Dracula - Context C1-4 - complete Flashcards

1
Q

Give the 3 places that the uncanny can arise in according to Freud

A

○ First, they can arise when primitive, supposedly disproved beliefs suddenly seem to be confirmed or validated once again.
○ Second, the uncanny can arise when repressed infantile complexes are revived.
- the juxtapositions f qualities that shouldn’t be mixed

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2
Q

what is the style of the novel

A

Epistolary

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3
Q

give 4 things that the story being written in epistolary style does

A

○ The form also gives a sense of immediacy and vividness which helps the reader feel the extreme emotions the gothic genre aims to invoke within its readers
§ Builds tension with shifting perspectives, as we know some things the characters don’t
§ It’s disorientating
§ Adds to the verisimilitude (as multiple people verify the account)

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4
Q

How do vampires pervert the sacrament of holy communion

A

○ Catholics are granted spiritual life by drinking the blood of Christ through transubstantiation
○ However Dracula is granted physical life by drinking the blood of humans

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5
Q

What does the use of vampires as (atheistic?) degenerate figures link to in the context of the Victorian period

A

○ This exploration of vampires and soulless, amoral, atheistic degeneration links to the context of an increasingly secularised society obsessed with technological and scientific advancement, and thus potentially on the brink of moral collapse due to a loss of religion

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6
Q

What does ray cluley think about whether Dracula is a masculine figure or not?

A

he says he is a highly masculine figure - ‘it may be that Dracula is the ultimate patriarchal fantasy’
As he is able to create more vampires by biting them, and hence he has the strength of men and the power of women and is thus completely self sufficient

Thus, he sees Dracula as the epitome of male dominance over women

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7
Q

Harker becomes increasingly _____as the first few chapters progress

A

feminised

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8
Q

what did V____say in Fortified Masculinity about the ideal male

A

the ideal male is in a ‘constant effort of closing oneself off to the Other’
(Other means foreignness, exoticism or strangeness)

§ Harker at once begins to lose this aspect of his masculinity when he starts eating foreign food and living in the strange castle Dracula

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9
Q

give 5 aspects of mascluinity highlighted by Samantha _ in ‘Dreading he knew not what’

A
  • virility
  • chivalry and morality
  • intent to exclude the other
  • asceticism
  • autonomy

○ Thus as the first four chapters progress, Harker loses his virility(constantly sleeping and often tired), intent to exclude the other(eating foreign food and living in a stranger’s house), his autonomy (as he becomes a prisoner), his asceticism (as he is sexually attracted to the vampire women), his chivalry (as he becomes increasingly fearful, although this is interspersed with moments of bravery like climbing into the Count’s room) and to a lesser extent his morality (which he sacrifices somewhat in his encounter with the vampire women? Or possibly sacrifices when he uses the crucifix however this is ambiguous as the crucifix seems to have protective qualities)

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10
Q

what is the study of physiognimy and give 2 main proponents of the ideas of physiognimy

A

a psuedo-scientific pursuit which included the judgement of the character of a person by their face
- cesare Lombroso - Italian criminologist famous for the study of physiognimy
- max nordau published ‘degeneration in 1892 on this topic

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11
Q

what are the two possible symbolci meanings of the castle dracula

A

psychoanalytic reading - it brings out harker’s subconscious desires
- or (gothic reading) brings out Harker’s and the readers primal fear of enclosed spaces

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12
Q

Who proposed the terror vs horror theory/frame for thinking about the gothic

A

ann Radcliffe (18th century author of gothic texts such as the Italian and teh Mysteries of Udolpho)

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13
Q

what is terror according to Radcliffe

A
  • it precedes the horrifying experience
  • it is dread/anticipation whcih can be drawn out putting a people in a state of anxiety
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14
Q

what is horror according to Radcliffe

A
  • the revulsion that follows a frightening experience
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15
Q

Describe the use of terror vs horror in the first four chapters of Dracula

A
  • the sense of terror builds on the way
  • horror = seeing Dracula climb down the wall in a ‘lizard fashion’
  • and the vampire women (horror)
  • and the count in the coffin gorged with blood like a ‘leech’
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16
Q

what is the sublime and how does it link to the first 4 chapters

A
  • vast/dark/gloomy/threatening/great and overpowering objects
  • there is delight/pleasure mingled with ‘horror’ (according to John Dennis)
  • links to castle Dracula
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17
Q

In 18__, sir Charles ___ publishes ‘__ ___ __’ , what does it say And why is it significant

A

the earth is millions of years old (it should be much younger according to the bible)
- this challenges literalist Christianity

18
Q

what was Catholicism associated with in Victorian Britain

A

Foreign customs/superstitions

19
Q

when did Darwin publish his books nd what was it called and why was it significant

A

arwinism - ‘On the Origin of Species’ published 1859
○ Directly challenged Christian creationist and design theories
○ Also begged the question of where the soul comes from?
§ The culmination of the Victorian love of science and Christian values
- The challenge of science to religion led to religious polarisation

20
Q

How are vampires ‘other’

A

○ Part of the irrational world
○ Operate at night
Live in the world of dreams and nightmares

21
Q

How is otherness ambiguous in society

A

both glamorous and threatening

22
Q

what is liminality

A

tension between antithetical states of being

23
Q

how are vampires liminal (what antithetical states do they straddle)

A

○ Human and animal
○ Living and dead
○ Young and old
○ Sane and mad
○ Modern and ancient
§ The characteristic of immortality/eternality straddles these two oppositions
○ Master and servant
§ Which Dracula literally straddles
§ But also metaphorically as the vampire has lots of physical strength (physical mastery), but is made servile by his desire for blood

24
Q

What does sue ___say about the vampire

A

‘the vampire frequently acts as a lightning rod for the specific cultural anxieties of the moment’

25
Q

What are wolves symbolic of

A
  • predators
  • fear of the unknown/supernatural
  • connects to werewolves
  • disturbed natural states
26
Q

how is the crucifix an ambiguous symbol?

A
  • is it a religious weapon/form of defence?
  • or is it a mark of superstition
27
Q

what is the idea of the angel in the house and who was it modelled on

A
  • Queen Victoria (a symbolic mother for the country)
  • she was a supportive mother, wife, homemaker, with impeccable virtues
  • blended piety and domesticity
28
Q

when was Dracula published

A

1897 (At the end of queen Victoria’s dates)

29
Q

give queen victorias dates

A

1837-1901

30
Q

how is it significant for the novel that it was published at the end of queen victorias reign

A

she was aging
- there was a sense that traditional values of womanhood were in decline with her

31
Q

what was the idea of the new woman

A
    • Progressive women in search of economic, educational and sexual liberation(the ability to choose sexual partners
    • while maintaining social respectability
    • Proto-feminist (as not yet seeking suffrage)
32
Q

What is female hysteria

A
  • a condition that some women suffered because they didnt conform to society (particularly societal expectations around sex, and hence they repressed sexual desires leading to:
  • nervousness
  • insomnia
  • irritability
  • loss of appetite
  • ‘tendency to cause trouble’
33
Q

what are the two contrasting biblical examples of femininity

A
  • eve and the Virgin Mary
34
Q

what is the Madonna whore dichotomy

A
  • a distinction between types of femininity rooted in the biblical distinction between eve and the Virgin Mary
  • women are pure Madonna or impure whore
35
Q

what did Freud say about the Madonna Whore dichotomy

A

‘where such men love, they have no desire, and where they desire, they cannot love’

36
Q
  • what is a fallen woman
  • How are fallen woman a danger to the morality of men - give an example from the bible
A
  • eve corrupts Adam by committing original sin
  • Adam is thus the victim
  • a woman who has had sex before marriage = a fallen woman
  • thus in the same way as eve tempts Adam, a fallen woman tempts men as she has given into temptation
37
Q

how is the bedroom a very gothic place

A
  • dreams, nightmares and sex happen here
  • it is so personal it is almost symbolic of the id?
38
Q

Give an example of a cultural object that explores the dream-reality liminality

A

Henry Fuseli’s ‘the nightmare’ (1781)
= it depicts a damsel in distress who is trapped under an incubus
- it is unclear whether she is dreaming of the incubus or whether it is really there

39
Q

Compare Philip ___’s painting in ____ (date) called ‘the Vampyre’ to Henry Fuseli’s the nightmare

A

Jones 1897
- the man is the victim, a woman is vampirically sucking male blood
- showing the growing cultural anxiety around fallen women/women as temptresses rather than victims

40
Q

name 7 important gothic trope words to get into essays

A
  • virginal female victims
  • the troubling fantasy world of sleep and trance-like states
  • sin
  • transgression
  • taboo
  • eroticism
  • anxieties/preoccupations with x
41
Q

in the 19th century what 4 gothic tropes become linked TRIAL DELETION

A

sin, transgression, taboo and eroticism