Chapter 42 Flashcards

1
Q

Concert spiritual

A

1725, in a 700 seat hall near Louvre, a public concert series

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2
Q

Concert symphony

A

a 3-4 movement instrumental work with unified sounds of an orchestra

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3
Q

Antecedent phrase

A

ends on dominant

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4
Q

Consequent phrase

A

returns music to tonic

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5
Q

Essay on Playing the Flute

A

written by Quantz in 1752, 300 pages of how to play the flute

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6
Q

Johann Quantz

A

1697-1773, great flute player

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7
Q

Mannheim crescendo

A

gradual increase from soft to loud with a repeating figure over a pedal point

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8
Q

Mannheim rocket

A

a triadic theme that bursts forth as a rising arpeggio

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9
Q

What can you say about the social aspects of music during the 18th century?

A

Music was the entertainment at this time. Public concerts were the place to be and a lot of people went to them. They couldn’t play music just whenever they want like we can now with our technology. Music was therefore treasured more than it is now.

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10
Q

Explain public concerts at this time.

A

Paris - advertised through flyers, first public concert
London - had food there
Vienna - made sure audience dressed and behaved properly, the wealthier still got the best seats

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11
Q

stile antico

A

conservative music from the papal chapel in the 17th century

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12
Q

stile rappresentativo

A

a type of vocal expression somewhere between song and declaimed speech

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13
Q

Dates of Stamitz

A

1717-1757

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14
Q

What were Stamitz contributions?

A

58 symphonies, 24 concertos, directed an orchestra (uniform bowing and dynamic effects), put a fourth movement in his symphonies (fast finale)

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15
Q

What city was Stamitz associated with?

A

Mannheim, Germany

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