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cpar prelims Flashcards

1
Q 
is art made
today by living artists. As such, it
reflects the complex issues that shape
our diverse, global, and rapidly
changing world.”
A

Contemporary arts

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2
Q

involves artists and communities working closely together, often over extended periods of time, to make art.

A

COLLABORATIVE

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3
Q
  • is a form of art that involves the spectator in a way that allows the art to achieve its purpose. Some interactive art installations achieve this by letting the observer or visitor “walk” in, on, and around them; some others ask the artist or the spectators to become part of the artwork.
A

INTERACTIVE

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4
Q

integrate art with technology, build robots, make games, work with VR/AR, and create performances and unique pieces.

A

INTERACTIVE

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5
Q

(More on technology)

A

INTERACTIVE

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6
Q
  • approach to making art which engages public participation in the creative process, letting them become co-authors, editors, and observers of the work. This type of art is incomplete without viewers’ physical interaction. (More on traditional arts)
A

PARTICIPATORY

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7
Q
  • refers to inter-disciplinary art, art research, development, production, presentation, or artistic creation of work that fully uses two or more art disciplines to create a work for a specific audience.
A

INTEGRATIVE

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8
Q
  • It is allowing the children to explore and experiment materials while encouraging creativity and problem solving.
A

PROCESS ORIENTED

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9
Q
  • 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities,
A

IMPRESSIONISM

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10
Q

‘impression’ of what the person, light, atmosphere, object or landscape looked like

A

IMPRESSIONISM

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11
Q
  • pure, brilliant colour aggressively applied straight from the paint tubes to create a sense of an explosion on the canvas
A

FAUVISM

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12
Q
  • Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
A

EXPRESSIONISM

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13
Q
  • t’s a style of painting in which the subject matter is presented as geometric forms shown from multiple simultaneous vantage points.
A

CUBISM

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14
Q
  • is a style of visual arts, architecture and design, similar to Art Nouveau, is a modern art style that attempts to infuse functional objects with artistic touches
A

ART DECO

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15
Q
  • The movement is best known for its visual artworks and writings and the juxtaposition of distant realities to activate the unconscious mind through the imagery.
A

SURREALISM

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16
Q
  • uses visual language of shape, form, color and line to create a composition
A

ABSTRACTIONISM

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17
Q
  • including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects.
A

POP ARTS

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18
Q
  • uses optical illusions
A

OP ARTS

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19
Q
  • An art historical term pertaining
    to the art produce by Filipinos
    before the arrival of the first
    Western colonizers.
A

PRE-CONQUEST ARTFORMS

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20
Q

“Indigenous”

A

PRE-CONQUEST ARTFORMS

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21
Q

“pre-colonial”

A

PRE-CONQUEST ARTFORMS

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22
Q

Arts are for ritual purposes or for everyday use.

A

PRE-CONQUEST ARTFORMS

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23
Q

During rituals, they:

❏ Employ well-crafted objects.

A

PRE-CONQUEST ARTFORMS

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24
Q

❏ Perform music and dance

A

PRE-CONQUEST ARTFORMS

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25
Q

❏ Involve the whole community to observe.

Collaborative, Integrative, Interactive

A

PRE-CONQUEST ARTFORMS

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26
Q

Before the coming of Spanish colonizers,
Islam was already well-entrenched in the
Southern Philippines.

A

ISLAMIC COLONIAL

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27
Q

Islam was embraced
as a religion and as a way of life by the
peoples of Mindanao.

A

ISLAMIC COLONIAL

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28
Q

Filipino Muslims, recognize that they belong

to an ummah or a community of believers.

A

ISLAMIC COLONIAL

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29
Q

❏ Central to the Islamic faith is the doctrine

of Tawid or unity of God.

A

ISLAMIC COLONIAL

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30
Q

❏ It emphasizes the impermanence of nature
and the incomprehensible greatness of the
divine Being.

A

ISLAMIC COLONIAL

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31
Q

Panolong

A

ISLAMIC COLONIAL

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32
Q

❏ Torogan

A

ISLAMIC COLONIAL

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33
Q

❏ Sarimanok

A

ISLAMIC COLONIAL

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34
Q

❏ Buraq

A

ISLAMIC COLONIAL

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35
Q

Arts during this period conformed to
the demands of the church and the
colonial state.

A

SPANISH COLONIAL PERIOD

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36
Q

The art forms from the
period are referred to stylistically and
culturally as religious art, lowland
Christian art, or folk art.

A

SPANISH COLONIAL PERIOD

37
Q 
During this periods,
cruciform churches
following the shape of
the Latin cross were
built.
A

SPANISH COLONIAL PERIOD

38
Q 
❏ Baroque style for
churches was
predominantly employed.
It was characterized by
grandeur, drama, and elaborate
details that purposely
appealed to the emotions.
A

SPANISH COLONIAL PERIOD

39
Q

❏ San Agustin Church

A

SPANISH COLONIAL PERIOD

40
Q

❏ Morong Church in Rizal

A

SPANISH COLONIAL PERIOD

41
Q

❏ Paoay Church

A

SPANISH COLONIAL PERIOD

42
Q

❏ Sto. Tomas de Villanueva
Church in Miag-ao
Spolarium by Luna

A

SPANISH COLONIAL PERIOD

43
Q

❏ Virgenes christianas
expuestas al
populacho by Hidalgo

A

SPANISH COLONIAL PERIOD

44
Q

❏ España y Filipinas

by Luna

A

SPANISH COLONIAL PERIOD

45
Q

Virgenes christianas
expuestas al
populacho by Hidalgo

A

DISCRIMINATION AMONGST WOMEN

46
Q 
The independence that the
Philippines gained after the
revolution of 1896 was
cut short with the
establishment of the
American Colonial
Government in the
Philippines Bound by the
Treaty of Paris in 1898,
Spain “surrendered” the
Philippines to US.
A

AMERICAN COLONIAL
PERIOD (1898-1940) TO
POSTWAR REPUBLIC
(1946-1969)

47
Q

Inspired by the City Beautiful Movement introduced in 1893 at the
Chicago World Fair, the new urban design employed Neoclassic
architecture for its government edifices and integrated parks and
lawns to make the city attractive by making its buildings impressive
and places more inviting for leisure amid urban blight.

A

AMERICAN COLONIAL
PERIOD (1898-1940) TO
POSTWAR REPUBLIC
(1946-1969)

48
Q

Oblation in UP and
Bonifacio Monument in
Caloocan.

A

AMERICAN COLONIAL
PERIOD (1898-1940) TO
POSTWAR REPUBLIC
(1946-1969)

49
Q 
❏ “Botong” Francisco is
known for his
magisterial murals,
particularly, Filipino
Struggles Through
History in 1964.
A

AMERICAN COLONIAL
PERIOD (1898-1940) TO
POSTWAR REPUBLIC
(1946-1969)

50
Q 
Under the helm of Ferdinand Marcos and
Imelda Marcos beginning in 1965, many
cultural projects ensued amid the
backdrop of poverty and volatile social
conditions.
A

70’s to

CONTEMPORARY

51
Q 
Social Realism (SR) is a
significant strand that
emerged during the
intense political ferment
of the 70s and the
80s. Using various
mediums, techniques, and
styles, is a form of
protest art that
exposed the
sociopolitical issues and
struggles of the ties.
A

70’s to

CONTEMPORARY

52
Q

Context consists of all of the things
about the artwork that might have
have influenced the artwork or the
maker (artist).

A

CONTEXT OF ARTS

53
Q

A background stylist or
painter is one who is
involved in the process of
animation.

A

ARTIST BACKGROUND

54
Q

Is now located at the meeting point of the
economic, the social, and the cultural. We
recognize also that the history of the
economy, society and culture is often
inseparable from the history of power and
its uses and institutions, in short, policy and
politics.

A

SOCIETY, POLITICS, HISTORY, & ECONOMY

55
Q 
The notion of ‘reception’ in general
connotes a concern with the reaction or
response to a work of art or literature
and thus implies a shift in emphasis from
the production or creation of the work,
or from the writer or artist, to the
A

MODE OF RECEPTION

56
Q

4 arts of ISLAMIC COLONIAL

A

Panolong
❏ Torogan
❏ Sarimanok
❏ Buraq

57
Q

a house ornament fashioned by the Maranao people. It is a carved beam that protrudes in the front of the house and styled with okir motif. The shape of the panolong is an architectural translation of a “prow” meaning the protruding part in the front of a ship.

A

panolong

58
Q

translates as “a place for sleeping”, is the stately house of elite members of the Maranao tribe in the province of Lanao del Sur A torogan was a symbol of high social status. Such a residence was once a home to a sultan or datu in the Maranao community.

A

torogan

59
Q

also known as papanok in its feminine form, is a legendary bird of the Maranao people who originate from Mindanao, an island in the Philippines and part of the Philippine Mythology. It comes from the words “sari” and “manok.”

A

Sarimanok

60
Q

the legendary beast, a winged horse with the face of a woman and the tail of a peacock, on which Muhammad ascended to heaven

A

❏ Buraq

61
Q

Spolarium by Luna

A

SPANISH COLONIAL PERIOD

62
Q

It is an allegorical depiction of two women together, one a representation of Spain and the other of the Philippines.

A

España y Filipinas

by Luna

63
Q

it portrays two scantily clothed Christian female slaves being mocked by a group of boorish Roman male onlookers. Created in the academic style of Europe, the unfortunate women in the artwork are considered by some indigenous Filipinos as virgins “being led out, stolen from, and ridiculed”.[6] The women are young virgins cornered by a mob of “sexually hungry” Roman men.

A

Virgenes christianas
expuestas al
populacho by Hidalgo

64
Q

referring to the basement of the Roman Colosseum where the fallen and dying gladiators are dumped and devoid of their worldly possessions.referring to the basement of the Roman Colosseum where the fallen and dying gladiators are dumped and devoid of their worldly possessions. was a symbol of “our social, moral, and political life: humanity unredeemed, reason and aspiration in open fight with prejudice, fanaticism, and injustice.”

A

SPOLIARIUM

65
Q

Daily life or routine life in which people typically
act, think, and feel on a daily basis
- EX. She regularly holds benefit concerts for
various charities for various children and cancer
patients

A

EVERYDY LIFE

66
Q
  • Non-symbolic form of communication and a
    primary counterpoint to language
  • EX. Her music generally pop and sings songs
    mostly about love; “The personality of her voice is
    phenomenally distinct”
A

NATURE

67
Q
  • Outdoor and on-the-spot
  • ## Main subject is nature or surroundings
A

IMPRESSIONISM

68
Q
  • Vibrant colors

-

A

FAUVISM

69
Q
  • Evokes feelings or inner emotions

-

A

EXPRESSIONISM

70
Q
  • Geometrical shapes, figures, and planes

-

A

CUBISM

71
Q
  • Installation art

- Architectural project and design

A

ART DECO

72
Q
  • Combination of conscious and unconscious
    ideas
    -
A

SURREALISM

73
Q
  • Non-representational art

- No definite meaning

A

ABSTRACTIONISM

74
Q
  • Cartoon-like

- Attractive colors

A

POP ART

75
Q

EX. Garden at Sainte-Adresse by Claude Monet,

1867

A

IMPRESSIONISM

76
Q

EX. The Turning Road, L’estaque by Andre Derain,

1906

A

FAUVISM

77
Q

EX. Starry Night by Vincent van Gogh, 1889

A

EXPRESSIONISM

78
Q

EX. Still Life with a Guitar by Juan Gris, 1913

A

CUBISM

79
Q

EX. Inner Voices by Didier Mazuru

A

SURREALISM

80
Q

(okir motif, status, power)

A

Panolong

81
Q

(sleeping house, wealth, status,

leadership)

A

○ Torogan

82
Q

(colorful, wealth, good

fortune)

A

○ Sarimanok

83
Q

(half mule, half donkey, with wings

on its side)

A

○ Buraq

84
Q

EX. A Filipino singer, dancer, actress, and record

producer, born July 25, 1988

A

ARTIST BACKGROUND

85
Q

EX. She studied Associate in Arts program in UP
Open University; ranked as the 4th highest
female celebrity taxpayer

A

SOCIETY, POLITICS, HISTORY, & ECONOMY

86
Q

EX. She was ranked as the 3rd in the top celebrity
endorser by the AGB Nielsen Philippines survey;
most streamed solo FIlipino artist

A

MODE OF RECEPTION

87
Q

EX. She regularly holds benefit concerts for
various charities for various children and cancer
patients

A

EVERYDAY LIFE

88
Q

EX. Her music generally pop and sings songs
mostly about love; “The personality of her voice is
phenomenally distinct”

A

NATURE

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