Test #3 (Lecture 9) Flashcards

1
Q

What was happening in terms of orchestral writing in the early 19th Century?

A
  • woodwinds start having their own parts (not just doubling strings)
  • instrument section division more apparent
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2
Q

What was the standard instrumentation for a symphony orchestra in the early 19th Century?

A
  • double winds and brass
  • timpani
  • strings
  • additions
  • trombones
  • 2 additional horns
  • “special effect instruments” –> contrabassoon, piccalo, triangle, cymbals, bass drum
  • tourte string bows
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3
Q

What were some “meanings” associated with the symphony orchestra?

A
  • “expression of communal spirit”
  • Enlightenment
  • democracy, equality
  • national identity
  • larger-scale works
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4
Q

what is cyclical coherence?

A

when there are overt connections between movements

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5
Q

define march

A
  • military form in duple meter

- characterized by strong, repetitive beat for keeping soldiers in military formation

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6
Q

define scherzo

A
  • “joke” in Italian
  • triple meter
  • faster and longer than minuet
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7
Q

What were the four movements in Beethoven’s Eroica Symphony?

A
  1. Sonata Form
  2. Funeral March
  3. Scherzo
  4. Theme and Variations
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8
Q

What do the 4 Movements in the Eroica represent?

A
  1. struggle
  2. death
  3. rebirth
  4. triumph
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9
Q

what is the term for a passage that begins like a fugue but does not sustain itself after a series of initial entries?

A

fugato

**Eroica first movement, development

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10
Q

how is death represented in the 2nd mvt of Eroica in the coda?

A
  • tick tock of violins
  • dreamlike syncopations
  • fragmented return of theme at very end
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11
Q

what was the idee fixe in Symphonie Fantastique?

A

Idee fixe represents not the beloved herself, but rather the musician’s image of her

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12
Q

what is realism?

A

use of ugly, grotesque sounds

ex. 5th mvt of Symphonie Fantastique–> col legno in violins, bells

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13
Q

describe the orchestration in Symphonie Fantastique and some of Berlioz’s innovations to the symphony as a genre

A
  • larger orch forces
  • extremes of dynamics
  • new instrumental techniques
  • grotesque
  • realism
  • dies irae
  • idee fixe
  • high Eb clarinet solo
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14
Q

how did Beethoven imbue the Eroica with extra-musical meaning?

A
  • originally titled “Grand Symphony entitled Bonaparte”

- later changed when Napolean named himself unconditional ruler

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15
Q

define concert overture

A

work of instrumental music in a single movement connected in some way with a known plot

*origins in 18th C opera overtures

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16
Q

what was the first example of a concert overture?

A

Beethoven’s Leonore Overture No.3

17
Q

when did social spaces become increasingly divided by function?

A

wake of the Industrial Revolution

18
Q

give examples of a private space/sphere

A

homes, salons

19
Q

give examples of a public space/sphere

A

concert halls, church, community gatherings, etc

20
Q

What was the Heiligenstadt Testament?

A

Beethoven wrote about his continuous loss of hearing; Beethoven Middle period

21
Q

In which Beethoven stylistic period did he inherit classical traditions of Haydn and Mozart

A

Early

22
Q

In which Beethoven stylistic period did he write in a “heroic style that evoked struggle?”

A

Middle

23
Q

In which Beethoven stylistic period did he experiment with extremes of proportions, texture, harmony, register, dynamics and length?

A

Late