perception and visual cognition: making sense of the senses Flashcards
The phenomenological approach
way of measuring perception by just describing what yu sense
psychophysics
way of measuring perception
(Fechner, 1860: “Elements of Psychophysics”)
how its done:
So, we try to relate
a precisely defined physical stimulus, with
a precisely measured behavioural response
light
the agency that causes a visual sensation when it falls on the retina of the eye … it forms a narrow section of the electromagnetic spectrum
electromagnetic radiation
waves of energy that are caused by the acceleration of charged particles.
characterisation of light
wavelength
intensity
intensity
as intensity increases so does the number of photons emit per second
absolute threshold
The smallest amount of stimulus energy
necessary for an observer to detect a stimulus i.e. what’s the dimmest light that we can see?
techniques for measuring thresholds
Method of constant stimuli Pre-determined set of stimuli Fit a psychometric function to data Slow, but accurate
signal detection theory: problem
Need to take account of observer
“decision criterion”
metric conversions
Metric conversions: 30 miles = 50 km 20 feet = 6 metres 20 gallons = 7.5 litres
difference thresholds: just noticable threshold
The smallest difference between two stimuli that a person can detect
(e.g. line length)
webbers law
The ratio of the JND (Δl) to the standard
stimulus (l) is constant: ΔI/I=k
sensory adaptation and sensory sensitivity
The exquisite sensitivity of our sensory systems is not always apparent
The conditions have to be right
sensory adapttation enhances sensitivity
Most sensitive to light After half an hour in the dark Most sensitive to sound In the quietness of the night Most sensitive to taste After drinking plain water Absence of sensory stimulation Increases sensitivity
sensory adaptation reduces sensitivity
Can’t see stars in the daytime
Can’t hear very well after rock concerts
Can’t taste much after eating a hot curry
Hot baths and cold swimming pools feel OK,
once you’ve been in for a while
Strong, persistent stimulation
Decreases sensitivity
sensory adaptation: why
Evolutionary advantages
Allows us to cope with wide variety of environments
Focuses sensory resources on the interesting stuff
Retinal Stabilisation
Stabilised images fade rapidly
retinal stabilisation
Stabilised images fade rapidly
retinal adaptation
If an image is stabilized on the retina … it fades.
Normally our eyes are constantly in motion to prevent this.
Serves to
reduce visual clutter (e.g. blood vessels) concentrate on changes
Principles & Measurements
Objectives
To enable you to:
Understand how we can measure sensory performance
Appreciate the exquisite sensitivity, and fitness for purpose, of human sensory systems
Understand the utility of sensory adaptation mechanisms
function of the senses
To detect various forms of energy
Vision - electromagnetic radiation
Hearing - mechanical vibrations
Touch - mechanical perturbations of the skin
Smell - chemical properties of gases
Taste - chemical properties of solids and liquids in contact with the tongue
phototransduction
Photoreceptors (rods and cones) turn light into electricity – a process called phototransduction
Photoreceptors -> bipolar cells -> retinal ganglion cells
The axons of the retinal ganglion cells form the optic nerve
Duplex theory
Rods and cones differ in structure, number and distribution across the retina.
Why?
Rods are neural substrate for night vision
(also called scotopic vision)
Cones are neural substrate for day vision (also called photopic vision)
rods
120 million in one adult human eye Sacrifice acuity for sensitivity
More common in periphery
Cones
6 million in one adult human eye Sacrifice sensitivity for acuity Commonest in central vision
sound waves
long smooth waves have a lower freq and lower pitch
short sharp waves with more waves in a period have a higher freq and highr pitch
transduction in the ear
Sound waves travel down the external auditory canal and vibrate the eardrum (tympanic membrane)
The middle ear (ossicles) transfer these vibrations and amplify them
These vibrations are picked up by the hair cells in the fluid-filled cochlea, which transform them into electrical signals which are then passed down the auditory nerve
place theory of audition
Frequency is encoded according to position on the basilar membrane
High frequencies are encoded near the tip of the cochlear spiral
Low frequencies are encoded near the centre
Famously discovered by Von Bekesy in his experiments on a dead elephantʼs cochlea
Transduction on the Tongue
Chemicals dissolved in water stimulate taste buds on the tongue
sweet (sucrose) sour (acid)
salty (sodium) bitter (quinine)
transduction in the nose
Molecules carried in the air stimulate specific odour receptors in olfactory epithelium
About 350 different receptor classes
Electrical signals pass directly to olfactory bulb in the frontal lobe
transduction of mechanoreceptors
Many different types:
Light touch to hair -> Basket cells
Light touch without hair -> Meissner corpuscles Deep touch
Pacinian Corpuscles
Ruffini Endings
Temperature and Pain -> Free Nerve Endings
other senses
Proprioception (Perception of the body in space) Kinaesthesis
Sense of Muscle Movement
Equilibrium and Balance (Vestibular System)
Balance and Acceleration Interoception
Internal body senses Linked to emotions?
achromatopsia
true colour blindness
tributes of colour
Hue = blue vs. red, green, yellow, purple
Brightness = light blue vs. dark blue
saturation = red vs. pink
colour mixture: subtractive
mixing paint
looking through coloured filters
colour mixing; additive
Mixing coloured lights T elevision
Pointillist painting
Young-Helmholtz Theory (Trichromacy)
hree types of cone photoreceptor Long-, Medium-, Short-wavelength- preferring
Red = Lots of L, not very much M,S Blue = Lots of S, not very much M,L Yellow = About even in L,M, not much S etc. etc.
problems with Trichromacy
Complementary Colours*
Have you ever seen a reddish green? Or a yellowish blue?
Simultaneous Colour Contrast
A grey square surrounded by blue looks yellowish (and vice versa)
A red stimulus gives a green afterimage (and vice versa)
opponent process theory
Proponents: First Hering, then Hurvich and Jameson
L, M, S cone outputs recoded into six primaries: red, green, blue, yellow, black, white
Primaries are combined in antagonistic pairs: (red-green), (blue-yellow), (black-white)
Hue perception from:
Red-green (L-M)
Blue-yellow (S- [L+M])
forbidden colours
Some authors have argued that it is possible to see reddish-greens and yellowish-blues
See:
Seeing Forbidden COLORS. By: Billock, Vincent A., Tsou, Brian H., Scientific American, 00368733, Feb2010, Vol. 302, Issue 2
Livitz, G. et al (2011), Perceiving opponent hues in color induction displays. Seeing and Perceiving, 24, 1-17.
colour deficiency
8% of males are colour defective
Colour blindness (achromatopsia)
Cerebral (Sacks’ colour blind artist)
No cones (“Island of the colour blind”)
Commonest are
Dichromats (two cones)
Anomalous trichromats (different spectral sensitivities)
why do we have colour
colour helps us recognise things and remember them better
synesthesia
A “merging” of the senses
Experience unusual perceptions (e.g. colours, tastes)
while going about their everday lives
Synaesthetic perceptions of colour can be triggered by
Sound, Taste, Smell, touch
Letters, numbers, words (written and spoken), music
“Projectors” vs “Associators”
4.4% of the population? (Simner et al, 2006)
95% of these get colour sensations
Thought to be to do with un-pruned neural connections
or reduced neural inhibition
If this might apply to you – let me know!!