Psycho Flashcards

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1
Q

How is Herrmanns style unusual?

A

avoided leitmotifs or extended melodic lines in favour of short motifs and frequent ostinati

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2
Q

How does the title sequence match the prelude?

A

mechanical quality is underpinned by Hermann’s relentlessly moving music

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3
Q

How does the prelude open?

A

aggressive double-stopped chords

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4
Q

(prelude) Are the strings arco or pizz?

A

both

occasional tremonlandi

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5
Q

(prelude) What creates an intense timbre?

A

high cello line

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6
Q

(prelude) Do textures vary?

A

yes
chords/homophony
ostinati and pedals supporting short motifs
melods with tremolandi and chordal accompaniment

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7
Q

(prelude) what’s the dynamic range?

A

ff-pp

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8
Q

(prelude) how are contrasts created in dynamics?

A

reducing the forces

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9
Q

(prelude) what is the tempo marking?

A

Allegro (molto agitato)

Fast (very agitated)

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10
Q

(prelude) how does the duple time slacken?

A

At close

pause before final bar

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11
Q

(prelude) what does the drive come from?

A

constant quavers
energetic triplet figures
dotted and broken rhythms
recurring rhythm associated with opening chords

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12
Q

(prelude) what contrasts the driving quavers?

A

extended wisps of melody

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13
Q

(prelude) what is the melody based on?

A

three motifs and a more extended melody

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14
Q

(prelude) describe the first motif

A

series of repeated chords (stamping chords)

accented and staccato

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15
Q

(prelude) describe motif 2

A

semitonal figure triplet figure over ostinato

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16
Q

(prelude) describe motif 3

A

jagged dotted rhythms and sudden rest

one bar extended through sequential repetition

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17
Q

(prelude) describe the main theme

A

conjunct crotchet figure
four bar phrase
diatonic

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18
Q

(prelude) what does the prelude consist of?

A

varied presentations of three motifs

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19
Q

(prelude) wht holds the motifs together?

A

driving ostinato of slurred quaver pairs

20
Q

Describe the structure of all the extracts

A

through-composed

21
Q

(prelude) is it tonally ambiguous?

A

yes - unsettling/unstable feeling

avoids traditional centres and key schemes

22
Q

(prelude) what key is the main theme centred around?

A

Bbmajor/Ebminor

23
Q

(prelude) what key does the main theme shift to?

A

Emajor/Em

24
Q

How does Herrmann use chords in all the pieces?

A

for sound not function

25
Q

(city) describe the tempo/metre

A

slow quadruple time

lento molto sostenuto (slow and very sustained)

26
Q

(city) what does the rhythm consist of?

A

steadily moving crotchets with crotchet-slurred-to-quaver pairs every third bar

27
Q

(city) what does the movement alternate between?

A

eight bar divisi upper strings and usual four-part writing every third bar

28
Q

(city) are there bars for violins alone?

A

yes - divisi

bars 6 and 12

29
Q

(city) does the texture change?

A

no

homophonic throughout

30
Q

(city) describe the dynamics

A

low, never rising above mf

31
Q

(prelude) opening chord

A

Bb7

32
Q

Comparisons

A
Star Wars 'Main title'/rebel blockade runner 
Bela Bartok string quartet no.2
Planet of the Apes-Jerry Goldsmith
Vertigo-Herrmann
Duchess
Jaws
Batman
33
Q

String quartet no.2

A

Driving triplets

High, piercing strings

34
Q

Jaws

A
extreme dynamics
heavy strings
motivic
tritones
repeated string ostinato
tonaly ambiguous
shrieking glissando
dim. 7ths
35
Q

Planet of the apes: The hunt context

A

Opening
Jerry Goldsmith
1968
full symphony orchestra and new electronics

36
Q

Planet of the apes sonority

A
large symphony orchestra
triple woodwind
unconventional ethnic instruments e.g rams horn and Tibetan horn
Electronic harp, electric bass clarinet
strings have a minor role
3 mutes - wood, straight and plunger
violins false harmonics
percussion important for terror e.g timpani on first beat
37
Q

Planet of the apes texture

A
complex built on riffs
heterophonic 
fragmented
polyphony
imitation
38
Q

planet of the apes: structure

A

through-composed

39
Q

planet of the apes melody

A

short, fragmentary ideas which don’t last longer than a bar
wide leaps with semitones
free inversion

40
Q

planet of the apes tonality

A
tonal centres e.g G
tertiary modulation Eb-C
semitones
chromaticism
verticalisation
41
Q

planet of the apes harmony

A
dissonant
bare octaves
chromatic
verticalisation
semitones
diminished 5ths
42
Q

planet of the apes tempo/metre/rhythm

A
hard, driving rhythms
quaver rhythm
continuous semiquavers
cross-rhythms
syncopation
sextuplets
frequent time signature changes
43
Q

context

A

Bernard Herrmann 1911-75
experimental and innovative
own orchestrations = atmosphere
music characterised by ostinato patterns, unstable chords and evoking a situation/psychological state

44
Q

psycho overview

A

American psychological thriller released in 1960
Directed by Alfred Hitchcock
young women stolen £40000 and takes refuge at a lonely motel where she is murdered by Bates

45
Q

What is Psycho based on?

A

Book by Robert Blach

Gothic style hotel based on Edward Hopper’s painting: ‘The house by the railroad’