Chapter 21 (Early Italian Renaissance) Flashcards
In 1401, Ghiberti’s entry won the competition for the design of the baptistery doors for the Florence Cathedral partially based stylistically on its ____.
a new spatial illusionism
____ was one of the first Renaissance buildings conceived as a central-plan structure.
Pazzi Chapel
The duke of Mantua commissioned the frescoes of the Camera degli Sposi from Mantegna for which of the following purposes?
To glorify himself and his family
Which of the following architects wrote influential treatises on painting and architecture?
Alberti
In Masaccio’s Trinity the vanishing point can be found at which of the following?
at the foot of the Cross
Nanni di Banco achieved a unified spatial composition by placing the figures ____ and in relation to one another.
in a semicircle
In the treatment of space and narrative, Ghiberti’s Isaac and his Sons recall ____.
painting techniques
Employed by Ghiberti on his Gates of Paradise, presenting several episodes ______ was a medieval narrative method.
in a single frame
In Ghiberti’s Isaac and His Sons, the artist’s study of ancient art is especially apparent in the ____.
figure of Rebecca
In Perugino’s Christ Delivering the Keys of the Kingdom to Saint Peter, the artist has reminded the viewer of the link among Constantine, Saint Peter, and the basilica of Saint Peter. Which of the following is the vehicle used as that reminder?
The triumphal arches in the background
By ____ Donatello revolutionized relief sculpture in his image of Saint George and the Dragon.
creating an atmospheric effect using incised lines
____ took a fundamental step forward in his representation of Saint Mark by the contrapposto pose.
Donatello
Which of the following artists was the winner of the famous competition for the bronze doors of the Florence baptistery?
Ghiberti
____ was the Dominican monk who denounced the secular humanism of the Medici and others.
Savonarola
Which of the following accounts for the decline in the role Florence played in the support of the arts at the end of the 15th century?
Savonarola’s brief span of power