Reading: The Late Twentieth Century Flashcards

1
Q

The music of the late Twentieth Century was a reaction to the…

A

Avant-garde.

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2
Q

What were the two musical forces in the late Twentieth Century?

A
  • An effort to “serialize” music (rhythm, dynamics, timbre).
  • A relinquishing of control towards chance music.
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3
Q

The Unanswered Question by Ives is a form of ___ music.

A

Chance.

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4
Q

What was used as new sound materials in the late Twentieth Century?

A
  • Hissing, grunts, and noises by singers.
  • Odd sounds made with instruments, such as multiphonics.
  • Odd playing techniques.
  • Percussion became standard.
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5
Q

Recording equipment ___ sound, while electronic sound generators ___ sound.

A

Reproduces, generates.

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6
Q

What technological breakthrough during WWII allowed for the storing, handling, and manipulation of sound?

A

The invention of the magnetic tape.

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7
Q

Musique Concrete

A

Music composed with natural sounds recorded electronically.

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8
Q

Sampling

A

Especially in rap, the extraction, repetition, and manipulation of short excerpts from other popular songs, etc.

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9
Q

Synthesizers

A

An electronic apparatus that generates sounds for electronic music.

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10
Q

Computer Music

A

Sound that is produced using a computer.

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11
Q

Chance Music

A

A type of contemporary music in which certain elements, such as the order of the notes or their pitches, are not specified but are left to chance.

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12
Q

What is an extreme case of chance music?

A

Rolling the dice to determine what would be played.

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13
Q

What is a less extreme case of chance music?

A

A performer being told to play anything at all at a certain point in the music, as long as it was (for example) loud and fast.

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14
Q

Poème Electronique by Varese

A
  • Was played by 425 speakers at the World Fair.
  • Musique concrete.
  • Highly irregular rhythm.
  • Interaction of noises with altered human sounds.
  • Mournful three-note motive.
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15
Q

Lux Aeterna by Gyorgy Ligeti

A
  • Vocal (written for sixteen solo singers and chorus).
  • Often sing chords that include all twelve pitches of the chromatic scale.
  • Ebbing and flowing.
  • Four sound surges. Women, then men, then both.
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16
Q

Ligeti

A

Exemplifies the search for new sonorities. Some of his music uses no clear pitches or chords. He adds so many pitches that pitch is lost.

17
Q

Who is the father of chance music?

A

John Cage.

18
Q

Cage

A

Believed that we should open our ears to every possible kind of sound and every possible sound conjunction.

19
Q

Musical characteristics of Cage’s 4’33”:

A
  • No sound.

- Music is made up of background noise, sound of listener’s heartbeat.

20
Q

Minimalism

A

A late twentieth-century style involving many repetitions of simple musical fragments.

21
Q

Who is a leading composer in minimalism?

A

Steve Reich

22
Q

Music for 18 Musicians by Steve Reich

A
  • 18 performers (incl. 4 voices).
  • Singers do not sing words, only syllables.
  • Reminiscent of gamelans of Indonesia.
  • When the vibraphone plays, the melodies and harmonies change.
  • Make us hear musical process.
23
Q

Postmodern Music

A

New music that refers to styles older than modernism.

24
Q

What type of music is new music that refers to styles older than modernism?

A

Postmodern.

25
Q

Crumb

A
  • Wrote music on the poetry of Fedrico Garcia Lorca.
  • Called for amplified voices and piano, and a mix of percussion.
  • Screams, shouts, as well as more traditional singing.
26
Q

The House of the Rising Sun by Crumb

A
  • Folk lament set in New Orleans.
  • Stanzas.
  • Sad, bluesy tune.
27
Q

Hallelujah, I’m a Bum by Crumb

A
  • New, comical words were put to the tune of an older religious revival song.
  • Strophic.
28
Q

Stanza

A

In songs or ballads, one of several similar poetic units, which are usually sing to the same tune; also called verse.

29
Q

Leon

A
  • Of French, Spanish, African, Cuban, and Chinese descent.
  • Tend to be dissonant and atonal, but tonality can re-assert.
  • Dynamic rhythm. African and Latin drumming.
30
Q

Indigena by Leon

A
  • Polyrhythms (overlapping rhythms).
  • Joyous cacophony.
  • Rhythm and meter collapse.
  • Repeated G-major chords.
  • “La Jardinera” carnival melody.
31
Q

Polyrhythm

A

The simultaneous presentation of distinct of conflicting rhythmic patterns, especially in African music.

32
Q

Adams

A
  • Forefront of opera and concert music composers.
  • Strong postmodern strain.
  • Widely ranging musical tastes.
  • Inspired by popular as well as highbrow musical styles.
33
Q

Da Capo

A

Literally, “from the beginning”; a direction to the performer to repeat music from the beginning of the piece up to a later point.

34
Q

Ritornello

A

The orchestral material at the beginning of a concerto grosso, etc., which always returns later in the piece.