Chapter Eight: Design Decisions Flashcards

1
Q

The arrangement of shapes, lines and ornamental effects to create an artistic whole known as:

A

design

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2
Q

Any portion or part in relation to the whole:

A

proportion

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3
Q

NOT one of the three levels of observation:

A

shape

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4
Q

The three-dimensional representation of shape is called:

A

form

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5
Q

The outline or silhouette of an object is known as:

A

shape

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6
Q

Parallel to the horizon and floor and create a feeling of maximum weight and stability:

A

horizontal

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7
Q

A two-dimensional representation of form consisting of length and width, but not depth is called a(n):

A

shape

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8
Q

A symbol that will help you identify the straight and curved lines, angles and direction of a hair design is called a(n):

A

celestial axis

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9
Q

The visual appearance or feeling of a surface that can be smooth or rough is known as:

A

texture

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10
Q

The three primary colors are yellow, blue and:

A

red

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11
Q

When all units are identical expect for position, the design principle is known as:

A

repetition

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12
Q

When two or more units repeated in a sequential repetition, this design is better known as:

A

alternation

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13
Q

When all units are similar yet gradually, change proportionately in an ascending or descending scale, this type of design principle is called:

A

progression

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14
Q

Which design principal refers to units that are opposite, creates variety and stimulates interest?

A

contrast

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15
Q

Balance in a design is identified by which of the following definitions?

A

A state in equilibrium between contrasting opposite or interacting elements in the design

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16
Q

What type of balance is created when the weight is positioned unequally from a center axis?

A

asymmetrical balance

17
Q

The standard proportion between the head and body of a woman that most artists use?

A

1 to 7

18
Q

Three-sectioning is an effective way to measure the proportions if the:

A

face

19
Q

When three-sectioning the facial areas, the middle or second section incudes:

A

the middle of the eyebrow to the tip of the nose

20
Q

Which facial shape looks good with almost any hair style, length or texture:

A

oval

21
Q

The front hairline and jaw are almost horizontal in which facial shape?

A

square

22
Q

A designer should NOT accentuate the narrowness at the temples and width at the jawline in what type of facial shape?

A

pear

23
Q

NOT considered if the client has a diamond facial shape:

A

adding width at the cheekbones

24
Q

True if the client has a heart facial shape:

A

leave fullness at the nape

25
Q

Describe the term “profile”:

A

an outline of the face from the side

26
Q

Straight, convex and concave are items used in design that refers to:

A

profile

27
Q

Adding volume to the fringe area and forehead will visually shrink the length of the nose in which profile?

A

convex

28
Q

A dominant, protruding forehead and chin with a small nose are characteristics of a:

A

concave profile

29
Q

True regarding design decisions about clients who wear glasses:

A

select large glasses for a large face

30
Q

What type of hair texture creates a wide silhouette and generally holds a style for a longer period of time?

A

curly and coarse

31
Q

Amount of hair follicles per square inch on the scalp:

A

density

32
Q

Wearing a coordinated outfit would fall into what style category:

A

classic

33
Q

A casual and comfortable closing style may be described as:

A

low maintenance

34
Q

Which service essential involves building rapport with your guests and putting them at ease:

A

connect

35
Q

Describes the outward reflection of inner thoughts, feelings, values and attitude:

A

personality