poetry quotes Flashcards

1
Q

antique land

A

metaphor here compares his empire to a hsotircal artifiact, something old and often recognised for its historical importance at best, but not something that holds any current relevancy

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2
Q

shattered visage

A

draws connotations to broken croquery, an rpny as he would want to be viewed as a timeless strong leader and here not only is he fragile but he has been broken down

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3
Q

frown, wrinkled lip, sneer

A

irpnic because he would want his dictatorship to be seen as a wanted positive thing, yet here his character is villainized by his true persona, he has no hubris

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4
Q

king of kings

A

term used for jesus biblically, he sees himself so highly he is a divine figure
enscribed on ramases iis tomb- shows a realism to the message

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5
Q

bondless and bare, lone and level

A

both these alliterations excentuate the vast nature of the dessert and the overwhelming power of nature in comparison to the finite and forgotten empire he once ran

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6
Q

cold command

A

the frickative alliteration here creates a discomforting phrase that implies a sense of arogancy and agression, shows how shelley is mocking the king and rulers for this harsh personas

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7
Q

merciless iced east winds that knive us

A

iced and east create a hard ending that shows the discofort
merciless sets a harsh tone that shows the unforgiving
behaviour of nature in contrast to the vacant enemy
knive is a harsh verb that highlighst the persoanl nature of the attack in comparison to the ‘rumour’ of the enemy

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8
Q

love of god seems dying

A

this would shock any christian audience or propaganda followers as the montone and torturous aspect of war is so tormenting that there cannot even be a perception of a divine prescence, questions the problem of evil and the concept of benevolence
jesus died at the cross to atone for humanities sins and in many ways the soliders are dying a matry like death too for societal wrongs
Christianity is associated with a high moral compass

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9
Q

like some dull rumour of some other war

A

detachment from the battle, shows the unimportance of the actual battle in comparison to the natural and phycological torture hes enduring
auditory imagery

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10
Q

sudden successive… streak the silence

A

heavy sibilance and a continuation of fricative alliterations throughout the stanza audibly mimic the sound of bullets, very violent

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11
Q

air shudders black with snow

A

unnerving metaphor, used in compairson with the audible bullets accompanied with sibilence and the fact something so visually violent is discarded in comparison to nature enlarges the serverity of it
shadders ppersonifies nature to show how cold and unconmfortable the surroundings are, mimicking the freezing of the soliders
black with snow is avery unnverving metaphor as snow is something often associated with homliness and festivities whilst black has dark and evil connotations, juxtaposing its typical angelic white tone

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12
Q

her melancholy army

A

nature is sad, reflective the monotonous anture of war as even the war with nature in bland and empty
the perosnfiiecation of nature and not the enemy shows it to be a much more imminent threat, her plays into typical ideals of mother anture and hence a nurturing figure sent by a benevolent god, but here rather she is the dictator of the real enemy

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13
Q

we are prepared

A

we creates a sense of community and shows how togetherness is highlighted in a time of terror and is needed to endure horrors
it is also ironic as they have had tp have become adapted due to the constant atrociities of nature
they also have a false sense of security proving the hopeless nature of man against nature, he cannot ever have a real control over the naturla world

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14
Q

pummels
strafes
salvos

A

miliatistic verbs
usage of plosives and sibilence that mimic both a very persoanl punching type of fight adn a war like flight of bullets
personfiies natures power against humanity as if it were in battle and juxtaposes the passive nature of the humans

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15
Q

like a tamed cat turned savage

A

simile likens nature not as something physically violent but as something traitorous
it was docile and can hugely help man prosper, but it can also switch to become a storm
theres enjambment in this line which highlights the distain and horror at the betrayal

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16
Q

we just sit tight

A

at the climax of the play theres a lot of milaristic and movement filled langauge, but theres a stark contrast here as the humans are completely passive and unable to have any conflict with the strength of nature

17
Q

led by her

A

the brackets imply that he later is reflecting on his autonomy and conluding he has no power of movemnet compared to what nature dictates for him

18
Q

act of stealth vs stole

A

this is the cyclical structure of the poem, the shift in wording highlights the phsycological change in the man as he begins with arrogance and a perception that his mission is justiifed and in good fun, whilst later he feels the serverity of his tresspasing and has been humbled

19
Q

glittering idly/ sparkling light

A

light motif, these two represent a comforting and static type of beauty much like glitter, it is dazzling and submissive to mans control

20
Q

elfin pinnance

A

theres a heavy usage of fairytale and elloquent language that exaggerates the beauty of nature, he is sbeing surreal and has no perception of natures power

21
Q

unswerving line vs i struck and struck again

A

at first he views nature as submissive to his dictations and he does nto struggle to make it abite, but later upon the volta he realises its great size and becomes very aware of the greatness he faces

22
Q

huge peak, black and huge

A

black continues the light motif except now it has fallen to darkness foreshadowed by the grey sky, nature is no longer passive but agreat body
the repeatition fo simpler vocab such as huge shows both the lack of elloquence as he cannot diminsih nor mock the size of nature, and also shows stuttering as he is at a loss for words

23
Q

strode after me

A

here nature is personfiied showing the readers new respect for it as a greater being
strode shows it is not chasing him but does not need to, it juxtaposes the panicked striking of his oars as nature is so much more powerful it can beat mankind somewhat lazily

24
Q

charge of the light brigade

A

charge is a double meaning as it can stand for the literal charging of the bridade in their suicide mission against the russians who had more power and a physicla high ground
charge could also refelct the poet charging the leaders will the mass genocide of the men

25
Q

beginning of charge- half a leagues

A

it is in media res meaning the poem begins at he center of the action, there is a sudden and abrupt feeling that means the reader enters the poem through a feeling of imminent threat and risk

26
Q

the valley of death

A

metaphor, uses slight euphamims to not brutally attack the goverment and raise anger for the loss
biblical allusion which describes god will be with people as a form of protection from harm, this is high irony as we know there was a suicide mission. it can also be seen as a metaphor for the fact that they did not have higher powers in their superiors and the goverment to aid them in times of help- signalling corruption as they cannot emulate the just behaviour of divine powers
the idea of a valley gives a sense of confied proximity showing sympathy as the tragedy was an inevitable suicide mission

27
Q

anaphora of theirs and refferal as the six hundred

A

theres no sense of indivualism as it would diminish from the sense of group unity and courage, also it was to honour the group obedience and perhaps to question it as as a unit they were utterly helpless to higher powers

28
Q

horse and hero fell

A

the alliterations in h draw sympathy as it makes a focus on this line, hero creates a sense of matrydom as they have sacrificed themselves for their country
its also a euphamistic tone as theres no mention of death or bloodshed, though fell alludes to the death it does not straight say it

29
Q

jaws of death
mouth of hell

A

both slightly euphamistic metaphors that create a violent and unsettling imagery whilst only really alluding to the demise of the soliders. jaws has very claustraphobic close proximity connotations as if they are being physically swallowed, shows the sad inevetability of the suicide mission

30
Q

someone had blundered

A

this is very passive and relaxed in comparison to what is a goverment homocide and pratcially a war crime. as the poet lauriet he had to be very careful with his wording especially in the very sensitive victorian era, so this was actually quite abold statement.

31
Q

all the world wondered

A

this is a bit of a hyperbole to exentuate their glory as if it were interantionally famed
if they did wonder its a bit euphamistic as many would have been critiquing the violent nature of the attack

32
Q

suddenly he awoke

A

this begins the poem in a sudden medias res which creates a startled tone that immediatly draws stress and tension to the reader
sleep would be the only occasion where you could find tranquility in war and to be visibly thrust out of that creates an uncomfortable imagery
moreover its likely this is a metaphor for the facade of chivalry and pride that caused many young soldiers to enlist into warfare, and its in the center of the atrocitiy that hes been jolted awake and come to understand the horrors of the war

33
Q

patriotic tear

A

tear is connotations to crying, sadness has likely been provoked as the soldier has come to abrupt terms with the futility of warfare and how there is no sense of nationalistic glory to be gained from it- hughes is criticisng the propaganda of the brittish goverment.

34
Q

bullets smacking the belly out of the air

A

plosives in b and s create a hard and violent noise that add to the chaotic tone in reading the poem
smacking is a violent personfiications of bullets however the semantic field of mixing charictarstics of humans weapons and nature creates a disjointed and confused atmosphere as its unsnure as to why the bullets are targetted at nature
throughthe smentic field hes exposing the useless nature of war and how there is no victor
we can also see the effect of warfare on the surroundings, constrast to exposure, we can feel sympathy for the destrction of nature as it wears human traits

35
Q

lugged a rifle numb as a smashed arm

A

lugged draws connotations to a physical struggle as he is unprepared and young, not fit for his position in war but mostly no one should be subject to the atrocities of war
numb and cold shows how commiting mass acts of vioelcen is uncomfortable and out of character for him
aso is an uncofortable metaphor that continues to blend the differnt positions in war

36
Q

king honour human dignity etc

A

here he uses an aeyndetic list to mock the traits that propaganda used to employ unwilling youths into warfare with the promise it would be ‘over by chritsmas’, etc shows a boredom as the true atoricites of warfare have revealed that these titles are insignificant

37
Q

cold clockwork of the stars and nations

A

humans are completely dehumansied here to pawns in a game betwen higher powers, the metaphor here exposes the useless loss of life in war and the corrupt nature of it
the hard constoance in the alliteration of c makes the poem more disjointed and puts a light on this section so the reader fully takes in the extremity of the soldiers suffering
clockwork draws connotations to the war being mechanical and calculated, further dehumanising the soldiers

38
Q
A