Black Panther Flashcards

1
Q

product context

A
  • grossed $1 billion
  • won 3 Oscars
  • Black Panther broke records for the highest opening weekend in the USA
  • The film shows Wakanda, a country that achieved technological superiority and avoided European colonisation
  • Directed by Ryan Coogler
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2
Q

Historical context

A
  • Black Panther was a political activist group that aimed to prevent police brutality, many members were arrested/ killed in confrontations with police
  • In the 20th century African Americans attempted to establish a new black cultural identity (Harlem Renaissance)
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3
Q

Economic/ Political context

A
  • Worrying statistics of unarmed POC deaths has led to #blm campaign, using social media to raise awareness
  • Obama has helped many minority groups and the following president, Trump has attempted to reverse these initiatives
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4
Q

Cultural context

A
  • 2016 Oscars, drew attention to the lack of diversity in industry
  • Superhero dominated by white men
  • Marvel films have a lack of female and black leads
  • Black cinema has traditionally consisted in issue based social realism
  • US / Europe news portrays Africa as an under privileged developing country, ‘the dark continent’
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5
Q

distribution, circulation and impact of digitally convergent platforms

A
  • March 2018, most tweeted film ever (35 million tweets)
  • Before release, it gained 5 million tweets, making it also the most tweeted film
  • teaser trailer had 89 million views within first 24 hours
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6
Q

Regulatory framework of contemporary media

A
  • Black Panther was rated a 12A, despite its fairly violent nature. lowered due to fantastical violence

BBFC - organisation that classifies film releases

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7
Q

How media organisations maintain their success

A
  • Disney’s research challenges conventional ideas about ethnic diversity
  • Disney adapted ‘360 degree consumer experience’
  • Raising the film into a cultural event, something more political
  • Brand association deals targeting a diverse audience (Hasbro toys, Lexus cars, Interscope records)
  • teaser trailer shown between NBA games
  • release harnessed political element of being released during black history month
  • crowd funding projects to buy tickets for under privileged kids
  • welcome to Wakanda cat walk at NY fashion week, targets female audience
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8
Q

Significance of patterns of ownership

A
  • Marvel has historically sold options on individual characters
  • When Disney bought Marvel, they agreed to have minimal influence over their projects

Marvel = film distributor
- vertical integration

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9
Q

David Hesmondhalgh

A
  • profit in relation to film industry
  • films within a series often lack risk but marvel tends to stick to their own formulaic pattern and its popular enough that fans will consume content as it is marvel content
  • media conglomerates operate across a range of industries (eg. sports, cars, toys, fashion etc.)
  • characters are over 50 yrs old, low risk
  • despite this, an Afrocentric film could be seen as a commercial risk outside of the USA and Africa
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10
Q

Curran and Seaton

A
  • films celebrated diversity challenges Curran and Seaton’s ideas that domination by a small number of media institutions limits creativity and variety
  • conglomerate model offers a more complex pattern of ownership

BUT the dominance of marvel in the superhero genre can limit the opportunities for alternative, riskier independent films in this genre

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