Modernist Style: New Musical Horizons Flashcards

1
Q

How to approach modern music:

A
  • What makes the music strange/unfamiliar?

- What? How? Why?

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2
Q

Modern vs. Modernist

A

Modern means contemporary, Modernist means forward-looking (avant garde).

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3
Q

The Modernist era raised basic issues about…

A

The purpose of art.

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4
Q

Purpose of music though the ages:

A
  • Worship (Medieval/Renaissance).
  • Intellectual (Baroque).
  • Entertainment (Classical).
  • Emotional/express own identity (Romantic).
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5
Q

What was the context of the 20th Century?

A
  • Rapid progress in technology and politics (industrialization and the nation-state).
  • An era of enormous uncertainty (physics, biology, psychology).
  • Growing pains (social unrest, World Wars).
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6
Q

What are the 3 periods of change?

A
  • Pre-WWI.
  • Between the Wars.
  • Post-WWII.
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7
Q

Pre-WWI Era

A
  • Impressionism.
  • Expressionism and atonality.
  • American ragtime.
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8
Q

Between the Wars Era

A
  • Serialism.
  • Reactions against modernist music.
  • American Jazz.
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9
Q

Post-WWII Era

A
  • Postwar modernism: Rise of the Machines.
  • Jazz crossover and Broadway.
  • “Popular” music.
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10
Q

Response of Modernism

A

Question assumptions, embrace uncertainty, seek new perspectives.

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11
Q

How did art respond to Modernism?

A

Representational to abstract.

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12
Q

How did literature respond to Modernism?

A

Regular structure to stream-of-consciousness.

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13
Q

Modernism led to the creation of new languages to ___ ___.

A

Create meaning.

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14
Q

Expressionism

A
  • Munch, The Scream.

- Extremes, distortion, subjectivity, evocation of mood.

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15
Q

Cubism

A
  • Picasso, Seated Nude.

- Multiple perspectives, mathematical approach expressive ends.

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16
Q

How was melody experimented with and transformed?

A

New principles created from manipulation of individual musical elements.

17
Q

What are the three principle changes Pre-WWI?

A
  • Melody.
  • Harmony.
  • Tonality.
18
Q

Evolution of melody.

A
  • Classical (clear, concise, balanced).
  • Romantic (versatile, higher hight and lower lows).
  • Impressionism (no tonal structure, no cadences, just hear fragments).
  • Neo-classicism.
  • Modernism.
19
Q

How was harmony experimented with and transformed?

A
  • Whole tone scale.
  • Pentatonic scale (no semitones – all black keys).
  • Octatonic scale (alternating whole and half steps).
  • Microtonality.
20
Q

What kicked off the exposure to world music?

A

World’s Fair in 1889.

21
Q

Microtonality

A

Using steps smaller than half steps.

22
Q

How was tonality experimented with and transformed?

A
  • Romanics looked at tonal lines first. Added to this instability.
  • New harmonic language and scales of 20th Century added.
  • Atonality. All 12 pitches are equal.
  • Symmetry of chromatic scale means no central pitch is logical end.