that lasts 3 minutes. For just under 10% of the CNN’s video’s length (just under one minute), the audio of the video is the recording of the song that was reviewed. Which is true?
A. The fact that CNN’s video is a review weighs in favour of fair use
B. The fact that less than 10% of CNN’s video contains the work it reviewed means there’s no possibility of copyright infringement of the reviewed work
C. It’s possible that CNN may be liable for copyright infringement
D. Only two of the above
It’s D. A is okay: The fact that it’s a review helps, but it’s not the end of the matter. C is okay: CNN may be liable for infringement; there’s never a guarantee with fair use. Not B: Amount in the fair use test refers to the percentage of the reviewed work that is borrowed, not the percentage of the review that consists of the borrowed work. Even if the percentage were calculated correctly: Though 10% comes up in some of the applications of Singapore’s fair use test and educational exceptions to copyright, it’s not the end of the analysis; other considerations come into play. And the 10% figure has been discredited as a criterion in US law. //
- In your 2022 short story, a vampire exchange student seduces and bites Rachel, a WKWSCI student, making Rachel a vampire. Your story:
A. is likely to infringe vampire stories like Dracula, Buffy the Vampire Slayer, or Twilight
B. is unlikely to infringe previous vampire stories if it only uses this element of such stories (i.e., the bite transforms the victim to a vampire)
C. will gain copyright protection if and only if it is published with “© 2022” affixed to it
D. only two of the above
E. none of the above
It’s B, not A; standard elements of the vampire genre are unprotected. Not C; publication formalities like these are not required for copyright protection, though originality and fixation are. ///