Test #2 (Chapter 8) Flashcards

1
Q

what was the predominant genre of secular music in Italy during the first half of the 17th C?

A

Italian madrigal

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2
Q

define madrigal

A

any through-composed setting of freely structured verse

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3
Q

what is the term for when voices of any number combine with instruments (either basso cont. alone or basso cont. plus instruments?)

A

concertato madrigal

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4
Q

the concertato madrigal is an example of which principle at work?

A

monodic principle

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5
Q

In which pamphlet from 1600 did theorist Giovanni Artusi attack the treatment of dissonances in certain madrigals by Monteverdi?

A

“The Artusi, or The Imperfections of Modern Music”

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6
Q

Who did Monteverdi credit as the originators of the seconda prattica?

A

Cipriano de Rore and Adrian Willaert

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7
Q

Why did Italian opera have slow acceptance outside of Italiy (1650-1750?)

A
  • length
  • language
  • nationalistic
  • participatory vs. viewed entertainment
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8
Q

define tactus

A

rhythmic pulse in the 16th C; steady beat

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9
Q

What was one of the struggles that composers faced with early operas?

A

recitatives couldn’t provide sufficient musical variety to maintain viewer interest; had to find a way to compose operas that were both musically and dramatically satisfying

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