Dracula - C1-4 - complete Flashcards

1
Q

What does the epigraph of the novel contribute to

A
  • it’s verisimilitude
  • the epigraph states the events of the novel are ‘facts’
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2
Q

What does Harker begin the story as

A

the epitome of the Victorian rational man

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3
Q

give a piece of evidence demonstrating Harker is the epitome of the Victorian rational man

A
  • his diary is regulated with notions of time ‘left Munich at 8:35 pm’
  • his world is punctual, civilised, regular and rational
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4
Q

give a quote showing Harker transitioning to the foreign Transylvania

A
  • he sees himself ‘leaving the West and entering the East’
  • ○ He also notes how ‘the further east you go the more unpunctual are the trains’, showing his transition from civilisation to barbarism
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5
Q

Give a quote showing how Harker is stepping into a world where appearance and reality have become disjointed, and the transparent window between perception and reality is hence undermined
- how does this affect the rational Victorian man?

A

‘The women looked pretty, except when you got near them’
- □ In this setting, the rational Victorian man has lost all his power, as rationality depends upon transparent perception in order to be useful

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6
Q

How does Harker’s enlightenment thinking hinder him at this point

A
  • His nature thus makes him unable to understand the warning signs from the locals about Castle Dracula, as he is so contemptuous and so far removed from a world of folklore and superstition.
    ○ This could be a comment from Stoker about the blindness of the rational, modern man, who has lost the ability to sense the warning signs of evil
    § Perhaps this is part of the wider gothic preoccupation with characters who are ignorant, and made vulnerable through that ignorance, of the presence of danger
    □ This is part of a wider Victorian fear that enlightenment thinking and scientific advancement could be made vulnerable by its dismissal of different ways of thinking
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7
Q

Give two interpretations of Harker’s comment about a woman in Transylvania having a dress ‘almost too tight for ___’

A

‘modesty’
○ This is showing his humanity slipping through the cracks of the Victorian shell?
○ It potentially demonstrates his moral weakness early on?
- Alternatively,
○ This shows deep-set Victorian repression, as he denies sexual feelings
○ These subconscious desires are then released and displayed in castle Dracula

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8
Q

What is Harker’s religion at the start

A

Protestant

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9
Q

What is Harker handed by a Transylvanian person when he goes to visit castle Dracula

A
  • a Catholic idol - a crucifix
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10
Q

what happens when Harker travels in the coach in the dark and wolves begin howling around the coach

A

reality becomes confused with dream states
= he says ‘ i must have fallen asleep and kept dreaming of the incident’
- this is a liminal state

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11
Q

How does Harker feel when he is in the coach surrounded by wolves

A

he becomes overcome with a ‘paralysis of fear’

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12
Q

Give 3 key quotes about Dracula’s appearance

A

‘Tall’
‘Clad in black’
‘ strength which made me wince’
‘Cold as ice’
‘More like the hand of a dead than a living man’
‘A very marked physiognomy’

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13
Q

give a quote linking The count to the pseudo science of physiognomy

A

He has a ‘very marked physiognomy’

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14
Q

How does the description of Dracula link to Cesare ___ ‘portrait of the___ man’

A

Lombroso - criminal
- both the criminal man and Count have pointed noses like ‘beaks’ and ‘pointed ears’
- note that pointed ears are also associated with the devil

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15
Q

Give a quote showing draculas masculine vitality/virility

A

He has ‘astonishing vitality’ for a man so old
- this also is uncanny as it twists conceptions of natural aging into something unnatural

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16
Q

how does Dracula’s aristocratic nature link to his masculinity

A
  • he owns the castle, demonstrating a dominant masculinity
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17
Q

why is Victorian masculinity associated with ownership

A

as the capitalist system and the rise of bourgeois culture invoked the renewed fetishisation of property, and connected personal with financial and material success (ownership).

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18
Q

How is aristocracy more masculine than middle-class entrepreneurship/professional work

A
  • Draculas aristocratic right to this ownership sets him above even enterprising Victorian men, as his property is a fundamental right, integral to himself as a character
    • It also means he never has to compete with other men and thereby quantify or in any way measure his masculinity against others
      ○ The aristocracy, in their ability to sidestep of capitalist competition, thus lie divinely transcendent
      ○ This transcendence of societal standards and competition later develops (in the mid twentieth century) to being interpreted as a weak and effeminate trait, as the very act of capitalist competition and the hardship required to become a self made man, becomes integral to the masculine ideal. It is thus that the fall of the aristocracy takes place in England, as exemplified in Brides-head Revisited
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19
Q

What does Dracula make Harker feel and what does this mean

A

’nausea’
- He has an instinctive and visceral reaction to Dracula, he has a natural human response to evil which he should trust, but is irrational
○ This could be stoker again exploring the danger of secularism and rationality at the expense of all else

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20
Q

Give a quote showing Harker’s facade of rationality and self control slipping and analyse it

A
  • ‘I am in a sea of wonders. I doubt. I fear. I think strange things, which I dare not confess to my own soul’
    ○ He is slipping into a world of uncertainty, of emotion and irrationality
    ○ There is something so primal and raw about the way he is expressing his state of mind. He is reduced to his humanity, and this is a reminder of vulnerability. The civilised human has nothing to fear, and every reason to hope for immortality (as we drink from the elixir of progress). The wild and free human must fear everything as alone we are weak.
    The indubitable simplicity of the way in which he describes something, which it is unlikely he could rationally explain, shows his transition to a more internalised/subjective view of the world, rather than the Enlightened one.
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21
Q

What is significant about Harker being kept up all night by Dracula and then sleeping long into th day

A
  • His natural circadian rhythms are disrupted
    • His waking hours become the night, where the subconscious runs free in dreams
      ○ This shows how castle Dracula is becoming a place where his subconscious is freed and explored
      ○ It also explores the liminality of dream and sleep states
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22
Q

Analyse the quote ‘___must not run ___with me. If it does i am __’

A

Imagination , riot, lost
○ It shows how he knows so little of the darker recesses of his own subconscious there is a danger that he becomes lost in his own mind
§ This perhaps questions whether rationality causes self-estrangement, as it divorces two parts of the self, and leaves the emotional side unchecked
□ Perhaps Stoker is suggesting that leaving emotions to broil in the shadows of your being leads them to fester and become dangerously potent - like a hungry man being refused food for a long time, who is eventually desperate enough to eat a human.

23
Q

Give a quote about Dracula and mirrors and analysis it

A

No reflection of him(Dracula) in the mirror!’
- Perhaps this is exploring how perception (that which science relies upon) is not transparent
- Perhaps it shows Dracula has no soul
- Perhaps it is a sign of the uncanny
- this also links to Carter’s use of mirrors. She uses them as windows to the soul sometimes

24
Q

Give a quote showing Harker’s emasculation by Dracula

A
  • he realises the count has ‘carried me here and undressed me’
25
Q

give a quote about Harker seeing Dracula gorged on blood

A

‘filthy leech, exhausted with his repletion’ / ‘swollen flesh’
- greed is also one of the seven deadly sins

26
Q

Give a quote showing a comparison between mina and the vampire women

A

‘Mina is a woman, and there is nought in common. They are devils of the Pit!’

27
Q

Which character could castle Dracula represent

A

the count himself

28
Q

what does the train symbolise

A

-Connection with the modern world/the lack of trains shows a lack of modernity/civilisation
‘The further east you go the more unpunctual are the trains’

29
Q

Give a quote describing the Carpathian Mountains

A

Imaginative whirlpool’ of the Carpathian Mountains
○ Entering into a world of superstition and barbarism (as barbarism is associated with superstition)

30
Q

What kind of dreams does Harker have at castle Dracula

A

‘queer dreams’
○ Harker likes routines and this is disturbed
○ The natural state of sleep is being disturbed - natural order disturbed
○ This foreshadows the idea that Dracula makes him nocturnal by keeping Harker up at night

31
Q

Give a quote about modernity vs ancient times

A

“And yet, unless my senses deceive me, the old centuries had, and have, powers of their own which mere “modernity” cannot kill.”

32
Q

What are primal fears and give examples

A

instinctive, innate, original fears, fear of things which could threaten our survival
Examples of them = enclosed spaces, darkness, blood, isolation

33
Q

What kind of fears does the gothic exploit

A

the primal fears of the audience - not just the anxieties of the time
- These primal fears are universal
○ They are just as strong for modern as Victorian readers

34
Q

Give a quote about entrapment

A

Doors, doors, doors everywhere, and all locked and bolted. In no place save the windows in the castle walls is there an available exit. The castle is a veritable prison, and I am a prisoner!’
(Can just say I am a prisoner)

35
Q

how does Harker feel when he realises he is a prisoner

A

sort of wild feeling came over me…I think I must have been mad for a time for I behaved much as a rat does in a trap’

36
Q

Give 3 possible ways characters can be metaphorically trapped

A
  • Oppressive social systems/status/convention/gender roles/victorian thinking
37
Q

What could Harker be trapped by
Under this reading what does castle Dracula be for him?

A
  • Harker could be trapped by conventional form of masculinity
    • Castle Dracula holds his subconscious desires and the doors are doors to his subconscious desires
      ○ He is on a metaphorical journey into his own subconscious
38
Q

Give a quote about liminality in the scene with the vampire women

A

‘I must be dreaming’

39
Q

give a quote linking to physiognomy from the vampire women scene

A

‘high aqualine noses’

40
Q

give 2 quote about the appearance of the vampire women

A

‘ruby of their voluptuous lips’
‘Thrilling and repulsive’

41
Q

How does Harker describe his desire for the vampire women

A

’i felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down’

42
Q

what is the laugh of the vampire women described as

A

Silvery, musical laugh…hard…intolerable, tingling sweetness of water-glasses when played on by a cunning hand’

43
Q

How is Harker described as passive and feminine in the vampire women scene - give a quote

A

I lay quiet, looking out from under my lashes in an agony of delightful anticipation’

44
Q

What does Dracula say about Harker in the vampire women scene

A

‘This man belongs to me!’

45
Q

what do the vampire women do when they are refused Harker as their supper

A

feed on a baby - in a subversion of the maternal

46
Q

give examples of the vampire women being zoomorphised

A

they are like ‘animals’
They have sharp teeth

47
Q

give examples of precious imagery in teh vampire women scene and what it shows

A

the women are described with words like ‘golden’, ‘ruby’ and ‘pearl’
- links to temptation

48
Q

give quotes showing the vampire women as sexual creatures

A

‘lips’ ‘kiss’ ‘red’ ‘voluptuous’

49
Q

Give 2 examples of quotes suggesting the vampire women scene is an expression of Harker’s subconscious desires which were previously repressed

A

‘know her face’
‘Dreamy fear’

50
Q

give an example of a quote exemplifying the Madonna whore antithesis in the vampire women scene

A

Wicked, burning desire that they would kiss me’
- Repulsive to the side of him that wants the Madonna, thrilling to the side that wanted the whore
- Every good thing is offset by a bad thing in the description

51
Q

Give a quote suggesting a homoerotic dimension to Harker and Dracula’s relationship

A

‘this man belongs to me!’
Possession is also a euphemism for sex

52
Q

Explain how the theme of possession links to the gothic

A

as to be possessed is to lose control, for your identity to be subsumed and lost, for the liminality between the self and the desires of the self to be explored. Where are you in your passionate desires? How much is the self the desire, and how much is it the leader of desire (as enlightenment/classical philosophy would dictate)
- these could have been key cultural anxieties of the time which the gothic exploited

53
Q

give 1 connections between the start of Dracula dn the bloody chamber

A
  • They both start with a journey into the unknown
    ○ Transition from west to east/civilisation to barbarism/rational to irrational in Dracula
    ○ Transition from girlhood to womanhood, mother to husband, Virginity to sexuality
    § Marriage and the east are both threatening in their own way - perhaps the level of subjective threat they hold for each of the main characters of the two stories is analogous (Harker is to east as the Marquise is to marriage)
54
Q

What is mina’s job

A

she is a teacher of etiquette (teaching decorum and propriety)