Intimate Expression: The German Lied — and introduction to the 19th century Flashcards

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1
Q

What did we learn in the 19th Century?

A

Music expresses or reinforces states of mind or emotions.

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2
Q

What are characteristics of music in the 19th Century?

A
  • Private mood music.
  • Music lending emotions to a scene.
  • Hear and respond to music as if it were human.
  • Music moves.
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3
Q

Romanticism is the cult of ___ feeling and escape.

A

Individual.

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4
Q

In romanticism, is romantic the same as love?

A

No, it is a liberal viewpoint, a critique.

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5
Q

Public concerts of intimate genres were on the rise during the ___ era.

A

Romantic.

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6
Q

True or false? Audiences always loved composers.

A

False, it was a love/hate relationship.

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7
Q

Individual feeling becomes individual ___ in the Romantic era.

A

Style.

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8
Q

Conventional was a praise in the romantic era. True or false?

A

False, it was a criticism.

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9
Q

Why were generalizations necessary in the Romantic era?

A

It was hard to specifically define style as a whole.

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10
Q

Rhythm in the Romantic era:

A

Freer; flexible treatment of rhythm (rubato).

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11
Q

Melody in the Romantic era:

A

Wider ranging, less regular melodies.

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12
Q

Harmony in the Romantic era:

A

Less stable, chromatic.

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13
Q

Orchestra (tone colour) in the Romantic era:

A

Expanded again, woodwinds, brass, percussion. Technical developments, especially piano.

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14
Q

Form in the Romantic era:

A

Desire to unify organically. Pieces seem living, spontaneous. Theme = form. Classical vs. Romantic themes. Thematic transformation. Vaguely similar contrasting themes.

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15
Q

Programmatic Music

A

Music that relies on extramusical material in order to be understood.

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16
Q

Program

A

Story behind the music in programmatic music in the Romantic era.

17
Q

Absolute Music

A

Non-representational; music for music’s sake.

18
Q

Miniature Compositions

A
  • Small pieces for intimate settings.

- Programmatic or not.

19
Q

Grandiose Compositions

A
  • Massive compositions, hours or days long.

- Often dependent on programmatic material for form.

20
Q

The Lied

A
  • Lied = song.
  • A setting of German poetry for one voice and piano.
  • Vehicle for sharing intimate, emotional insight.
  • Initially domestic, but increasingly performed in concert (by mid-1800s).
21
Q

Common Forms of the Lied

A
  • Strophic.
  • Modified strophic (A A’ A’’ etc.).
  • Through-composed.