Test #3 (Lecture 8) Flashcards

1
Q

which genre had the highest status in the cultural hierarchy?

A

opera

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2
Q

define opera buffa

A

comic opera

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3
Q

which type of music appealed only to emotions, and was considered the “language of the heart?”

A

instrumental music

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4
Q

vocal music was considered to appeal to both the ____ and ___

A

heart and mind

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5
Q

the texts and words in vocal music represented:

A

reason and rationality

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6
Q

overall, opera buffa espoused the ____ musical style

A

Galant

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7
Q

what were some characteristics of opera buffa/Galant style?

A
  • periodic phrase structure
  • slow harmonic rhythm
  • homophonic textures, frequent unisons in strings
  • natural, light elegance associated with Classical era
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8
Q

compare opera buffa and opera seria

A

BUFFA:

  • humorous
  • everyday, stock characters
  • soprano, tenor, bass
  • no castrati
  • emphasized ensemble singing
  • simple, straightforward melodies
  • periodic phrase structures

SERIA:

  • serious
  • heroes, rulers and gods as characters
  • soprano and bass
  • castrati
  • emphasized solo arias
  • da capo arias
  • elaborate improvisations
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9
Q

which opera war took place in Paris in 1752?

A

War of the Buffoons

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10
Q

What happened in the War of the Buffoons?

A
  • troupe called the “Buffoons” performed La Serva Padrona
  • ignites debates about merits of French vs. Italian opera
  • traditionalists (King Louis XV, aristocrats, establishment) vs. new Italian style supporters (Queen Marie, intellectual bourgeoisie)
  • traditionalists lost war
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11
Q

Jean-Jacques Rousseau composed “The Village Soothsayer.” What was important about it?

A
  • associated with War of the Buffoons

- drew on conventions of opera buffa and united French text with it

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12
Q

in which operatic genres did Mozart work?

A
  • seria
  • buffa
  • singspiel (dialogue instead of recitative)
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13
Q

define Galant style

A

light, early classical

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14
Q

what is dramma giocoso

A
  • elements of opera buffa and seria
  • comic drama
  • Don Giovanni
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15
Q

describe the Gluckists and Piccinnists opera war

A

-Italian vs French culture

GLUCK

  • born in Bohemian region of Austrian empire
  • spent most of professional life in Vienna and Italy
  • moved to Paris in 1773
  • Parisian-loving public saw him as worthy successor to Lully and Rameau in French tradition

PICCINI

  • Italian composer who came to Paris in 1776
  • represented Italian tradition of opera seria
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16
Q

describe the challenges that opera seria was facing

A
  • designated to show virtuosity of individual singers
  • unnatural impediments to dramatic action
  • virtuoso setting of texts compromises intelligibility and dramatic weight of words
17
Q

describe reform opera

A
  • process of making opera seria more natural and dramatically coherent
  • resembles principles of Florentine Camerata
  • music should always help further dramatic action
  • Gluck