London Flashcards

1
Q

form

A
  • dramatic monologue
  • first person
  • can only observe
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

finish the quote : ‘charter’d…

A

…street’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

finish the quote : ‘charter’d…

A

Thames does flow’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

‘charter’d’

A
  • repetition
  • makes increasing amount of control seem inescapable
  • it covers both land - ‘street’ and water - ‘Thames’
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

finish the quote: ‘every..

A

…cry of every man’
…Infant’s cry of fear’
…voice, in every ban’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

‘every…’

A
  • repetition
  • universal misery
  • emphasises the misery of ALL of the Londoners
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

topic of the third stanza

A
  • Blake blames the church and the monarchy
  • blaming the state - rejects authority
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

structure

A
  • 4 stanzas
  • four lines
  • regular structure
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

topic of the first stanza

A
  • suffering - ‘weakness’
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

final line

A
  • ‘And blights with plagues the Marriage hearse’
  • curse
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

cyclical

A
  • starts and ends with suffering
  • poet is implementing a cyclical structure
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

rhyme scheme

A
  • strong alternate rhyme - ABAB
  • reflective of relentless misery
  • 4x de-DUM - mimics walking - iambic tetrameter - seven syllables instead of eight on lines 4,9,10,11,12,14 and 15 - represents how control can lead to weakness
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

finish the quote: ‘the mind forg’d mannacles…

A

…I hear’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

‘the mind forg’d mannacles I hear’

A
  • the control is mental and therefore total
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

finish the quote: ‘marks of weakness…

A

..marks of woe’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

‘marks of weakness, marks of woe’

A
  • strong negative image - people are made weak and sad by living in London
  • changing nature of London - Blake left London for a few years
17
Q

imagery in first quatrain

A
  • visual imagery
  • ‘charter’d street’
  • ‘every face I meet’
  • ‘marks’
18
Q

imagery in second quatrain

A
  • aural imagery
  • shows how it is harder to escape noises than sights
  • evidence of London’s control is all around
  • ‘cry’
    -‘voice’
  • ‘ban’
  • ‘hear’
19
Q

finish the quote: ‘runs in blood…

A

..down palace walls’

20
Q

‘runs in blood down palace walls’

A
  • image suggests that the monarchy is responsible for the negative impact it is having on its people
21
Q

finish the quote: ‘marriage..

A

…hearse’

22
Q

‘marriage hearse’

A
  • juxtaposition
  • ‘marriage’ -> new life
  • ‘hearse’ -> death
  • suggests how London can destroy even the most pure thing
23
Q

finish the quote: ‘blasts the new..

A

..born infant’s tear’

24
Q

‘blasts the new born infant’s tear’

A
  • image suggests how London’s corruption is reaching newborns
  • inevitable and inescapable
25
Q

finish the quote: ‘blights..

A

…with plagues’

26
Q

‘blights with plagues’

A
  • by suggesting that London is like a disease or an illness -> Blake suggests that it will corrupt many people and is incurable
27
Q

soundscape

A
  • ‘cry’
  • ‘curse’
  • ‘sigh’
  • what he hears as he wonders through london
  • all have negative connotations
28
Q

imagery

A
  • semantic field of suffering
29
Q

title - ‘London’

A
  • establishes poem’s topic
  • declarative and unadorned with description and opinion
  • suggesting how it will depict London “as it is”
30
Q

‘charter’d’

A
  • dual meaning
  • referring to the amount of trade occurring
  • political and economic control - a document that expresses ownership of the land
31
Q

‘charter’d Thames’

A
  • Blake mocks the economic control of the Industrial Revolution
  • the Thames, nature, is not something that can be controlled
32
Q

finish the quote: ‘every black’ning..

A

..church appalls’

33
Q

‘every black’ning church appalls’

A
  • ‘black’ning’ - walls are turning black - corruption
  • ‘appalls’ - shock and disgust -> turn pale
34
Q

capitalisation of ‘Man’, ‘Infant’, ‘Chimney-sweeper’, ‘Church’ and ‘Soldier

A
  • entities of people
  • against ‘Palace’
  • unhappy
  • potential for revolution
35
Q

finish the quote: ‘youthful…

A

…Harlot’s curse’

36
Q

‘youthful Harlot’s curse’

A
  • Harlot
  • a prostitute
  • juxtaposition between purity and sordidness
  • highlights London can corrupt everything
37
Q

mood and tone

A
  • a sense of inevitability pervades throughout the poem -> shown in repetition - ‘cry’ ‘mark’ ‘every’
  • critical - persona criticises many aspects of London life -> such as ‘black’ning church’ -> negative impact it has on others