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SAT cor 012 Flashcards

1
Q

two major types of literature

A

PROSE and POETRY

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2
Q

In terms of content, literature is either

A

FICTIONAL and NON FICTIONAL

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3
Q

The collection of writings associated to the Philippines or Philippine literature are usually written in Spanish, Tagalog, English, and other

A

NATIONAL language in the Philippines

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4
Q

derived from the Latin term litera which means letter

A

LITERATURE

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5
Q

from the highly passionate and lyrical forms of poetry in the early 50’s, contemporary poetry manifests a killful manipulation of symbolic representations and is more insightful and abstract.

A

POETRY

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6
Q

this is still the more popular venue of writers up to this period

A

SHORT STORY

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7
Q

are freer and daring, manifesting a more liberated atmosphere, however pointing out moral degradation, indicating injustice, suggesting alternatives, and directing thought.

A

ESSAYS

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8
Q

has grown lesser popularity

A

NOVEL

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9
Q

The father of the philippine literature

A

Francisco dela Cruz Balagtas or Francisco Balagtas

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10
Q

He wrote the famous epic, Florante at Laura

A

Francisco dela Cruz Balagtas

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11
Q

He was nicknamed Kiko

A

Francisco dela Cruz Balagtas

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12
Q

One of the most widely read Filipino Writers in the English Language

A

Francisco Sionil Jose

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13
Q

Awarded National Artist for Literature in 2001.

A

Francisco Sionil Jose

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14
Q

One of the most widely read Filipino Writers in the English Language

A

Francisco Sionil Jose

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15
Q

Born in Rosales, Pangasinan

A

Francisco Sionil Jose

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16
Q

National Artist in Literature, 1973

A

Jose Garcia Villa

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17
Q

A man with incredible talent as a poet and writer

A

Jose Garcia Villa

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18
Q

Introduced the reversed consonance rime scheme in poetry

A

Jose Garcia Villa

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19
Q

-National Artist for Literature, 1973

A

Amado V. Herandez

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20
Q

-Believed that the function of the writer is “to act as the conscience of society and to affirm the greatness of the human spirit in the face of inequity and oppression”.

A

Amado V. Herandez

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21
Q

the ancient Filipinos had first dwelt in caves and had learned the art of architecture as they move and hunt for food

A

TRUE

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22
Q

Bahay Kubo is the traditional house found in the Philippines

A

TRUE

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23
Q

the arrival of Spaniards brought the Antillean Architecture. Christianization created the needs to build several religious structures.

A

TRUE

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24
Q

New architectural structures were introduced by the Americans in 1898. Government houses built then resembled Greek and Roman temples

A

TRUE

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25
Q

the contemporary architecture in the Philippines is the result of various influences

A

TRUE

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26
Q

-It is the art of designing structures

A

ARCHITECTURE

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27
Q

it should stand up robustly and remain in good condition

A

DURABILITY

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28
Q

it should be useful; and function well for the people using it

A

UTILITY

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29
Q

it should delight people, and raise their spirits

A

BEAUTY

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30
Q

Architect, interior designer, artist and classically trained pianist

A

Leandro Locsin (1928-1994)

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31
Q

Contribution to Filipino architecture is the Cultural Center of the Philippines, a collection of five buildings that demonstrate the architect’s drive to find a vernacular form of modernist architecture

A

Leandro Locsin (1928-1994)

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32
Q

Known for his ability to make this most monolothic of materials appear weightless, and to elegantly combine Western brutalism with vernacular elements

A

Leandro Locsin (1928-1994)

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33
Q

Comitted to the belief that architecture built in the Philippines should reflect its culture and people

A

Juan Nakpil (1899-1986)

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34
Q

-Worked on the restoration of the home of national hero Jose Rizal.

A

Juan Nakpil (1899-1986)

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35
Q

-He was named a National Artist for Architecture in 1973

A

Juan Nakpil (1899-1986)

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36
Q

-Father of the Philippine Landscape Architecture

A

Ildefonso Santos

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37
Q

Earliest successful projects was the Makati Commercial Center, an outdoor shopping mall in which the shop fronts and walkways were interspersed with garden trails, fountains and public artworks

A

Ildefonso Santos

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38
Q

Became National Artist for Architecture in 2006

A

Ildefonso Santos

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39
Q

A good building should have the characteristics

A

Firmitatis, Utilitatis, and Venostatis

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40
Q

he contemporary architecture in the Philippines was developed from

A

Spanish Colonial style

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41
Q

4.known for his ability to make this most monolothic of materials appear weightless, and to elegantly combine Western brutalism with vernacular elements.

A

Leonard Locsin

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42
Q

the father of the Philippine Landscape Architecture

A

Ildefonso Santos

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43
Q

was committed to the belief that architecture built in the Philippines should reflect its culture and people

A

Juan Nakpil

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44
Q

the highest distinction bestowed upon Filipino Artists whose body of work is recognized by their peers and more importantly by their countrymen as sublime expression of Philippine arts

A

National Artist Award

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45
Q

categories are music, dance, theatre, visual arts, literature, film and design.

A

National Artist Award

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46
Q

administered by the National Commission for Culture and the Arts and: the Cultural Center of the Philippines (Sentrong pang Kultura sa Filipinas)

A

National Artist Award

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47
Q

What the award given to a person or a group of artist that is recognized by the Philippine government for their contributions to the nation’s cultural heritage

A

GAWAD MANLILIKHA NG BAYAN

48
Q

It was institutionalized through

A

R.A. Act No. 7335 on – APRIL 24, 1992

49
Q

The body that governs the administration and implementtion of the Award is

A

National Commission for Culture and the Arts

50
Q

He is Hanunoo Mangyan from Mansalay, Mindoro

A

GINAW BILOG ( +2003) – Poet

51
Q
  • Ambahan is a traditional form of poetry by the Hanunoo Mangyan people of Mindoro
  • shared old and new ambahans with his fellow Mangyans and promotes this poetic form on every occasion
A

GINAW BILOG

52
Q

A gifted poet, bard artist, and musician who was born near the head of the river in Makagawa valley on the foothill of Mantalingayan Mountain in Palawan

A

MASINO INTARAY (+2013) – MUSICIAN AND STORYTELLER

53
Q

n outstanding master of the basal, kulilal and bagit

A

MASINO INTARAY

54
Q

-gong music ensemble

A

BASAL

55
Q

is a highly lyrical poem expressing passionate love sang with the accompaniment

A

KULILAL

56
Q

(two-stringed lute), played by a man

A

KUDYAPI

57
Q

(bamboo zither), played by a woman

A

PAGANG

58
Q

is strictly instrumental music depicting the rhythms, movements and sounds of nature, birds, monkeys, snakes, chriping od insects, rustling of leaves, the elements and the like

A

BAGIT

59
Q

-He is from Mama sa Pano, Maguindanao

A

SAMAON SULAIMAN (+2011) – MUSICIAN

60
Q

He has achieved the highest level of excellence in the art of kutyapi playing

A

SAMAON SULAIMAN

61
Q

Kutyapi or Kudyapi is a two-stringed instruement, fretted boat-lute

A

SAMAON SULAIMAN

62
Q

The Maguindanao kutyapi is one of the most technically demanding and difficult to master among Filipino traditional instruments, which is one reason why the younger generation is not too keen learn it

A

SAMAON SULAIMAN

63
Q

At 35 he became the most acclaimed kutyapi master and teacher of his instruement in Libutan and other barangays of Maganoy town

A

SAMAON SULAIMAN

64
Q

-He has influenced other acknowledged experts in kutyapi in the area, such as Esmael Ahmad, bitul Sulaiman, Nguda Latip, Ali Ahmad and Tukal Nanalon

A

SAMAON SULAIMAN

65
Q

-She is a T’boli from Lake ebu, South Cotabato
-She is traditional weaver of the tnalak or Tboli cloth

A

LANG DULAY (+2015) – TEXTILE WEAVER

66
Q

knows a hundred designs, including the bulinglangit (clouds), the bankiring (hair bangs), and the kabangi (butterfly), each one special for the stories it tells

A

LANG DULAY

67
Q

Her textiles reflects the wisdom and the visions of her people

A

LANG DULAY

68
Q

She thought of the school that she wanted to build, a school where the women of her community could go to perfect their art

A

LANG DULAY

69
Q

She is Tagabawa Bagobo from Bansalan, Davao Del Sur

A

SALINTA MONON (+2009) – TEXTILE WEAVER

70
Q

She and her sister are the only remaining Bagobo weavers in her community

A

SALINTA MONON

71
Q

-She started weaving at 12 and at the age of 65 she can identify the design as well as the author of the woven piece just by a glance.

A

SALINTA MONON

72
Q

-Of the many designs she weaves, her favorite is the binuwaya (crocodile), which is one of the hardest to make.

A

SALINTA MONON

73
Q

has built a solid reputation for the quality of her work and the intricacies of her designs

A

SALINTA MONON

74
Q

an example of traditional art.

A

ORAL LITERATURE

75
Q

mainly oral in form

A

FOLK LITERATURE

76
Q

a bamboo guitar

A

GABBANG

77
Q

should have a historical or cultural interest or value for it to be considered an artifact.

A

OBJECT

78
Q

Tausugs are from

A

SULU

79
Q

A frame or shelf enclosing decorated panels or revered objects above and behind an altar is called

A

RETABLOS

80
Q

Tabungaw, an Ilocano head gear is made of

A

NATIVE GOURD

81
Q

The traditional Iloco cloth is known as

A

ABEL

82
Q

He is Kalinga, and he is from Lubuagan, Kalinga

A

Alonzo Saclag

83
Q

He actively advocates the documentation of their philosophies

A

Alonzo Saclag

84
Q

sulod-bukidnon from Calinog, Iloilo

A

Federico Caballero

85
Q

He continued the oral tradition, collaborating with researchers to document what is customarily referred to as Humadapnon and Labaw Dunggon epics

A

Federico Caballero

86
Q

-Yakan from Lamitan, Basilan

A

UWANG AHADAS

87
Q

He mastered several Yakan musical instruments such as the gabbang, a bamboo xylophone, agung and even the female instrument called kwintangan

A

UWANG AHADAS

88
Q

-He is an Ilocano from San Quintin, Abra.

A

Teofilo Garcia

89
Q

-He has been a master artisan since he leaned how to make gourd casques and weaves baskets from his grandfather at the age of 14.

A

Teofilo Garcia

90
Q

She is an Ilocano from Pinili, Ilocos Norte

A

Magdalena Gamayo

91
Q

She is an master weaver of abel in her community.

A

Magdalena Gamayo

92
Q

her blankets tradition of her community alive, Magdalena started teaching younger women of her expertise.

A

Magdalena Gamayo

93
Q

A traditional headgear in Abra that is made of a native gourd

A

Teofilo Garcia

94
Q

The traditional cloth tapestry used as a head gear among the Tausugs.

A

PISSYABIT

95
Q

He documented the Humadapnon and Labaw Dunggon epics.

A

Federico Caballero

96
Q

He is traditional instruemnts teacher from Lamitan, Basilan who promotes Yakan music.

A

UWANG AHADAS

97
Q

It is the local term for the Tboli cloth

A

T’nalak

98
Q

The Gawad ng Manlilikha ng Bayan is also known as

A

National Artist Award

99
Q

It includes the dwellings, places of worship, barns, and other structures that are designed and built without assistance of formally schooled and professionally trained architect

A

Folk Architecture

100
Q

It is a two-dimensional art that includes calligraphy, photography, drawing, painting, printmaking, lithography, typography, serigraphy, (silk-screen printing), and bindery

A

Graphic Arts

101
Q

this art form refers to boat houses, boat making, and other maritime traditions.

A

Martime Transport

102
Q

are art forms which involve physical manipulation of a plastic medium by molding or modeling such as sculpture or ceramics

A

Plastic arts

103
Q

a three-dimensional artwork created by shaping or combining hard materials, typically stone such as marble, metal glass, or wood, or plastic materials such as clay, textiles, polymers and softer metals

A

Carving Sculpture

104
Q

it is an architecture formed in the process of anonymous design which later becomes traditional under the influence of various factors

A

Folk Architecture

105
Q

Local architecture has no monumental purpose; in other words, structures are not built for the purpose of leaving a deliberate trace behind them.

A

Folk Architecture

106
Q

5.often used to draw a distinction between popular or landmark architecture and is nearly synonymous with the terms “vernacular architecture” and “traditional architecture”

A

Folk Architecture

107
Q

creation of objects that are first shaped of wet clay, and then hardened by baking. Pottery includes both decorative and practical items such as bowls, vases, dishes, and lamps.

A

POTTERY

108
Q

Are unglazed earthen jars, an industry that dates back to pre-colonial times when immigrants from China came and settled in Vigan

A

Burnay Jar Of Ilocos

109
Q

have small openings, and its earlier use were tea drinking, storage for water, rice grains an as a container for salt, brown sugar, local wine (basi) and bagoong (fermented fish)

A

Burnay Jar Of Ilocos

110
Q

-These earthenware jars are crafted by a potter’s skillful hands with a help of potter’s wheel and a kiln.

A

Burnay Jar Of Ilocos

111
Q

Fine sand used as a tempering material to achieve the desired shape, afterwards, it will be placed inside a high temperature ground kiln made of brick and clay

A

Burnay Jar Of Ilocos

112
Q

Ceramic vessels of Kalinga are divided into three types: rice cooking (ittoyom), vegetable/meat cooking (oppaya), and water storage (immosso) pots

A

Pottery of Kalinga

113
Q

-The rice cooking pots are usully larger, thinner and have a smaller opening than vegetable/meat pots. On the other hand, water storage pots have an average and uniform size and a smaller neck size.

A

Pottery of Kalinga

114
Q

Hand-modeling and coil-and-scrape techniques are commonly used in

A

Pottery of Kalinga

115
Q

Daily life uses include the makig of rice from the spots and the transfer of water from nearby water bodies to their homes

A

Pottery of Kalinga

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