LFTVD usefulness and limitations Flashcards

1
Q

Barthes - Semiology (usefulness)

A

Can be applied to any sign, including language and image, to reveal connotations and ideologies

Useful for micro analysis of media language

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2
Q

Barthes - Semiology (limitations)

A

Does not explain anything specific to LFTVD as it is a general theory of signification

Less useful for macro analysis of media language elements

Does not mention anything about the ownership and control of TV

Does not mention anything about the process of mediation that leads to narratives in TV

Does not mention how audiences interpret LFTVD and give meaning in different ways to the same signs

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3
Q

Neale - Genre theory (usefulness)

A

Was originally developed to explain film genres but can also be applied to LFTVD as they similarly require an intertextual relay of pre-publicity and reviews to generate large audiences

Draws attention to the processes of difference within repetition (variation)

Draws attention to the process of hybridity

Acknowledges how genres are shared codes which establish audience expectations

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4
Q

Neale - Genre theory (limitations)

A

Underestimates the power of high production values, star actor system and exoticism in marketing LFTVD

Does not acknowledge how some LFTVD may emphasise individual difference rather than generic similarity

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5
Q

Strauss - Structuralism (usefulness)

A

Can be applied to a range of media products including LFTVD

Can be used to analyse the narratives in LFTVD by studying how they may set up an “us” vs “them” / insider vs outsider opposition which encourage the audience to pick sides

Can be used to analyse representations by establishes which side the narrative values

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6
Q

Strauss - Structuralism (limitations)

A

Does not explain anything specific to LFTVD

Does not mention anything about the ownership and control of TV

Does not mention anything about the process of mediation that leads to narratives in TV

Does not mention how audiences interpret TV and give meaning to

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7
Q

Todorov - Narratology (usefulness)

A

Can be applied to a range of media products including LFTVD

Useful in helping us to identify the key elements (equilibrium and disruption) within narratives

Useful in teasing out the underlying messages and values within a narrative

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8
Q

Todorov - Narratology (limitations)

A

Was originally developed to explain single strand narratives, therefore does not explain complex or long form serial narratives where narrative structure is often disrupted

Does not help to understand the segmentation of narratives

Does not help to analyse narrative strands that do not add anything to the narrative but instead establish characters, side stories or cliffhangers

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9
Q

Baudrillard - Postmodernism (usefulness)

A

Can be applied to a range of media products including LFTVD

Applies to LFTVD which refuse any identification of reality in a fictional world

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10
Q

Baudrillard - Postmodernism (limitations)

A

Does not explain anything specific to LFTVD

Unfalsifiable as the theory cannot be proved as true or false

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11
Q

Hall - Representation (usefulness)

A

Can be applied to a range of media products including LFTVD

Acknowledges the power of the TV industry in constructing representations

Acknowledges the power of the audience to decode representations in different ways

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12
Q

Hall - Representation (limitations)

A

Does not explain anything specific to LFTVD

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13
Q

Gauntlett - Identity (usefulness)

A

Can be applied to a range of media products including LFTVD

LFTVDs often offer diverse and contradictory representations that audiences can use to construct their identity

LFTVDs often attempt to reach and engage with an international audience by representing international places and cultures

LFTVDs may achieve cult status which adds to their value in helping audiences to construct identities

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14
Q

Gauntlett - Identity (limitations)

A

Assumes the audience are powerful and active which underestimates the power of media conglomerates and the forces of global capitalism to shape pop culture, tastes and identities

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