Test #3 (Lecture 8) Flashcards
which genre had the highest status in the cultural hierarchy?
opera
define opera buffa
comic opera
which type of music appealed only to emotions, and was considered the “language of the heart?”
instrumental music
vocal music was considered to appeal to both the ____ and ___
heart and mind
the texts and words in vocal music represented:
reason and rationality
overall, opera buffa espoused the ____ musical style
Galant
what were some characteristics of opera buffa/Galant style?
- periodic phrase structure
- slow harmonic rhythm
- homophonic textures, frequent unisons in strings
- natural, light elegance associated with Classical era
compare opera buffa and opera seria
BUFFA:
- humorous
- everyday, stock characters
- soprano, tenor, bass
- no castrati
- emphasized ensemble singing
- simple, straightforward melodies
- periodic phrase structures
SERIA:
- serious
- heroes, rulers and gods as characters
- soprano and bass
- castrati
- emphasized solo arias
- da capo arias
- elaborate improvisations
which opera war took place in Paris in 1752?
War of the Buffoons
What happened in the War of the Buffoons?
- troupe called the “Buffoons” performed La Serva Padrona
- ignites debates about merits of French vs. Italian opera
- traditionalists (King Louis XV, aristocrats, establishment) vs. new Italian style supporters (Queen Marie, intellectual bourgeoisie)
- traditionalists lost war
Jean-Jacques Rousseau composed “The Village Soothsayer.” What was important about it?
- associated with War of the Buffoons
- drew on conventions of opera buffa and united French text with it
in which operatic genres did Mozart work?
- seria
- buffa
- singspiel (dialogue instead of recitative)
define Galant style
light, early classical
what is dramma giocoso
- elements of opera buffa and seria
- comic drama
- Don Giovanni
describe the Gluckists and Piccinnists opera war
-Italian vs French culture
GLUCK
- born in Bohemian region of Austrian empire
- spent most of professional life in Vienna and Italy
- moved to Paris in 1773
- Parisian-loving public saw him as worthy successor to Lully and Rameau in French tradition
PICCINI
- Italian composer who came to Paris in 1776
- represented Italian tradition of opera seria