PEH 2 Flashcards

1
Q

is defined as a condition in which an individual has enough energy to avoid fatigue and
enjoy life.

A

Fitness

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2
Q

Focuses on factors that promote optimum health and prevent the onset of disease and
problems associated with inactivity.

A

Concepts of Fitness

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3
Q

● ratio of your fat mass to fat-free mass.

A

Body Composition

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4
Q

the ability of a joint or series of joints to move through an unrestricted, pain free range
of motion.

A

Flexibility

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5
Q

Also called cardiorespiratory endurance or aerobic fitness refers to the ability of body to efficiently and effectively intake oxygen and deliver it to your body’s tissues by way of the heart, lungs, arteries, vessels, and veins.

A

Cardiovascular endurance

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6
Q

refers to your ability to move and lift objects. It is measured by how much force you can exert and how much weight you can lift for a short period of time.

A

Muscular strength

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7
Q

is the ability of a particular muscle group to exert force, continuously and repetitively,
over a period of time.

A

Muscular endurance

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8
Q

It is the ability to perform during games and sports, also called performance fitness.
Skill related components are more relevant to certain athletes.

A

Skill related Fitness

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9
Q

is the ability to move quickly and to easily change direction.

A

Agility

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10
Q

refers to the ability of the body position to remain upright.

A

Balance

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11
Q

is the ability to execute smooth, accurate, controlled motor responses (optimal interaction of muscle function). It is characterized by appropriate speed, distance, direction, timing, and muscular tension.

A

Coordination

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12
Q

as the ability to exert a maximal force in as short a time as possible. Combination of
speed and strength.

A

Power

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13
Q

refers to how quickly you can respond to an external stimulus. Reaction time hinges heavily on your mind-body connection.

A

Reaction Time

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14
Q

refers to the distance traveled per unit of time. It is how fast an object is moving.

A

Speed

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15
Q

FITT

A

(Frequency, Intensity,
Time, Type)

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16
Q

When engaging in any form of dance, always consider the FITT (Frequency, Intensity, Time, Type) principle of training to be able to perform efficiently and minimize unnecessary body stress and injury.

A

Getting FITT to Dance

17
Q

number of training sessions that are performed during a given period (usually one week). About 3 to 4 times per week or more are the recommended times of exercise for an individual. Rest or easy days are in between to allow your body to recover from physical exertion.

A

Frequency (How often)

18
Q

an individual’s level of effort (light, moderate, vigorous).

A

Intensity (How hard)

19
Q

is used to measure the intensity of your exercise/ physical activity. This value gives a reference point for an individual’s internal load which can be compared with others during a similar session.

A

Rate of Perceived Exertion (RPE) scale

20
Q

duration of a workout (including warm-up and cool-down) or the length of time spent in training. To improve health-related fitness, trainers recommend 20 to 30 minutes of nonstop exercise. Time should be decreasing as the intensity of the activity is increasing.

A

Time (how long)

21
Q

mode of physical activity (swimming, jogging, dancing).

A

Type (what kind)

22
Q

are the foundational concepts and vocabulary that help students develop movement
skills and understand dance as an artistic practice.
● The acronym BASTE helps you to remember the elements of dance

A

Elements of Dance

23
Q

This refers to how the entire body is molded in space on the configuration of body parts.
The body can be rounded, angular, or a combination of two. Other body shapes can be from wide to narrow and from high to low. They can be symmetrical and asymmetrical.

A

Body (Bodily Shapes)

24
Q

In this element, a group of dancers perform movements in different group shapes. They are arranged in ways that are wide. narrow, rounded, angular, symmetrical, or asymmetrical and are viewed together as a total picture or arrangement within.

A

Body (Group Shapes)

25
Q

Any human movement included in the act of dancing— it can include dance steps, facial movements, partner lifts, gestures, and even everyday movements such as walking. Dance is made up of streams of movement and pauses, so action refers not only to steps and sequences, but also to pauses and moments of relative stillness.
● Dancers may use movements that have been choreographed or traditional dances taught by others who know the dances. Depending on the dance style or the choreographer’s decision, dancers may also revise or embellish movement they have learned from others.
● Movement can also be improvised, meaning that the dancers make it up “on the spot” as they spontaneously dance. Movement that travels through space is broadly called locomotor movement in contrast to axial movement, which occurs in one spot.

A

Action

26
Q

This is the area the performers occupy and where they move. It can be divided into four different aspects, also known as spatial elements.

A

Space

27
Q

Space

A

a. Direction
b. Size
c. level
d. focus

28
Q

dance movement can travel in any direction. The performers can go forward, side, backward, diagonal, circular and so on. They may also face any direction while executing a single movement or several phrases.

A

Direction

29
Q

movements can be varied by doing larger or smaller actions.

A

Size

30
Q

movements can be done in a high, medium, or low level.

A

Level

31
Q

performers may change their focus by looking at different directions.

A

Focus

32
Q

The keyword for the element of time is When? Human movement is naturally rhythmic in the broad sense that we alternate activity and rest. Breath and waves are examples of rhythms in nature that repeat, but not as consistently as in a metered rhythm.

A

Time

33
Q

The movements here propelled by energy or force. A force can either initiate or stop an action. Dance uses different energies, and a varied use of theses minimizes the monotony of the movements in a performance. There are six qualities of dance energies presented below.

A

Energy

34
Q

movements are done smoothly, continuously, and with flow and control does not have aclear beginning and ending.

A
  1. Sustained
35
Q

movements are explosive or sharp in contrast with sustained movement. They are accented with thrust of energy. They have clear beginning and ending.

A
  1. Percussive
36
Q

movements consists of trembling or shaking. A faster version or percussive movements
that produce a jittery effect.

A

Vibratory

37
Q

movements trace a curved line or an arc in space. The movements are released and
giving in to gravity on the downward part of the motion, followed by an upward
application of energy.

A

Swinging

38
Q

movements are perched in space or hanging on air, holding a raised leg in any direction is an example of a suspended movement.

A

Suspended

39
Q

movements are released in tennis and gradually or abruptly giving in to gravity. Letting the body descend to the floor. A slow collapse can be described as a melting or oozing action in a downward direction

A

Collapsing