Test #2 (Chapter 10) Flashcards

(32 cards)

1
Q

describe the earliest form of concerto

A
  • wide range of meanings in Baroque era

- applied to works in which any number or combination of diverse musical forces work together “in concert”

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2
Q

at what point did we see the emergence of opposition between soloist(s) and ensemble?

A

last 1/4 of 17th C

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3
Q

what is the term for a small group of soloists within a concerto?

A

concertino

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4
Q

what is the term for the larger ensemble within a concerto (tutti)

A

ripieno

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5
Q

define concerto grosso

A

small group of soloists (concertino) with its own basso cont. against a larger ensemble (ripieno)

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6
Q

define solo concerto

A

single soloist or a pair of soloists against a ripieno ensemble

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7
Q

define ripieno concerto

A

no soloists, reflects persistence of earlier understanding of the genre

aka sonata, sinfonia, concerto

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8
Q

what is the term for propulsive rhythm that is moving forward at all times?

A

motoric rhythm

ex. Vivaldi

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9
Q

what is the term for when motives are spun out?

A

Fortspinnung

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10
Q

define Fugue

A
  • imitative, free genre for keyboard

- single theme is subjected to imitative treatment for the entire work

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11
Q

what is the single voice that starts the theme in a fugue?

A

subject

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12
Q

what is the second voice that imitates the subject, transposed up a 5th, while the first voice continues?

A

answer

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13
Q

what is the independent and thematically distinctive line in a fugue?

A

countersubject

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14
Q

what is the fugal exposition?

A

the end of the fugal exposition is marked when all voices have stated the subject at least once

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15
Q

what comes after the exposition in a fugue?

A

episodes and middle entries

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16
Q

what are middle entries?

A

points of imitation after the exposition in a fugue

17
Q

what are episodes

A

non-imitative, freestyle passages in a fugue

18
Q

what is the term for a shortened subject, towards the end, that is presented in various overlapping voices?

19
Q

what is the term for broken chords in keyboard music that originated from arpeggiations used in lute music?

20
Q

define Baroque Suite

A
  • series of dances or dance-inspired movements

- in same key or alternating major/minor modes

21
Q

what are the different terms for the keyboard version of the Baroque Suite in France, Germany/Italy and England?

A

France: ordre

Germany/Italy: partita

England: lesson

22
Q

between __ and __ movements are in a Baroque Suite

23
Q

what form do dances tend to be in?

A

binary

**invites variation

24
Q

what is the basic framework of a 4 mvt Baroque Suite?

A

2 moderately fast movements, a slow movement and a lively dance in triple meter

25
define variation suite
- more tightly organized than other examples of the genre | - series of contrasting dances based on 1 thematic idea
26
who were three people associated with the variation suite?
Johann Hermann Schein, Samuel Scheit, Johann Froberger
27
what is the term for instrumental music that is meant to express a non-musical story or idea?
program music
28
define free genres
- based on no pre-existing material | - can be predominantly imitative or non-imitative
29
what were the most important non-imitative free genres in the Baroque era?
- toccata - canzona - fantasia - prelude
30
what were the most important imitative free genres in the Baroque era?
fugue and ricercar
31
what is a canzona?
- free composition comparable to cantata - keyboard - often performed in church
32
what is passus dunusculus?
- Bach cantatas - descending chromatic 4th - signifies anguish - "painful passage"