ch. 7 music from the early 19th century (1815-1850) Flashcards

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1
Q

the Industrial Revolution

A

a revolution in Europe; the invention of the steam engine, locomotives for trains, development of nightlife, building of massive structures such as the Eiffel tower. people moved from the countryside to the city to be factory workers. three urban social classes: the bourgeoisie, the capitalists (factory owners), the proletariat (laborers)

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2
Q

Romanticism

A

during the early 19th century, it referred to expressions in literature, music, and painting of an artist’s interior experiences of passion, restlessness, longing, and striving

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3
Q

who composed “Una voce poco fa”?

A

Gioachino Rossini (1792-1868)
* he wrote the opera buffa “Il barbiere di Siviglia”, from which the song “Una voce poco fa” comes from

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4
Q

how does it work? (una voce poco fa)

A

p. 175

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5
Q

double aria

A

an aria performed in 2 parts

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6
Q

what are the two parts of a double aria called

A

cantabile and cabaletta

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7
Q

coloratura

A

coloring; a style of singing that displays ornamental creativity and virtuosity

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8
Q

criticisms of Rossini

A
  • self plagiarism
  • musical criticisms of the richness of the orchestra
  • lack of text painting -> could not represent emotions, superficial
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9
Q

what did Rossini view the goal of his operas as?

A

to offer musical delight, rather than represent emotions

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10
Q

piano

A

a stringed zither no which 88 keys are attached to hammers, which strike the strings
* a successor to the harpsichord

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11
Q

who composed “Waltz in C-sharp Minor, Op. 64, No. 2”?

A

Frederic Chopin (1810-1849); he composed it in 1847

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12
Q

waltz

A

a ballroom dance for couples in triple meter

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13
Q

how does it work? (“Waltz in C-sharp Minor, Op. 64, No. 2”)

A

p. 188

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14
Q

rubato

A

robbed time; a slight lengthening of certain beats and a slight shortening of others

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15
Q

accelerando

A

speeding up the tempo

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16
Q

key elements of Chopin’s Romantic piano music

A
  • big chords
  • dynamic shifts
  • piano music
  • really short pieces
  • did not name his instrumental works beyond the genre + opus number
  • expression of innermost feeling, improvisation, musical nationalism (Poland), romantic themes
17
Q

stylistic elements of Chopin’s music?

A
  • fluctuating tempos, rubato (robbed time)
  • use of piano pedal to create a watery, dream-like experience
  • new, intricate harmonies that are complex
18
Q

how was banjo brought to North America?

A

Enslaved Africans brought the concept of the banjoy during the 17th century and recreated it in North America. White musicians adopted it for use in minstrel shows

19
Q

banjo

A

a fretted, long-necked plucked lute with 4 strings running the length of the neck and a fifth, shorter string running halfway up the neck
* descendent of the “ekonting” from West Africa

20
Q

blackface minstrelsy

A

highly derogatory theatrical performance
* performed in blackface
* comedy, music, tricks, parody of African-Americans
* precursor to Broadway
* developed in predominantly urban-class, commercial working zones where interracial interaction was common

21
Q

typical characters of minstrelsy

A

Jim Crow, Mr. Tambo, Zip Coon, Mammy

22
Q

ballad

A

a short song that tells a story

23
Q

Stephen Collins Foster

A
  • 1826-1841
  • considered the first important composer of American popular song
  • produced ~200 songs
  • freelancer
24
Q

Stephen Collins Foster’s compositions

A
  • heard in minstrel shows, saloons, theater productions, variety shows, band concerts
  • success from social + technological factors
    • songs performed by minstrel troupes on tour
    • sheet music publishing business expanded
    • rapid growth of public music education
25
Q

Ernest Hogan (1865-1909)

A
  • African American, from Kentucky
  • toured as a comedian + minstrel performer in blackface
  • one of the founders of ragtime, but he also wrote minstrel songs