Anoushka Flashcards
Who is her father?
Ravi Shankar
What genres she explored?
Indian, Flamenco, Jazz, Electrona and Western classsical
Who collaborated on the album?
Anoushka Shankar
Karsh Kale
Salim Merchant
Norah jones
What fusion is there?
Indian Classical
Bollywood
Western
(Burn) How is Burn the most lavishly scored?
Sitar and strings heard then other instruments
(Burn) What’s heard in verse 1?
piano and very high Ethereal Synth bad
(Burn) What helps launch the first chorus?
Fat Lead Synth
(Burn) What adds a touch of ‘Eastern’ colour?
sarangi
(Burn) What Western orchestral instruments can be heard?
strings harp brass flute concluding cello solo
(Burn) What’s the primary melodic interest in the intro?
slow-moving string tune with some octave doubling for additional interest
(Burn) How does the Sitar countermelody contrast the main melody?
different timbre and lower pitch
less continuous
more diverse/vigorous rhythm
(Burn) What’s the main texture?
homophonic
(Burn) Name 3 dynamic features
opening sitar over low strings
magical quiet moments
crescendos into new section
(Burn) What is the structure and what marks it out?
verse-chorus
changes of sonority
(Burn) Name the key
Csharp minor
(Burn) What’s present most of the time?
Csharp
(Burn) Is the music diatonic?
Yes
almost always
(Burn) When’s the modulation?
Coda
interrupted cadence goes to an ambiguous tonality
(Burn) Why is the final chord unclear?
D with no third
(Burn) Are triads used?
Yes
What unusual chords are used?
slash
sus
add
Are harmonic used?
yes
(Burn) describe the vocals
small and narrow range
conjunct
motif made up of rising 2nd and falling 3rd
(Burn) Why do the vocals fit well with the harmony?
hypnotic narrowness and repetitiveness accords well with static harmony
(Burn) describe the string melodies
slow-moving
same notes as vocal melody
freer in use of small leaps and has some doubling at the upper octave
(Burn) what occurs more frequently as the song continuous
higher pitches
describe the sitar parts
elaborate with much ornamentation
phrases are often short and well separated by rests
Are microtonal intervals heard?
yes
in glissandi between notes
(Burn) Describe the tempo
80 cpm
4/4
both maintained throughout but rhythmic activity varies
(Burn) How do rhythms vary?
initially long notes which define the metre
(Burn) Describe the sitar rhythms
freer and more rhythmically diverse
various triplet groupings
syncopated rhythms
mixture of long and short notes
(Burn) What suggests a raga in the intro?
free improvisatory nature
(Burn) Where is there much syncopation?
vocal part, sarangi and lead synth
(Burn) What happens in the last part of the intro?
percussion and synth bass interject more movement with a clear and insistent ‘beat’
(Breathing) describe the sonority
sitar solo with strings
wordless vocal phrases