Chapter 44 Flashcards

1
Q

Viennese School

A

Includes Haydn, Mozart, Beethoven, and Schubert because they were in their prime of their career in Vienna, all of these great composers were in the same city at the same time, they all interacted with each other

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2
Q

Neoclassical architecture

A

architecture based off of classical Rome

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3
Q

Sonata form

A

expansion of rounded binary form used for fast first movements of a classical sonata, quartet, or symphony

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4
Q

Transition

A

Also called a bridge, modulation between the tonic and the new key in sonata form

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5
Q

Exposition

A

the A section, the primary thematic material of the movement is exposed

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6
Q

Development

A

The B section, the themes of the exposition are developed in some fashion, full of counterpoint and rapid modulations

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7
Q

Retransition

A

end of the development, tonal stability returns

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8
Q

Recapitulation

A

revisiting of A but not an exact repeat

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9
Q

Coda

A

optional add on to sonata form, adds weight to the end of the movement to make it feel as if it concludes

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10
Q

Rondo

A

A = refrain, and contrasting material = B, C, D, needs at least 2 contrasting materials, playful mood, used as last movement of sonata or symphony

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11
Q

Divertimento

A

a lighter style of music and a 5-movement format, fast/minuet, trio/slow/minuet, trio/fast

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12
Q

Serenade

A

wasn’t written in this time period, the publishers renamed pieces as serenade but that’s not what the composer wrote, same as divertimento

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13
Q

Harmonie

A

independent wind band, late 18th century in Vienna, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, royalty had their own harmonie, more people heard this ensemble than orchestra, there were competitions between harmonie ensembles

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14
Q

Harmoniemusic

A

music for Harmonie

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15
Q

Sonata

A

domestic instrumental chamber music in 2-4 movements for soloist or small ensemble

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16
Q

Sonatina

A

easy and short sonata

17
Q

Who wrote for Haromonies?

A

Haydn, Mozart, Beethoven

18
Q

What is ternary form?

A

ABA, A begins and end in I, B carries it to a closely related key, strict ternary was used for the 3rd movements of string quartets and symphonies, varied ternary was used in the slower movements

19
Q

What is theme and variation form?

A

T, V1, V2, V3, contrast is between harmony, texture, and rhythm

20
Q

What are the 5 principal instrumental genres of this period?

A

Symphony, concerto, divertimento, sting quartet, and sonata

21
Q

Explain the Symphony

A

replaced the solo concerto and the concerto grosso in the 18th century

22
Q

Explain the Concerto

A

concerto grosso disappeared, only solo concerto, piano concertos were very popular

23
Q

Explain the Divertimento

A

performed inside and outside, shorter, not a strict form, included strings and/or winds

24
Q

Explain the String Quartet

A

both a genre and an ensemble, same as symphony with different instrumentation, private performances, Haydn brought it to its first maturity

25
Q

Explain the sonata

A

Usually just 3 movements, Beethoven’s sonatas were a lot more difficult than Mozart’s or Haydn’s because he wanted to show off his virtuosity, Beethoven wrote for a collaboration between soloist and pianist