Chapter 3: Media Flashcards

1
Q

support

A

The material that underlies the work. For example paper can be the support for drawing, photography and painting. An armature can be a support for a clay sculpture.

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2
Q

pencil

A

graphite rod in a metal or wood holder

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3
Q

charcoal

A

carbon stick created from burnt wood

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4
Q

chalk and pastels

A

materials held together by wax or glue and shaped into sticks

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5
Q

silverpoint

A

drawing produced by thin stylus made of silver that leaves marks on paper or wood coated with layers of gesso as a ground

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6
Q

ground

A

a fluid brushed onto a support to change the surface quality and usually seal the surface

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7
Q

gesso

A

a common ground made of very fine powdered white chalk suspended in glue or ann acrylic medium

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8
Q

printmaking

A

a process of making multiple artworks or impressions usually on paper, using a printing plate, woodblock, stone or stencil.

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9
Q

relief printing

A

non-printing areas are cut away from a smooth surface, so that the areas to be printed are left higher.

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10
Q

intaglio

A

these prints have fine lines, a high level of detail, and rich, dark tones.

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11
Q

drypoint

A

artist scratches a metal plate with a thin, pointed tool called a burin, or a graver.

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12
Q

engraving

A

entails cutting or incising lines into a laminated woodblock or a polished metal plate. Thh ink is rubbed into the recessed lines, and the block or plate is put through the press

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13
Q

etching

A

a metal plate is coated with a sticky protective ground, into which the artist scratches a design.

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14
Q

aquatint

A

a process related to etching used to create flat tones or softly shifting values

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15
Q

lithography

A

starts with a drawing created with an oily crayonn, pencil or liquid on either a limestone slab or a metal surface.

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16
Q

monotype

A

makes only one impression of an image using either a sheet of metal or plexiglass

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17
Q

Photo silk screens

A

variations on a regular screen printing process. Photographs are used with special chemicals to block the ink in certain areas from being squeezed through to the paper.

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18
Q

pigments

A

intense colors in powder form

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19
Q

binder

A

the substance that holds thhe componnents together once it dries. Include egg yolk, wax, glue, drying oils, acrylic liquid mediums

20
Q

slip

A

a liquid clay that is usually applied to the vessel before it’s fired.

21
Q

fresco secco

A

paint is applied to a dry plaster wall

22
Q

buon fresco

A

aka as true fresco

the plaster on the wall is wet, and wet pigment suspended in water is applied to and soaks into that surface.

23
Q

tempera

A

consists of pigment mixed with egg yolk

24
Q

watercolors

A

pigments suspended in a gum arabic binder

25
gouache
watercolor with white chalk
26
glazes
nearly transparent layers of paint that leave a hint of color on the underpainting.
27
alla prima
a technique of painting in a direct style without layers
28
oil paint
Used since the 15th century. Powdered pigments are ground into a slow-drying oil (usually linseed) most often on a support of wood or canvas.
29
acrylic
paint is made with a pigment that has been ground with a synthetic polymer liquid binder that quickly dries into a flexible film and can be applied to almost any support.
30
freestanding
sculptures that can be seen from all sides
31
relief
meant to be seen from only the front with the images raised up from the surface - i.e. a coin
32
site-specific
sculptures designed for a specific space to be exhibited.
33
kinetic sculptures
works that have actual movement or moving parts
34
carving
removing unwanted material to create the form
35
modeling
pushing and pulling of a malleable material (i.e. clay)
36
additive process
building up materials to create the form
37
trompe l'oeil
seems so convincingly real or "fools the eye"
38
cire perdue or lost wax casting
produces hollow metal sculptures with thin walls
39
mixed media
means mixing up the methods and their various media inn a work.
40
ready-mades or found objects
are incorporated into pieces that may be part of a mixed media piece
41
assemblages
Using found objects to create the work
42
fabricated
using industrial processes such as welddinng or nenon lighting
43
performance
live-action event that is staged as an artwork
44
photography
a light sensitive surface is exposed to light through a lens, which creates an image from the environmennt on that surface
45
photomontage
photographs are combined or added to other media to create a new image