Sensing and Perceiving Flashcards

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1
Q

sensation

A

awareness resulting from the stimulation of a sense organ

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2
Q

perception

A

the organization and interpretation of sensations

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3
Q

transduction

A

the conversion of stimuli detected by receptor cells to electrical impulses that are then transported to the brain

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4
Q

Psychophysics

A

branch of psychology that studies the effects of physical stimuli on sensory perceptions and mental states.

Gustav Fechner

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5
Q

absolute threshold of a sensation

A

the intensity of a stimulus that allows an organism to just barely detect it.

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6
Q

Signal detection analysis

A

a technique used to determine the ability of the perceiver to separate true signals from background noise

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7
Q

sensitivity

A

measure of subjects true ability to detect presence or absence of signals in psychophysics experiment

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8
Q

response bias

A

behavioral tendency to respond yes to the trials in in psychophysics experiment

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9
Q

difference threshold (or just noticeable difference [JND])

A

the change in a stimulus that can just barely be detected by the organism.

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10
Q

Weber’s Law

A

Ernst Weber law in psychophysics

just noticeable difference of a stimulus is a constant proportion of the original intensity of the stimulus

if you have a cup of coffee that has only a very little bit of sugar in it (say 1 teaspoon), adding another teaspoon of sugar will make a big difference in taste. But if you added that same teaspoon to a cup of coffee that already had 5 teaspoons of sugar in it, then you probably wouldn’t taste the difference as much

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11
Q

subliminal stimuli

A

events that occur below the absolute threshold and of which we are not conscious

can still have an impact on our behavior if if below threshold and not conscious

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12
Q

blindsight

A

a condition in which people are unable to consciously report on visual stimuli but nevertheless are able to accurately answer questions about what they are seeing

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13
Q

cornea

A

a clear covering that protects the eye and begins to focus the incoming light

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14
Q

pupil

A

a small opening in the center of the eye

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15
Q

iris

A

the colored part of the eye that controls the size of the pupil by constricting or dilating in response to light intensity.

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16
Q

lens

A

a structure that focuses the incoming light on the retina

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17
Q

retina

A

the layer of tissue at the back of the eye that contains photoreceptor cells

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18
Q

Visual accommodation

A

the process of changing the curvature of the lens to keep the light entering the eye focused on the retina

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19
Q

optic nerve

A

a collection of millions of ganglion neurons that sends vast amounts of visual information, via the thalamus, to the brain

light passes through retina, it activates rods and cones, then spreads to bipolar cells then to the ganglion cells/optic nerve

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20
Q

Rods

A

visual neurons that specialize in detecting black, white, and gray colors.

particularly active in peripheral vision

help in dim light

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21
Q

Cones

A

visual neurons that are specialized in detecting fine detail and colors

best in bright light

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22
Q

fovea

A

the central point of the retina, where rods and cones are located

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23
Q

pathway of vision

A

sensory information received by the retina is relayed through the thalamus to corresponding areas in the visual cortex, which is located in the occipital lobe at the back of the brain

the left and right eyes each send information to both the left and the right hemisphere, and the visual cortex processes each of the cues separately and in parallel

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24
Q

feature detector neurons

A

specialized neurons, located in the visual cortex, that respond to the strength, angles, shapes, edges, and movements of a visual stimulus

help to create perception by activating specific feature detectors then comparing with other memories of feature to create recognition

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25
Q

color perception

A

human visual system can detect and discriminate among 7 million color variations

all created by the combinations of the three primary colors: red, green, and blue

visual cortex then detects and compares the strength of the signals from each of the three types of cones, creating the experience of color

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26
Q

Young-Helmholtz trichromatic color theory

A

what color we see depends on the mix of the signals from the three types of cones (one for blue red and green)

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27
Q

opponent-process color theory

A

proposes that we analyze sensory information not in terms of three colors but rather in three sets of “opponent colors”: red-green, yellow-blue, and white-black

e.g., afterimage

28
Q

gestalt

A

a meaningfully organized whole

we recognize form by trying to create a whole from component parts

29
Q

Figure and ground

A

We structure input such that we always see a figure (image) against a ground (background).

30
Q

Similarity

A

Stimuli that are similar to each other tend to be grouped together.

31
Q

Proximity

A

We tend to group nearby figures together.

32
Q

Continuity

A

We tend to perceive stimuli in smooth, continuous ways rather than in more discontinuous ways.

33
Q

Closure

A

We tend to fill in gaps in an incomplete image to create a complete, whole object.

34
Q

Depth perception

A

ability to perceive three-dimensional space and to accurately judge distance

partially innate, partially learned

35
Q

depth cues

A

messages from our bodies and the external environment that supply us with information about space and distance

36
Q

Binocular depth cues

A

depth cues that are created by retinal image disparity—that is, the space between our eyes, and thus which require the coordination of both eyes

37
Q

convergence

A

binocular depth cue ; the inward turning of our eyes that is required to focus on objects that are less than about 50 feet away from us

38
Q

Monocular depth cues

A

depth cues that help us perceive depth using only one eye

Position
Relative size
Linear perspective
Light and shadow
Interposition
Aerial perspective
39
Q

phi phenomenon

A

we perceive a sensation of motion caused by the appearance and disappearance of objects that are near each other

40
Q

perceiving motion

A

The brain detects motion partly from the changing size of an image on the retina (objects that look bigger are usually closer to us) and in part from the relative brightness of objects.

41
Q

pinna

A

the external and visible part of the ear, which is shaped like a funnel to draw in sound waves and guide them into the auditory canal

42
Q

tympanic membrane (or eardrum)

A

At the end of the canal, the sound waves strike the tightly stretched, highly sensitive membrane

vibrates with the waves

43
Q

ossicles

A

three tiny bones, the hammer (or malleus), anvil (or incus), and stirrup (or stapes), through which the vibrations are relayed into the middle ear to the cochlea

44
Q

cochlea

A

a snail-shaped liquid-filled tube in the inner ear, covered by the oval window

the vibrations disturb the liquid inside the cochlea

the movement of the liquid bend the cilia/hair cells of the inner ear, which trigger nerve impulses in the attached neurons

45
Q

oval window

A

the membrane covering the opening of the cochlea

46
Q

loudness

A

degree of sound volume

determined by the number of hair cells vibrating

47
Q

pitch

A

the perceived frequency of a sound

detected by two different mechanisms

frequency theory and place theory

48
Q

frequency theory of hearing

A

whatever the pitch of a sound wave, nerve impulses of a corresponding frequency will be sent to the auditory nerve

49
Q

place theory of hearing

A

different areas of the cochlea respond to different frequencies

Lower tones excite areas near the narrow tip of the cochlea, at the opposite end.

50
Q

Conductive hearing loss

A

caused by physical damage to the ear (such as to the eardrums or ossicles) that reduce the ability of the ear to transfer vibrations from the outer ear to the inner ear.

51
Q

Sensorineural hearing loss

A

caused by damage to the cilia or to the auditory nerve, is less common overall but frequently occurs with age

52
Q

six different tastes

A

sweet, salty, sour, bitter, piquancy (spicy), and umami (savory)

53
Q

tongue

A

covered with 2,000 to 10,000 taste buds, each bud contains between 50 and 100 taste receptor cells

54
Q

smelling

A

airborne chemical molecules, re detected by the 10 million to 20 million receptor cells embedded in the olfactory membrane of the upper nasal passage.

55
Q

olfactory receptor cells

A

topped with tentacle-like protrusions that contain receptor proteins.

When an odor receptor is stimulated, the membrane sends neural messages up the olfactory nerve to the brain

1,000 types of odor receptor cells

receptors come in many different shapes and respond selectively to different smells.

56
Q

skin

A

nerve endings in the skin respond to four basic sensations: Pressure, hot, cold, and pain

only the sensation of pressure has its own specialized receptors. Other sensations are created by a combination of the other four

57
Q

proprioception

A

the ability to sense the position and movement of our body parts

accomplished by specialized neurons located in the skin, joints, bones, ears, and tendons, which send messages about the compression and the contraction of muscles throughout the body.

58
Q

vestibular system

A

a set of liquid-filled areas in the inner ear that monitors the head’s position and movement, maintaining the body’s balance

also helps keep track of where the body is moving

59
Q

gate control theory of pain

A

proposes that pain is determined by the operation of two types of nerve fibers in the spinal cord

One set of smaller nerve fibers carries pain from the body to the brain, whereas a second set of larger fibers is designed to stop or start (as a gate would) the flow of pain

60
Q

sensory interaction

A

the working together of different senses to create experience

taste, smell, and texture combine to create the flavor we experience in food

61
Q

synesthesia

A

an experience in which one sensation (e.g., hearing a sound) creates experiences in another (e.g., vision)

62
Q

selective attention

A

the ability to focus on some sensory inputs while tuning out others

63
Q

sensory adaptation

A

a decreased sensitivity to a stimulus after prolonged and constant exposure.

e.g., cold water in a pool

eyes are constantly moving that is why we can see an image continuously, rather than adapting to that light and no longer seeing it

64
Q

perceptual constancy

A

The ability to perceive a stimulus as constant despite changes in sensation

e.g., a door opening, with its shape changing

65
Q

Human factors

A

field of psychology that uses psychological knowledge, including the principles of sensation and perception, to improve the development of technology