Afternoons Flashcards

1
Q

structure

A

‘The leaves fall in ones and twos
From trees bordering
The new recreation ground’
- enjambment
- makes poem feel relentless
- just like the mundanity experienced by the people in the poem

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2
Q
  • ‘Setting free their children.’
  • structure
A

-end stopped lines
- sense of finality
- the mundanity of everyday life is inescapable

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3
Q

stanzas

A
  • three stanzas of equal length
  • everything is the same
  • normal, everyday life is boring and cycle cannot be broken
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4
Q

‘setting free…

A

…their children’

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5
Q

‘setting free their children’

A
  • domestic life is like a cage
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6
Q

title - ‘afternoons’

A
  • after noon, the peak of the day
  • the ‘stage’ of a person’s life that could mirror
  • “settling down stage”
  • 30’s onwards
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7
Q

‘From trees bordering
The new recreation ground.’

A
  • image of control
  • trees have been planted around the park on purpose
  • suburban life
  • seems overcontrolling
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8
Q

‘an estateful…

A

…of washing’

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9
Q

‘an estateful of washing’

A
  • image emphasises how never-ending domestic work is
  • women are trapped by domesticity
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10
Q

‘lying near…

A

…the television’

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11
Q

‘lying near the television’

A
  • image suggests that love has mellowed and has become taken for granted
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12
Q

‘summer…

A

…is fading’

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13
Q

‘summer is fading’

A
  • metaphor
  • prime part of life is over
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14
Q

‘unripe…

A

…acorns’

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15
Q

‘unripe acorns’

A
  • image of youth
  • emphasises that children aren’t ready yet to take over from their parents
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16
Q

‘their beauty…

A

…has thickened’

17
Q

‘their beauty has thickened’

A
  • criticises the women’s physical appearance as they have gotten older
  • sexist
18
Q

‘hollows’

A
  • the afternoons are empty
19
Q

title - ‘afternoons’ - language

A
  • pluralisation
  • implies that all afternoons are the same - monotony
20
Q

‘summer…

A

…is fading’

21
Q

‘summer is fading’

A
  • declarative sentence
  • creates a neutral, observational tone
22
Q

‘young…

A

…mothers’

23
Q

‘young mothers’

A
  • women’s identities are rooted in their motherhood
  • lost their individuality
24
Q

‘skilled…

A

…trades’

25
Q

‘skilled trades’

A
  • ordinary working-class people
26
Q

‘before them, the wind is…

A

…ruining their courting-places’

27
Q

‘before them, the wind is ruining their courting-places’

A
  • lines suggest that women are powerless
  • can only stand and watch as their ‘courting places’ are ruined
28
Q

‘expect to…

A

…be taken home’

29
Q

‘expect to be taken home’

A
  • women are secondary in their own lives
  • their children are more important
30
Q

‘(But the lovers…

A

…are all in school)’

31
Q

‘(But the lovers are all in school)’

A
  • undermines love
  • brackets make the line stand out
  • emphasises that the next gen is destined to do the same as their parents
  • life is monotonous
32
Q

‘something is pushing them…

A

…to the side of their own lives’

33
Q

‘something is pushing them to the side of their own lives’

A
  • vague and observational
  • clear that the women have become secondary in their own lives
  • not clear how or why
34
Q

‘Behind them’

A
  • prepositional phrase
  • suggests that there is a distance between husbands and wives
35
Q

mood and tone

A
  • initially observational - ‘summer is fading’ - declarative
  • negative and cynical tone - ‘an estateful of washing’ , ‘their beauty has thickened’