cpar prelims Flashcards
1
Q
is art made today by living artists. As such, it reflects the complex issues that shape our diverse, global, and rapidly changing world.”
A
Contemporary arts
2
Q
involves artists and communities working closely together, often over extended periods of time, to make art.
A
COLLABORATIVE
3
Q
- is a form of art that involves the spectator in a way that allows the art to achieve its purpose. Some interactive art installations achieve this by letting the observer or visitor “walk” in, on, and around them; some others ask the artist or the spectators to become part of the artwork.
A
INTERACTIVE
4
Q
integrate art with technology, build robots, make games, work with VR/AR, and create performances and unique pieces.
A
INTERACTIVE
5
Q
(More on technology)
A
INTERACTIVE
6
Q
- approach to making art which engages public participation in the creative process, letting them become co-authors, editors, and observers of the work. This type of art is incomplete without viewers’ physical interaction. (More on traditional arts)
A
PARTICIPATORY
7
Q
- refers to inter-disciplinary art, art research, development, production, presentation, or artistic creation of work that fully uses two or more art disciplines to create a work for a specific audience.
A
INTEGRATIVE
8
Q
- It is allowing the children to explore and experiment materials while encouraging creativity and problem solving.
A
PROCESS ORIENTED
9
Q
- 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities,
A
IMPRESSIONISM
10
Q
‘impression’ of what the person, light, atmosphere, object or landscape looked like
A
IMPRESSIONISM
11
Q
- pure, brilliant colour aggressively applied straight from the paint tubes to create a sense of an explosion on the canvas
A
FAUVISM
12
Q
- Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
A
EXPRESSIONISM
13
Q
- t’s a style of painting in which the subject matter is presented as geometric forms shown from multiple simultaneous vantage points.
A
CUBISM
14
Q
- is a style of visual arts, architecture and design, similar to Art Nouveau, is a modern art style that attempts to infuse functional objects with artistic touches
A
ART DECO
15
Q
- The movement is best known for its visual artworks and writings and the juxtaposition of distant realities to activate the unconscious mind through the imagery.
A
SURREALISM
16
Q
- uses visual language of shape, form, color and line to create a composition
A
ABSTRACTIONISM
17
Q
- including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects.
A
POP ARTS
18
Q
- uses optical illusions
A
OP ARTS
19
Q
- An art historical term pertaining
to the art produce by Filipinos
before the arrival of the first
Western colonizers.
A
PRE-CONQUEST ARTFORMS
20
Q
“Indigenous”
A
PRE-CONQUEST ARTFORMS
21
Q
“pre-colonial”
A
PRE-CONQUEST ARTFORMS
22
Q
Arts are for ritual purposes or for everyday use.
A
PRE-CONQUEST ARTFORMS
23
Q
During rituals, they:
❏ Employ well-crafted objects.
A
PRE-CONQUEST ARTFORMS
24
Q
❏ Perform music and dance
A
PRE-CONQUEST ARTFORMS
25
❏ Involve the whole community to observe.
| Collaborative, Integrative, Interactive
PRE-CONQUEST ARTFORMS
26
Before the coming of Spanish colonizers,
Islam was already well-entrenched in the
Southern Philippines.
ISLAMIC COLONIAL
27
Islam was embraced
as a religion and as a way of life by the
peoples of Mindanao.
ISLAMIC COLONIAL
28
Filipino Muslims, recognize that they belong
| to an ummah or a community of believers.
ISLAMIC COLONIAL
29
❏ Central to the Islamic faith is the doctrine
| of Tawid or unity of God.
ISLAMIC COLONIAL
30
❏ It emphasizes the impermanence of nature
and the incomprehensible greatness of the
divine Being.
ISLAMIC COLONIAL
31
Panolong
ISLAMIC COLONIAL
32
❏ Torogan
ISLAMIC COLONIAL
33
❏ Sarimanok
ISLAMIC COLONIAL
34
❏ Buraq
ISLAMIC COLONIAL
35
Arts during this period conformed to
the demands of the church and the
colonial state.
SPANISH COLONIAL PERIOD
36
The art forms from the
period are referred to stylistically and
culturally as religious art, lowland
Christian art, or folk art.
SPANISH COLONIAL PERIOD
37
```
During this periods,
cruciform churches
following the shape of
the Latin cross were
built.
```
SPANISH COLONIAL PERIOD
38
```
❏ Baroque style for
churches was
predominantly employed.
It was characterized by
grandeur, drama, and elaborate
details that purposely
appealed to the emotions.
```
SPANISH COLONIAL PERIOD
39
❏ San Agustin Church
SPANISH COLONIAL PERIOD
40
❏ Morong Church in Rizal
SPANISH COLONIAL PERIOD
41
❏ Paoay Church
SPANISH COLONIAL PERIOD
42
❏ Sto. Tomas de Villanueva
Church in Miag-ao
Spolarium by Luna
SPANISH COLONIAL PERIOD
43
❏ Virgenes christianas
expuestas al
populacho by Hidalgo
SPANISH COLONIAL PERIOD
44
❏ España y Filipinas
| by Luna
SPANISH COLONIAL PERIOD
45
Virgenes christianas
expuestas al
populacho by Hidalgo
DISCRIMINATION AMONGST WOMEN
46
```
The independence that the
Philippines gained after the
revolution of 1896 was
cut short with the
establishment of the
American Colonial
Government in the
Philippines Bound by the
Treaty of Paris in 1898,
Spain “surrendered” the
Philippines to US.
```
AMERICAN COLONIAL
PERIOD (1898-1940) TO
POSTWAR REPUBLIC
(1946-1969)
47
Inspired by the City Beautiful Movement introduced in 1893 at the
Chicago World Fair, the new urban design employed Neoclassic
architecture for its government edifices and integrated parks and
lawns to make the city attractive by making its buildings impressive
and places more inviting for leisure amid urban blight.
AMERICAN COLONIAL
PERIOD (1898-1940) TO
POSTWAR REPUBLIC
(1946-1969)
48
Oblation in UP and
Bonifacio Monument in
Caloocan.
AMERICAN COLONIAL
PERIOD (1898-1940) TO
POSTWAR REPUBLIC
(1946-1969)
49
```
❏ “Botong” Francisco is
known for his
magisterial murals,
particularly, Filipino
Struggles Through
History in 1964.
```
AMERICAN COLONIAL
PERIOD (1898-1940) TO
POSTWAR REPUBLIC
(1946-1969)
50
```
Under the helm of Ferdinand Marcos and
Imelda Marcos beginning in 1965, many
cultural projects ensued amid the
backdrop of poverty and volatile social
conditions.
```
70’s to
| CONTEMPORARY
51
```
Social Realism (SR) is a
significant strand that
emerged during the
intense political ferment
of the 70s and the
80s. Using various
mediums, techniques, and
styles, is a form of
protest art that
exposed the
sociopolitical issues and
struggles of the ties.
```
70’s to
| CONTEMPORARY
52
Context consists of all of the things
about the artwork that might have
have influenced the artwork or the
maker (artist).
CONTEXT OF ARTS
53
A background stylist or
painter is one who is
involved in the process of
animation.
ARTIST BACKGROUND
54
Is now located at the meeting point of the
economic, the social, and the cultural. We
recognize also that the history of the
economy, society and culture is often
inseparable from the history of power and
its uses and institutions, in short, policy and
politics.
SOCIETY, POLITICS, HISTORY, & ECONOMY
55
```
The notion of ‘reception’ in general
connotes a concern with the reaction or
response to a work of art or literature
and thus implies a shift in emphasis from
the production or creation of the work,
or from the writer or artist, to the
```
MODE OF RECEPTION
56
4 arts of ISLAMIC COLONIAL
Panolong
❏ Torogan
❏ Sarimanok
❏ Buraq
57
a house ornament fashioned by the Maranao people. It is a carved beam that protrudes in the front of the house and styled with okir motif. The shape of the panolong is an architectural translation of a "prow" meaning the protruding part in the front of a ship.
panolong
58
translates as "a place for sleeping”, is the stately house of elite members of the Maranao tribe in the province of Lanao del Sur A torogan was a symbol of high social status. Such a residence was once a home to a sultan or datu in the Maranao community.
torogan
59
also known as papanok in its feminine form, is a legendary bird of the Maranao people who originate from Mindanao, an island in the Philippines and part of the Philippine Mythology. It comes from the words "sari" and "manok."
Sarimanok
60
the legendary beast, a winged horse with the face of a woman and the tail of a peacock, on which Muhammad ascended to heaven
❏ Buraq
61
Spolarium by Luna
SPANISH COLONIAL PERIOD
62
It is an allegorical depiction of two women together, one a representation of Spain and the other of the Philippines.
España y Filipinas
| by Luna
63
it portrays two scantily clothed Christian female slaves being mocked by a group of boorish Roman male onlookers. Created in the academic style of Europe, the unfortunate women in the artwork are considered by some indigenous Filipinos as virgins "being led out, stolen from, and ridiculed".[6] The women are young virgins cornered by a mob of "sexually hungry" Roman men.
Virgenes christianas
expuestas al
populacho by Hidalgo
64
referring to the basement of the Roman Colosseum where the fallen and dying gladiators are dumped and devoid of their worldly possessions.referring to the basement of the Roman Colosseum where the fallen and dying gladiators are dumped and devoid of their worldly possessions. was a symbol of “our social, moral, and political life: humanity unredeemed, reason and aspiration in open fight with prejudice, fanaticism, and injustice.”
SPOLIARIUM
65
Daily life or routine life in which people typically
act, think, and feel on a daily basis
- EX. She regularly holds benefit concerts for
various charities for various children and cancer
patients
EVERYDY LIFE
66
- Non-symbolic form of communication and a
primary counterpoint to language
- EX. Her music generally pop and sings songs
mostly about love; “The personality of her voice is
phenomenally distinct”
NATURE
67
- Outdoor and on-the-spot
- Main subject is nature or surroundings
-
IMPRESSIONISM
68
- Vibrant colors
| -
FAUVISM
69
- Evokes feelings or inner emotions
| -
EXPRESSIONISM
70
- Geometrical shapes, figures, and planes
| -
CUBISM
71
- Installation art
| - Architectural project and design
ART DECO
72
- Combination of conscious and unconscious
ideas
-
SURREALISM
73
- Non-representational art
| - No definite meaning
ABSTRACTIONISM
74
- Cartoon-like
| - Attractive colors
POP ART
75
EX. Garden at Sainte-Adresse by Claude Monet,
| 1867
IMPRESSIONISM
76
EX. The Turning Road, L’estaque by Andre Derain,
| 1906
FAUVISM
77
EX. Starry Night by Vincent van Gogh, 1889
EXPRESSIONISM
78
EX. Still Life with a Guitar by Juan Gris, 1913
CUBISM
79
EX. Inner Voices by Didier Mazuru
SURREALISM
80
(okir motif, status, power)
Panolong
81
(sleeping house, wealth, status,
| leadership)
○ Torogan
82
(colorful, wealth, good
| fortune)
○ Sarimanok
83
(half mule, half donkey, with wings
| on its side)
○ Buraq
84
EX. A Filipino singer, dancer, actress, and record
| producer, born July 25, 1988
ARTIST BACKGROUND
85
EX. She studied Associate in Arts program in UP
Open University; ranked as the 4th highest
female celebrity taxpayer
SOCIETY, POLITICS, HISTORY, & ECONOMY
86
EX. She was ranked as the 3rd in the top celebrity
endorser by the AGB Nielsen Philippines survey;
most streamed solo FIlipino artist
MODE OF RECEPTION
87
EX. She regularly holds benefit concerts for
various charities for various children and cancer
patients
EVERYDAY LIFE
88
EX. Her music generally pop and sings songs
mostly about love; “The personality of her voice is
phenomenally distinct”
NATURE
